391 stories from Telegraph
Sam Mendes unveiled his version of Shakespeare's The Tempest in New York this week - but the production feels strangely muted.
His 1986 musical gave the world its darkest hero and broke every box office record going. Now, amid feverish anticipation, Andrew Lloyd Webber's 'Phantom' is returning. But is his creator co…
After singing Phantom in the West End, Rahim Karimloo is developing the character for Love Never Dies.
Jack O'Brien is the director of Love Never Dies, the follow-up to Phantom, the most successful show in history.
The cast do what they can, but Lanford Wilson's Serenading Louie descends from dullness to melodrama.
Dame Judi Dench delivers a performance of wondrous humour and warmth in Peter Hall's delightful production of A Midsummer Night's Dream.
Iain Glen and Lesley Sharp talk about their roles in a new production of the perennially shocking 'Ghosts' .
The Whisky Taster at the Bush Theatre displays a superb gift for comic dialogue by playwright James Graham.
A laborious production of Sam Shepard's passionate play is let down by its celebrity casting.
Antony Sher had to confront his prejudices as he helped relaunch a major British theatre in An Enemy of The People at the Sheffield Crucible.
Alan Ayckbourn is now 70, and this, incredibly, is his 73rd play. Sometimes I have accused him of writing on autopilot but My Wonderful Day finds him in top form - and breaking new ground.
Sheridan Smith talks about her leap from TV to the new hit stage musical 'Legally Blonde'.
As 'Every Good Boy Deserves Favour' is revived at the National Theatre, Britain's most infamous playwright talks politics, famous muses and the true meaning of 'Stoppardian'.
Sheridan Smith as Elle is the chief glory of Legally Blonde: the musical at the Savoy Theatre.
Sonia Friedman, the formidable producer behind the West End's latest hit musical, Legally Blonde - which took more than £2million in advance ticket sales - says that despite the recess…
After a hesitant start in her eagerly awaited stage debut, Knightley gets better and better.
Nine's knowingly tawdry fantasy of Sixties style is let down by Maury Yeston's score.
The Welsh actress Catherine Zeta Jones proved the missing ingredient last night when Trevor Nunn's latest production opened on Broadway. Stephen Sondheim and Hugh Wheeler's A Little Night Mu…
Alfred Molina often transcends Red's corny script but the play diminishes its subject, abstract expressionist Mark Rothko.
The Misanthrope has sparked a box-office frenzy - thanks to Keira Knightley making her West-End debut. Dominic Cavendish finds out how director Thea Sharrock pulled off this casting coup.
Nine, Rob Marshall's film adaptation of a Broadway Show, which stars Daniel Day-Lewis and Penelope Cruz amongst others, is a ravishing looking beast.
