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6,591 stories from Stage and Cinema

Preview: KISS OF THE SPIDER WOMAN (Palm Canyon Theatre, Palm Springs) by Tony Frankel

DESIRE, DANGER, AND A SONG TO SURVIVE Palm Canyon Theatre dives into one of Kander and Ebb's most intoxicating musical Palm Canyon Theatre brings bold heat to the desert with Kiss of the Spi…

SOURCE: Stage and Cinema at 4:13am on April 12, 2026

Dance Review: SYLVIA (American Ballet Theatre at Segerstrom Center) by Michael M. Landman-karny

DELIBES TAKES THE LEAD In ABT's return of Ashton's Sylvia, the best performance at Segerstrom wasn't onstage Frederic Ashton's Sylvia arrives at Segerstrom Center for the Arts after nine yea…

SOURCE: Stage and Cinema at 2:50am on April 12, 2026

Concert Review: STANDARD TIME WITH MICHAEL FEINSTEIN"ON THE TOWN (Carnegie Hall, Zankel Hall) by Rob Lester

THE SONGBOOK LIVES ON Feinstein's Carnegie Hall "On the Town" concert celebrates classic songs and those who wrote and performed them with style, wit, and swing Like a party that keeps going…

SOURCE: Stage and Cinema at 2:25am on April 12, 2026

Off-Broadway Review: THE PUSHOVER (John Patrick Shanley World Premiere, Chain Theatre) by Paola Bellu

POWER, CONTROL, AND WHAT LURKS BENEATH Shanley's psychological thriller simmers with tension, even when it overreaches John Patrick Shanley digs back into power and vulnerability in The Push…

SOURCE: Stage and Cinema at 2:50am on April 11, 2026

Theater Review: THE MERRY WIVES OF WINDSOR (Chicago Shakespeare Theater) by Emma S. Rund

WHEN SHAKESPEARE NEEDS A LITTLE HELP Physical comedy drives the laughs"sometimes to excess"in Phillip Breen's energetic production The Merry Wives of Windsor is not one of Shakespeare's most…

SOURCE: Stage and Cinema at 4:00am on April 10, 2026

ENTERTAINMENT AND THE BIG SCREEN: WHY THEATRE AND NIGHTLIFE HAVE GONE DIGITAL by Michael Carr

Walk into any cinema in the New York, Chicago, or Los Angeles today, and you'll find something interesting in the listings. Multiplexes aren't just filling their screens with Hollywood produ…

SOURCE: Stage and Cinema at 3:01am on April 10, 2026

Theater & Concert Preview: MY FAIR LADY IN CONCERT (Pacific Symphony in Costa Mesa) by Michael M. Landman-karny

THE RAIN IN SPAIN, UNRESTRAINED At full symphonic scale, My Fair Lady finally sounds the way it was written to be heard George Bernard Shaw got what he deserved. He spent decades refusing to…

SOURCE: Stage and Cinema at 6:33pm on April 9, 2026

Theater Review: MA RAINEY'S BLACK BOTTOM (Goodman Theatre, Chicago) by C.j. Fernandes

THE BLUES THAT BUILT AMERICA" AND THE COST OF SINGING THEM August Wilson's masterpiece lands with devastating force in a blazing Goodman revival Four black musicians amble into a recording s…

SOURCE: Stage and Cinema at 7:00am on April 9, 2026

Theater Review: UNCLE VANYA, SCENES FROM COUNTRY LIFE (La MaMa, NYC) by Paola Bellu

CHEKHOV, REIMAGINED IN BEAUTIFUL CHAOS Dmitry Krymov turns a classic into a surreal theatrical hallucination There are many ways to stage Anton Chekhov. You can do it the traditional way wit…

SOURCE: Stage and Cinema at 2:51am on April 9, 2026

4 DESIGN TRICKS FOR THEATER COSTUMES by John Todd

4 Practical Costume Tips for Period Theater Creating stunning period theater costumes relies on four key strategies. These include adapting historical silhouettes with modern materials, desi…

SOURCE: Stage and Cinema at 3:10am on April 8, 2026

Theater Review: THE OFFICIAL BIOGRAPHY (Her Story Theatre at The Den, Chicago) by C.j. Fernandes

A GREAT PERFORMANCE IN SEARCH OF A BETTER PLAY Gary Houston towers in a two-hander that never quite lives up to its premise Outside a run-down cottage in rural Connecticut, a white-haired ma…

SOURCE: Stage and Cinema at 2:51am on April 8, 2026

Theater Review: LOST IN YONKERS (Lesher Center for the Arts, Walnut Creek) by Chuck Louden

FAMILY, FEAR, AND FINDING A VOICE Neil Simon's coming-of-age drama blends humor and heartbreak in an intimate, character-driven production Now playing at Walnut Creek's Lesher Center for the…

