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1,727 stories from Culture Bot

Giving Us Paths Towards Healing: A Conversation with Playwright Ariel Stess by Audrey Kolker

Ariel Stess, a playwright from the desert of Santa Fe, loves water onstage: kiddie pools, hot tubs, atmospheric pits and mirages and mirrors. Her crafted worlds are not just eerie, isolated,…

SOURCE: Culture Bot at 12:18pm on July 18, 2025

The Wind in Alethea Pace's BETWEEN WAVE AND THE WATER: A Review and Reflection. by Immanuel J

For a story honoring the history within the water, I am struck by the wind.  It's 12:30 pm on a breezy Saturday afternoon in the Bronx. The days leading up to between wave and water are a…

SOURCE: Culture Bot at 12:18pm on July 14, 2025

In CURRICULUM III: PEOPLE, PLACES, AND THINGS Bill T. Jones Journeys Into the Heart of American Darkness by Brendan McCall

At the conclusion of the electrifying performance of Curriculum III: People, Places, and Things, members of the Bill T. Jones/Arnie Zane Dance Company took their bows to a standing ovation f…

SOURCE: Culture Bot at 12:18pm on July 14, 2025

Memory in Movement: Bill T. Jones' in MEMORY PIECE at NYLA by Brendan McCall

At the opening of Memory Piece: Mr. Ailey, Alvin…the un-Ailey?, we catch glimpses of Bill T. Jones dancing in and out of darkness. His flowing white pants and matching shirt caress his bod…

SOURCE: Culture Bot at 11:18am on July 10, 2025

An Artistic Inheritance: George S. Kaufman and Moss Hart's YOU CAN'T TAKE IT WITH YOU at the Brooklyn Center for Theatre Research by Thomas Wee

"What do we carry? What do we inherit?"  On one of the first hot, humid nights this spring, I entered the packed Brooklyn Center for Theatre Research's intimate loft space on Huron Street…

SOURCE: Culture Bot at 4:18pm on June 26, 2025

Ultimately, I'm Only Writing For Myself: A Conversation with Playwright Kallan Dana by Lee Folpe

Kallan Dana is a playwright, producer, theatermaker, and aspiring novelist from Portland, Oregon. Her work has been developed or presented with Clubbed Thumb, New Georges, The Hearth, The Ta…

SOURCE: Culture Bot at 4:18pm on June 26, 2025

The Vivid Luminosity That Words Can't Carry: Jean-Christophe Maillot's ROMÉO ET JULIETTE by Louise Greer

  How does one take a classic literary work shaped by poetry and weave it into movement? How can you craft a physical manifestation of a character's declarative words and let their psycho…

SOURCE: Culture Bot at 3:42pm on June 10, 2025

Serviceability with an Edge: A 21st Century Staging of the 1937 Hit YOU CAN'T TAKE IT WITH YOU by Jeff Careyva

You can't knock You Can't Take it With You. The 1937 Pulitzer Prize winning play, which just enjoyed a production at the Brooklyn Centre for Theatre Research, remains popular among high scho…

SOURCE: Culture Bot at 3:48pm on June 9, 2025

Stripping What Is Common and Universal: A Conversation with the Creative Team of Brett Neveu's REVOLUTION by Andrew Frye

In the basement of the Flea on Thomas Street, just inside The Siggy Theater, two millennials Puff and Jame, are debating how they'll celebrate Puff's birthday. They've just finished their sh…

SOURCE: Culture Bot at 4:12pm on June 6, 2025

Shaping The Moment Towards What it Seemed To Be Becoming: A Conversation with Eliya Smith on her Off-Broadway Debut GRIEF CAMP by Eve Bromberg

  Sitting down to work this afternoon, I selected to play my "On Repeat" playlist on Spotify: a selection of songs, continuously played, curated both by and for  me. As I started this …

SOURCE: Culture Bot at 11:18am on June 2, 2025

In REVOLUTION, Brett Neveu presents a radical vision of celebrations and the friends who make them possible by Lee Folpe

"Celebrations are rare these days." That's what Jame says to her best friend, Puff, the recently promoted and highly anxious manager at Revolution Cuts, a chain hair salon nestled in the mid…

SOURCE: Culture Bot at 6:42pm on May 29, 2025

La MaMA MOVES MFA Evening and The Gift of Time by Sophie Frizzell

For the 20th incarnation of La MaMa Moves! Dance Festival programming director Nicky Paraiso reminded us of the importance of experimental theater in times of political turmoil. Something te…

