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3,537 stories from The Arts Desk

Edinburgh Fringe 2025 reviews: The Ode Islands / Delusions and Grandeur / Shame Show by David Kettle

Experimental digital performance art, classical insights and gay shame in three strong Fringe shows The Ode Islands, Pleasance at EICC ★★★★

SOURCE: The Arts Desk at 4:18pm on August 19, 2025

Edinburgh Fringe 2025 reviews: Ordinary Decent Criminal / Insiders by David Kettle

Two dramas on prison life offer contrasting perspectives but a similar sense of compassion Ordinary Decent Criminal, Summerhall ★★★★★ 

SOURCE: The Arts Desk at 7:03pm on August 15, 2025

Edinburgh Fringe 2025 reviews: Kinder / Shunga Alert / Clean Your Plate! by David Kettle

From drag to Japanese erotica via a French cookery show, three of the Fringe's more unusual offerings Kinder, Underbelly, Cowgate ★★★  Drag artist Goody Prostate (yes, …

SOURCE: The Arts Desk at 5:48am on August 15, 2025

Edinburgh Fringe 2025 reviews: The Horse of Jenin / Nowhere by David Kettle

Two powerful shows consider the Israeli-Palestinian conflict, with mixed results The Horse of Jenin, Pleasance Dome ★★★★★ 

SOURCE: The Arts Desk at 5:54am on August 14, 2025

The Two Gentlemen of Verona, RSC, Stratford review - not quite the intended gateway drug to Shakespeare by Gary Naylor

★★★ THE TWO GENTLEMEN OF VERONA, RSC, STRATFORD Youth-oriented version of youthful play Shakespeare trying out lots of ideas that were to bear fruit in the future I have…

SOURCE: The Arts Desk at 4:48pm on August 13, 2025

Edinburgh Fringe 2025 reviews: The Fit Prince / Undersigned by David Kettle

A joyful gay romance and an intimate one-to-one encounter in two strong Fringe shows The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holi…

SOURCE: The Arts Desk at 5:48am on August 13, 2025

Tom at the Farm, Edinburgh Fringe 2025 review - desire and disgust by David Kettle

A visually stunning stage re-adaptation of a recent gay classic plunges the audience into blood and earth As shockingly beautiful as it is horrifyingly brutal, actor Armando Babaioff's deepl…

SOURCE: The Arts Desk at 8:36am on August 10, 2025

Works and Days, Edinburgh International Festival 2025 review - jaw-dropping theatrical ambition by David Kettle

Nothing less than the history of human civilisation is the theme of FC Bergman's visually stunning show With the sheer density of theatrical creations jostling for attention across Edinburgh…

SOURCE: The Arts Desk at 7:36pm on August 9, 2025

Every Brilliant Thing, @sohoplace review - return of the comedy about suicide that lifts the spirits by Helen Hawkins

Lenny Henry is the ideal ringmaster for this exercise in audience participation The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, …

SOURCE: The Arts Desk at 9:36am on August 9, 2025

Edinburgh Fringe 2025 reviews: The Beautiful Future is Coming / She's Behind You by David Kettle

A deft, epoch-straddling climate six-hander and a celebration (and take-down) of the pantomime dame at the Traverse Theatre The Beautiful Future is Coming, Traverse Theatre ★★�

SOURCE: The Arts Desk at 5:18am on August 9, 2025

Good Night, Oscar, Barbican review - sad story of a Hollywood great's meltdown, with a dazzling turn by Sean Hayes by Helen Hawkins

Oscar Levant is an ideal subject to refresh the debate about media freedom Back in the day, when America's late-night chat show hosts and their guests sat happily smoking as they shot the br…

SOURCE: The Arts Desk at 9:54am on August 7, 2025

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by Henry Naylor / Alex Berr by Veronica Lee

Tabloid excess in the 1980s; gallows humour in reflections on life and death Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★★★

SOURCE: The Arts Desk at 8:06am on August 6, 2025

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed by David Kettle

Twists in the tail bring revelations in two fine shows at the Traverse Theatre Lost Lear, Traverse Theatre ★★★★ A rehearsal room; a tense preparation session for a p…

