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8,108 stories from DC Theatre Scene

This Is All Just Temporary from Convergence Theatre (review) by John Bavoso

Autism, family obligation, and innovative design collide on stage in Olivia Haller's This Is All Just Temporary, Convergence Theatre's contribution to the 2018 Women's Voices Theater Festiva…

SOURCE: DC Theatre Scene at 10:41am on January 22, 2018

Waxing West, a Romanian immigrant's American dream (review) by Kelly McCorkendale

Waxing West is a rich, moving story of immigration, culture clash, and revolution"the common political kind and a deeper, internal, personal kind. A little over a decade after the Romanian R…

SOURCE: DC Theatre Scene at 8:03am on January 22, 2018

Pointless Theatre's Imogen, a romance with puppet (review) by Debbie Minter Jackson

It's always a treat to see what Pointless Theatre does with a story, and they rise to new levels with their take on one of Shakespeare's rambling masterworks.  The program notes that Shak…

SOURCE: DC Theatre Scene at 7:48am on January 22, 2018

Everything Is Illuminated at Theater J (review) by Emily Priborkin

Brilliant ideas are charming on paper. They coax professors to smile and experts to furiously nod in agreement. Ideas that you think, when executed, would fly without a falter. But brilliant…

SOURCE: DC Theatre Scene at 7:47pm on January 21, 2018

How the federal government shutdown impacts DC area theatres by Lorraine Treanor

Despite the shutdown of the federal government, Jefferson’s Garden will continue its full run (January 19 to February 8) at Ford’s Theatre. The concern arose when Congress was un…

SOURCE: DC Theatre Scene at 8:30am on January 20, 2018

Four looks at love: Love Is a Blue Tick Hound (review) by Jill Kyle-keith

Part of the Women’s Voices Theater Festival, Love Is A Blue Tick Hound gives us not one play but four by local playwright Audrey Cefaly. These mini one-acts are but a half hour long ea…

SOURCE: DC Theatre Scene at 3:33pm on January 19, 2018

The one and only Pamela Reed in The Humans: the one and only play touring the country by Christopher Henley

"Are you kidding? I'd dance in a parking lot to do this play!" Pamela Reed was explaining to me her reaction to the offer of the role of Deirdre in The Humans. The 2016 Tony winner for Best …

SOURCE: DC Theatre Scene at 12:34pm on January 19, 2018

Tartuffe: director, designers and cast members on the French farce once banned by the Catholic Church by Jon Jon Johnson

I typically like to think of myself as someone well informed about the world of DC's Indie Theatre Community, so it came as a shock to me that I'd completely missed the formation of Perisphe…

SOURCE: DC Theatre Scene at 12:00pm on January 19, 2018

Director Nataki Garrett on Jefferson's Garden "when slavery flourished in the garden of America" by Kate Colwell

When Nataki Garrett was 9 or 10 years old, her aunt took Garrett, her sister, and two cousins to visit Thomas Jefferson's home of Monticello. Garrett remembers walking through the gardens an…

SOURCE: DC Theatre Scene at 12:19pm on January 18, 2018

Creating the Wolves all-girls soccer team. How the cast got their game. by Keith Loria

Put a group of high school junior girls together and the conversations could range from anything from boys to movies to selfies, but when those girls are part of a win-now, demanding soccer …

SOURCE: DC Theatre Scene at 10:01am on January 18, 2018

Constellation's The Skin of Our Teeth from vision to design to performance. by Jon Jon Johnson

Thornton Wilder's The Skin of Our Teeth serves as a mammoth of a play, covering time between the ice age to the post-apocalyptic future. Creating this hilarious, poignant, and heart-warming …

SOURCE: DC Theatre Scene at 11:28am on January 17, 2018

Hamilton closes the Hippodrome's 2018-2019 season by Tim Treanor

Baltimore’s Hippodrome, which specializes in brief visits by touring Broadway hits and classics, will offer a 9-production 2018-2019 season anchored by a June, 2019 visit from Hamilton…

SOURCE: DC Theatre Scene at 11:09am on January 17, 2018

Rabbit Summer from Ally Theatre Company (review) by Debbie Minter Jackson

In the poster for Rabbit Summer, a woman wearing a glamorous dressing gown stands provocatively, hands seemingly on her hips.  A closer look through the shadows reveals she's actually hol…

