1,623 stories from exeuntmagazine.com
Real stories: Tracey Sinclair on Open Clasp's nuanced, heartfelt play looking at life after prison, based on the story of its real-life mother and daughter cast.
The post Review: don’t…
Skirting around sharp edges: James Varney reviews an all-male production of Jean Genet's The Maids which doesn't quite deliver on its promises.
The post Review: The Maids at HOME, Manchester…
"Be a mother to another": John Murphy writes on Akeim Toussaint Buck's engaging and accessible solo dance piece on the diasporic experience.
The post Review: Windows of Displacement at Sheff…
Dr Diana Damian Martin and Dr Margherita Laera introduce their new research project, a survey which will explore who writes about theatre and performance, and map the conditions they work un…
'Quiet and considered': Frey Kwa Hawking reviews Jack McNamara's production of Don DeLillo's play about a man in a vegetative state
The post Review: Love-Lies-Bleeding at Print Room appeared…
'A spider's web of complicity and guilt': Ava Wong Davies writes about Anna Himali Howard's theatrical investigation of the impact of colonialism on Antigua
The post Review: A Small Place at…
Scottee is hosting Hamburger Queen, a "talent show for chubsters". Here, he explains why it's essential in an industry that doesn't make room for fat artists and audiences.
The post Fightin…
Flickering flames: Amy Borsuk writes on a production of Shakespeare's tragedy that makes artful use of candlelight.
The post Review: Macbeth at Shakespeare’s Globe appeared first on Ex…
'Meeting after meeting, difference after difference': Andy Edwards reflects on a triple bill of Estonian contemporary performance in Glasgow.
The post Review: Estonia Now Triple Bill at the …
Courage Everywhere, the NT's celebration of 100 years since (partial) womens' suffrage, begins with a powerful new play from Graeae.
The post Review: Courage Everywhere – ‘And Ot…
"This is a play about race matters by a writer for whom race matters not" - Desirée Baptiste unpicks the racist and ableist themes of Martin McDonagh's play.
The post A Very Very Very Dark …
'a bit like being occasionally struck by lightning': Frey Kwa Hawking writes on Made in China's fast-talking new show.
The post Review: Super Duper Close Up at The Yard appeared first on Exe…
Gift shop Frida Kahlo: Lilith Wozniak writes on Deborah Antoinette and China Blue Fish's sketch show, and asks what we want from feminist theatre.
The post Review: Queen Cunt: Sacred or Prof…
The boy with the lyre: Alice Saville writes on Anais Mitchell's infernal concept album-turned-musical.
The post Review: Hadestown at National Theatre appeared first on Exeunt Magazine.
'I hope for better stories than these': Tracey Sinclair writes on the prevalence of violence against women as plot device in her review of She Production's devised play.
The post It’s …
Rosemary Waugh chats to Jess Latowicki, one half of Made in China, about how their new show Super Duper Close Up draws inspiration from anxiety, feminism - and skincare.
The post Jess Latowi…
'Bafflement, interest and curiosity': Ka Bradley writes on Jodee Mundee's immersive insight into the lives of deafblind people.
The post Review: Imagined Touch at Barbican appeared first on …
'Let's talk about speaking': Lauren Mooney writes on Sue MacLaine Company's new show, inspired by the practice of Anchoritism.
The post Review: vessel at Battersea Arts Centre appeared first…
Hilarious, and electric: Freddie Machin writes on Scottee's celebration of fat bodies.
The post Review: Fat Blokes at Southbank Centre appeared first on Exeunt Magazine.
A broad brush: Louise Jones finds this adaptation of Jane Austen's novel yields uneven results.
The post Review: Sense and Sensibility at York Theatre Royal appeared first on Exeunt Magazine.
'a play about what makes a community, and what divides it': Nathan Lucky Wood reviews Kiln Theatre's take on Zadie Smith's novel
The post Review: White Teeth at Kiln Theatre appeared first o…
A new British Council project will support UK bloggers to discover and write about international work.
The post Opportunity: British Council bursaries for bloggers appeared first on Exeunt M…
Holding fiction to account: Peter Kirwan writes on the representation of madness in Nottingham Playhouse's revival of Alan Bennett's play.
The post Review: The Madness of George III at Notti…
Depth and complexity: Hannah Greenstreet writes on Iman Qureshi's Papatango Prize-winning play.
The post Review: The Funeral Director at Southwark Playhouse appeared first on Exeunt Magazine.
'Shiny baubles': Tracey Sinclair reviews Elayce Ismail's production of Dylan Thomas's radio play.
The post Review: Under Milk Wood at Northern Stage, Newcastle appeared first on Exeunt Magaz…