SOURCE: Stage and Cinema at 2:50am on April 8, 2026

Theater Review: CHARLOTTE'S WEB (Wheelock Family Theatre, Boston) by Lynne Weiss

TERRIFIC, RADIANT, AND HUMBLE An age-appropriate exploration of death and the life-saving power of words Based on E. B. White's beloved children's book of the same title and adapted by Josep…

SOURCE: Stage and Cinema at 3:11pm on April 7, 2026

London Theatre Reviews: THE TEMPEST; SUMMERFOLK; LES LIAISONS DANGEREUSES (The Globe and National Theatre) by Carol Rocamora

DIRECTORS TAKE CENTER STAGE Bold vision and theatrical daring define a revelatory London season Directorial daring dominates the London stages this spring season, providing some of the most …

SOURCE: Stage and Cinema at 2:35am on April 7, 2026

Theater Review: THE SUGAR WIFE (The Artistic Home at Theater Wit, Chicago) by C.j. Fernandes

THIS SLOW-BURNING, DEVASTATING DRAMA REFUSES EASY ANSWERS The Sugar Wife is a gripping and complex examination of morality and the individual's responsibility towards society The Sugar Wife …

SOURCE: Stage and Cinema at 2:30am on April 7, 2026

Theater Review: DEATH OF A SALESMAN (A Noise Within, Pasadena) by Michael M. Landman-karny

THE DREAM ON CREDIT A clear-eyed, unsentimental staging that lets Miller's argument land with full force Arthur Miller finished Act I of Death of a Salesman in a single day and the rest in s…

SOURCE: Stage and Cinema at 2:02am on April 7, 2026

Theater Review: MARIETTE IN ECSTASY (Treehouse Collective, Boston) by Lynne Weiss

NO ECSTASY TO BE FOUND An effort to portray religious transcendence lacks focus and context Treehouse Collective describes itself as an ensemble-based theater company "dedicated to producing…

SOURCE: Stage and Cinema at 3:08pm on April 6, 2026

TECH HACKS FOR SMALL THEATERS by John Todd

4 Simple Tech Hacks To Modernize Small Theaters Four simple tech hacks to modernize small theaters include choosing reliable business-grade laptops for stage management, standardizing device…

SOURCE: Stage and Cinema at 3:30am on April 6, 2026

Cabaret Review: DONNA McKECHNIE " A MUSICAL MEMOIR (Laurie Beechman Theatre, NYC) by Rob Lester

A LEGEND STILL IN MOTION A radiant, nostalgic evening with a Broadway icon who continues to charm and connect Gracious, graceful, gratifying, glowing, glamorous. Some cabaret shows are every…

SOURCE: Stage and Cinema at 3:51am on April 5, 2026

Theater Review: THE ALLY (Theater Wit, Chicago) by C.j. Fernandes

ARGUMENTS WITHIN ARGUMENTS A fiercely intelligent play that challenges ideas more than it deepens character A large, welcoming room lined with stained wood bookshelves greets you when you wa…

SOURCE: Stage and Cinema at 2:30am on April 5, 2026

Opera Review: GILGAMESH: THE OPERA (Cerritos Center for the Performing Arts) by Nick McCall

EPIC SOURCE, EPIC SCORE, EPIC PRODUCTION An ambitious new opera that struggles to connect its spectacle to a coherent narrative Want to know the quickest way to make me hesitate seeing a new…

SOURCE: Stage and Cinema at 10:24pm on April 4, 2026

THEATER MARKETING IDEAS by Jim Allen

4 Practical Ways Theater Events Attract Crowds Packing every theater show requires four low-barrier tricks: placing outdoor signage beyond digital screens, maintaining consistent visual desi…

SOURCE: Stage and Cinema at 7:12pm on April 4, 2026

Theater Review: FLEX (San Francisco Playhouse) by Chuck Louden

HOOPS, HOPE, AND HARD TRUTHS Candrice Jones's coming-of-age sports drama scores with energy, authenticity, and ensemble fire San Francisco Playhouse has a strong track record with ensemble-d…

SOURCE: Stage and Cinema at 2:50am on April 4, 2026

Off-Broadway Review: SEXUAL MISCONDUCT OF THE MIDDLE CLASSES (Minetta Lane Theatre) by Alex Simmons

A DANGEROUS STORY, TOLD FROM THE OTHER SIDE A provocative two-hander that shifts the lens onto the older man in a fraught relationship Teacher-student affairs are a classic subject of drama …

SOURCE: Stage and Cinema at 2:30am on April 3, 2026

Off-Broadway Review: TITUS ANDRONICUS (Red Bull Theater at Pershing Square Signature Center) by Paola Bellu

FEAST ON THIS: BLOOD, REVENGE, AND A SHOCKINGLY GOOD TIME A ferocious, darkly funny take that makes Shakespeare's grisliest play thrillingly alive (Back) Anthony Michael Martinez, Zack Lopez…

SOURCE: Stage and Cinema at 10:30am on April 2, 2026
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