Short-a-Day: Haruki Murakami's "U.F.O. In Kushiro"
Originally published in The New Yorker, Mar. 19, 2001. Personal enjoyment rating (out of 100): 8.[Translated, from the Japanese, by Jay Rubin.] A bit of an opportunistic reprint, here, by Th…
Originally published in The New Yorker, Mar. 19, 2001. Personal enjoyment rating (out of 100): 8.[Translated, from the Japanese, by Jay Rubin.] A bit of an opportunistic reprint, here, by Th…
Originally published in The New Yorker, Feb. 28, 2011. Personal enjoyment rating (out of 100): 93. "Why aren't you eating?" he asked."I saw a fly land on it," I admitted.With irritatio…
We first meet Anna (Kristen Bush) as she, a stony and/or stoic adjunct, is being dumped by an older professor, Simon (Matthew Rauch), who we will never see again. That's fine: in the next hu…
Stephanie Dickinson (Lois Robbins) is a prickly nurse, which is to be expected: for years she's been reduced to nothing more than a potted fixture beside her boss, Dr. Julian Winston (Maxwel…
Originally published in The New Yorker, March 14th, 2011. Personal enjoyment rating (out of 100): 53.Coover, he of the experimental concept stories. Here's a life, told through the vague and…
Photo/Jill SteinbergJesse (Jennifer Conley Darling) lies there in a hospital bed, sipping lime water through a straw. In flashbacks, her husband Noel (Pierre Marc-Diennet) enters through the…
Originally published in The New Yorker, Feb. 14 & 21, 2011. Personal enjoyment rating (out of 100): 11.I never thought of killing Jenna. I didn't think about killing anyone I actually kn…
A famous tragedy once wondered, "What's in a name?", but it's doubtful that Shakespeare, a master of double-talk and other precise tricks of English, ever thought that question would come so…
[Note: Due to an unfortunate circumstance, I was unable to see Part 3: Nursing, by today's opening. Given how unrelated the first two plays were, and how strongly negative my reaction to the…
Originally published in Little Kingdoms (1993). Personal enjoyment rating (out of 100): 83.There's a bit of Pale Fire in this, a story told through the gallery notes for the twenty-six portr…
The last thing an audience wants is to be told that they're entering limbo for the next seventy minutes, so it's a ballsy move on Ashlin Halfnight's part to have the characters in God's Wait…
Originally published in Little Kingdoms (1993). Personal enjoyment rating (out of 100): 76."Grapes swell on our slopes, deer graze in the grassy trench between our walls, and in the winding …
"Hello Flux," reads a recent blog posting on the website of the Flux Theatre Ensemble. "I didn't know about your company or this show until I read the NY Times review. I noticed it because…
Originally published in The New Yorker, February 7, 2011. Personal enjoyment rating (out of 100): 23.I declare a war on storytelling terrorists like Hadley, you know, the sort of people who …
Originally published in Little Kingdoms, 1993. Personal enjoyment rating (out of 100): 92.The animated cartoon was nothing but the poetry of the impossible -- therein lay its exhilaration an…
"Visually enchanting . . . dazzling" - New York Post"Bono and The Edge have contributed stellar songs. SPECTACULAR!" - New Jersey Star-Ledger "Succeeds thunderously! I was riveted." - …
Photo/Isaiah TanenbaumAfter the apocalypse, long past our scavenging and regression to a Clockwork Orange-meets-Shakespeare argot ("In a mutant's anus, thou quark-witted son of a three-eyed …
Photo/Bella MuccariRobert Martin (Eric Weaver) is marrying Janet Van De Graaff (Whitney Branan), and it's the task of his best man, George (Colin Pritchard, doing a great Roger Bart), and he…
Photo/Michael Mahoney It's the unscheduled delay on the local train that convinces Christopher (Gregg Mozgala) to fake a sneeze, hoping to catch the eye of the pretty girl, Anna (Sara Buffam…
"Oh, we'd be so adult here," says Alan (Erin Gann), giddily ogling the newest lot in his father-in-law's precious gated community. How better to prove one's manhood, after all, than by playi…
Lathem (Kris Kling) is chilling in the cemetery with his bro Patio (Bryan Grossbauer), smoking some bud to take the edge off his father's recent death, a possible murder that's incorrectly, …
Between each of their productions, one can just imagine artistic director Jesse Berger sitting in a dark corner of a rehearsal space, plotting and scheming, using their excellent reading ser…
Photo/JP YimPerhaps younger demographics and changes in our future will turn this unsavory combination of social media and live theater into the next pairing of chocolate and peanut butter, …
Originally published in The New Yorker, Jan. 31, 2011. Personal enjoyment rating (out of 100): 91.One of the many nice things about Alice Munro as a writer, beside her effortless ability to …
Time and again, Sir Charles Worgan (Rob Breckenridge), the manager/publisher of dozens of newspaper magazines in England tells us that, as a practical businessman, he isn't concerned with th…