SOURCE: The Arts Desk at 3:48am on August 5, 2025

Make It Happen, Edinburgh International Festival 2025 review - tutting at naughtiness by David Kettle

James Graham's dazzling comedy-drama on the rise and fall of RBS fails to snarl You could distinctly hear the murmurs of recognition from the Edinburgh audience " responding to knowing menti…

SOURCE: The Arts Desk at 5:03am on August 4, 2025

Edinburgh Fringe 2025 reviews: I'm Ready To Talk Now / RIFT by David Kettle

An intimate one-to-one encounter and an examination of brotherly love at the Traverse Theatre I'm Ready to Talk Now, Traverse Theatre ★★★★

SOURCE: The Arts Desk at 7:12am on August 3, 2025

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at the Planetarium / PAINKILLERS by David Kettle

Three early Fringe theatre shows offer blissed-out beats, identity questions and powerful drama Alright Sunshine, Pleasance Dome ★★★★★

SOURCE: The Arts Desk at 6:12am on August 1, 2025

Top Hat, Chichester Festival Theatre review - top spectacle but book tails off by Gary Naylor

★★★★ TOP HAT, CHICHESTER FESTIVAL THEATRE Lovely to look at, but don't think too much Glitz and glamour in revived dance show based on Fred and Ginger's movie Af…

SOURCE: The Arts Desk at 6:12am on August 1, 2025

The Daughter of Time, Charing Cross Theatre review - unfocused version of novel that cleared Richard III by Helen Hawkins

The writer did impressive research but shouldn't have fleshed out Josephine Tey's story Following confirmation that he was the owner of the bones found in a Leicester car park in 2012, Ri…

SOURCE: The Arts Desk at 4:54am on July 31, 2025

Evita, London Palladium review - even more thrilling the second time round by Matt Wolf

Andrew Lloyd Webber's best musical gets a brave, biting makeover for the modern age Would Jamie Lloyd's mind-bending revival of Evita win through twice in four weeks, I wondered to myself, …

SOURCE: The Arts Desk at 12:48pm on July 30, 2025

Maiden Voyage, Southwark Playhouse review - new musical runs aground by Gary Naylor

★★ MAIDEN VOYAGE, SOUTHWARK PLAYHOUSE All women crew sail around the world, singing, grouching and bonding Pleasant tunes well sung and a good story, but not a good show As th…

SOURCE: The Arts Desk at 2:42pm on July 29, 2025

Brixton Calling, Southwark Playhouse review - life-affirming entertainment, both then and now by Gary Naylor

★★★★★ BRIXTON CALLING, SOUTHWARK PLAYHOUSE The story of two men & one venue is a delight Nostalgic, but the message is bang up to date What a delight i…

SOURCE: The Arts Desk at 2:32pm on July 28, 2025

The Winter's Tale, RSC, Stratford review - problem play proves problematic by Gary Naylor

★★★ THE WINTER'S TALE, RSC, STRATFORD Bleak production that skewers male jealousy Strong women have the last laugh, but the play's bizarre structure overwhelms everything T…

SOURCE: The Arts Desk at 2:32pm on July 28, 2025

Inter Alia, National Theatre review " dazzling performance, questionable writing by Aleks.sierz

Suzie Miller's follow up to her massive hit Prima Facie stars Rosamund Pike Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble's …

SOURCE: The Arts Desk at 12:06pm on July 27, 2025

A Moon for the Misbegotten, Almeida Theatre review - Michael Shannon sears the night sky by Matt Wolf

Rebecca Frecknall shifts American gears to largely satisfying effect Michael Shannon's long legs reach to the stars - or perhaps one should say the moon - in the Almeida's hypnotic revival …

SOURCE: The Arts Desk at 11:02am on July 24, 2025

Burlesque, Savoy Theatre review - exhaustingly vapid by Matt Wolf

Adaptation of 2010 film is busy, bustling - and bad "It all starts with a snap," or so we're told early in the decidedly un-snappy Burlesque, which spends three hours borrowing shamelessly …

SOURCE: The Arts Desk at 12:06pm on July 23, 2025
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