SOURCE: DC Theatre Scene at 11:58am on January 16, 2018

Queens Girl in Africa: conversation with 5 women: its author, designers, dramaturg and actor by Jon Jon Johnson

After reviewing statistic after statistic about gender parity in the fields of playwriting and directing, I'm excited for the second Women's Voices Theater Festival. Queens Girl in Africa…

SOURCE: DC Theatre Scene at 6:24am on January 16, 2018

Birthing Opera: The Next Generation of Washington National Opera's American Opera Initiative by Susan Galbraith

This coming weekend Washington National Opera will showcase its most vital work: insuring the future of the form by developing young creative talent through its American Opera Initiative (AO…

SOURCE: DC Theatre Scene at 6:16am on January 16, 2018

Theresa Rebeck's frothy and fanged Way of the World (review) by Jayne Blanchard

Ah, the 1%. If you can't join 'em, berate 'em. That's the thought behind Theresa Rebeck's cynical, screwball-funny, comedic bed-hopping The Way of the World, a fresh adaptation of William Co…

SOURCE: DC Theatre Scene at 12:28pm on January 15, 2018

Constellation's take on Thornton Wilder's The Skin of Our Teeth (review) by Missy Frederick

You know things are going to start getting weird when the woolly mammoth and the dinosaur show up at the front door. Indeed, Thornton Wilder's The Skin of Our Teeth may be a classic, but …

SOURCE: DC Theatre Scene at 11:16am on January 15, 2018

45 Plays for 45 Presidents at NextStop Theatre (review) by Tim Treanor

I have the answer to the question you all are dying to ask about NextStop’s new play — “how did it treat Millard Fillmore?” — but before we get to that let̵…

SOURCE: DC Theatre Scene at 10:54am on January 15, 2018

Leonard Bernstein's Trouble in Tahiti (review) by Susan Galbraith

Stillpointe Theatre, a Baltimore-based company known for its sharp takes on the American musical, has just entered the field of opera and became one of the first out of the gate this year to…

SOURCE: DC Theatre Scene at 10:46am on January 15, 2018

Review: John Lithgow: Stories by Heart by Jonathan Mandell

John Lithgow, a Tony winner for his very first Broadway show in 1973,  has decided to devote his 24th to the reading of two old short stories, Ring Lardner's "Haircut" and "Uncle Fred Fli…

SOURCE: DC Theatre Scene at 4:33pm on January 14, 2018

The Humans tour at The Kennedy Center (review) by Tim Treanor

“Home is the place where, when you go there,” Robert Frost wrote, “they have to let you in.” And so it is for the hapless Blake family, strivers and dreamers like all…

SOURCE: DC Theatre Scene at 12:17pm on January 12, 2018

On Your Feet! The Emilio & Gloria Estefan Broadway Musical (review) by Christopher Henley

"Do you have long knees?" The question came to me from the gentleman of a certain age who had the seat in front of mine at On Your Feet! The Emilio & Gloria Estefan Broadway Musical, …

SOURCE: DC Theatre Scene at 11:39am on January 12, 2018

Toby's Dinner Theatre meets Mel Brooks in Young Frankenstein musical by Keith Loria

"We have been doing a classical musical in the January/February slot, but it gets dark at 5, it's winter and cold, and that audience sometimes doesn't like going out,” director Mark Mi…

SOURCE: DC Theatre Scene at 7:37am on January 12, 2018

Women's Voices Theater Festival: 2 months to see 24 plays by women by Keith Loria

In the fall of 2015, the inaugural Women's Voices Theater Festival, showcased 62 female-penned world premiere plays. The festival was a rousing success, garnering interest in the playw…

SOURCE: DC Theatre Scene at 12:02pm on January 11, 2018

Guilt at Scena Theatre (review) by Steven McKnight

If your theatre tastes favor new and challenging works, Scena Theatre's world premiere of Guilt is worthy of your consideration with its interesting mélange of light comedy, dark tragedy…

SOURCE: DC Theatre Scene at 1:25pm on January 10, 2018
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