SOURCE: Culture Bot at 2:48pm on May 27, 2025

Piercing the Veil: Jesse Zaritt & Pamela Pietro and Jordan Demetrius Lloyd at La MaMa Moves! by Maia Sauer

The other day, I watched a subway dancer fall. Backflipping between metal rails, his hand slipped and he crashed back-first to the floor. For a moment, the train was still. No one had a scri…

SOURCE: Culture Bot at 12:32pm on May 27, 2025

At La MaMa Moves, a Joint Program Produces States of Grief and Sounds of Pleasure by Brendan McCall

Shared programs can be tricky. As a dance festival curator, part of the battle is attempting to describe a work of art effectively to the public while predicting their reaction. Putting two …

SOURCE: Culture Bot at 12:32pm on May 27, 2025

Plz Just Ask: TIDES by John Jasperse for La Mama Moves! Festival by Joëlle Santiago

"I wanted to see the John Jasperse piece at La Mama but didnt have money for a ticket, so I offered to write about it," I texted Jodi Melnick, performer-collaborator in the piece" who once g…

SOURCE: Culture Bot at 12:32pm on May 27, 2025

THE TRUTH IS THE TRUTH IS THE TRUTH IS THE: A Conversation with Hallie Chametzky on Gertrude Stein and Nuanced Reckonings by Hannah Liberman

I was sixteen in 2016, when Trump was elected for the first time. I went to the March for Our Lives in Boston. I fastened witty political buttons to my denim jacket. I put "activist" in my i…

SOURCE: Culture Bot at 11:18am on May 21, 2025

El Club MEG: La Mama Goes Post-Postmodern  by Emma King

The vibe was very: here we are in the midst of a fascist coup, what is left to fear? Lots, obviously. But the old obsessions with boundaries and criticism are too much to carry now.

SOURCE: Culture Bot at 8:06pm on May 20, 2025

La Mama Moves: How Do You Feel? While Nature Duels with Technology, Dance Contends with Its History and Future by Stefaniia Bern

As artificial intelligence takes over the world, many artists seem primed to abandon their inhibitions and experiment with the latest innovations. Concordance between art and technology is h…

SOURCE: Culture Bot at 11:24am on May 20, 2025

In SOONEST MENDED, Matthew Gasda Shows Off the Fashionable Foibles of the Educated Elite by Mark Woznicki

I could picture the eye rolls coming, the sheer exasperation. There could be no other reaction. "It's a play about this Brooklyn couple" they've been married for years, now they're opening t…

SOURCE: Culture Bot at 5:06pm on May 19, 2025

Conjuring a World of Complex Williamsian Women: A Conversation with Co-Artistic Director of The Fire Weeds, Jaclyn Bethany by Lindsey Walko

As a playwright, there's something very special about an early draft " unedited and raw, a jumble of ideas that tumble out in the most honest and immediate way. There's the potential for so …

SOURCE: Culture Bot at 10:36am on May 19, 2025

Heloise Wilson's ASTRONAUTS WANTED: An Approachable Story Written Deftly by Lindsey Walko

  Do I want to go to Mars? Not really, no. I was never one of those kids who looked up at the night sky and pointed to the stars and said "woah." I haven't even seen, for instance,  In…

SOURCE: Culture Bot at 10:36am on May 19, 2025

On Formulating of a Dance Ecosystem: A Conversation Taylor Schmuelgen and Kayla White, producers of THAT SHOW by Hannah Liberman

When I moved to New York in 2022, I was twenty-two, and I wanted to make dances. I knew a lot of artists my age and was lucky to have lots of great friends who had other great friends. (Mayb…

SOURCE: Culture Bot at 11:42am on May 16, 2025

A(U)NTS! Up Close by Helen Gallagher

With her uncanny ability to capture highly-specific instances and deeply darkly kept-secret feelings, along with her bravery to really go there with descriptions of the body and all of its i…

SOURCE: Culture Bot at 6:03pm on May 6, 2025

"He resists the very tempting urge to wink": Mona Pirnot on I'M ASSUMING YOU KNOW DAVID GREENSPAN, her Meta Masterpiece. by Eve Bromberg

There's a special type of actor who dwells in New York. Perhaps they've done film work" they're most likely still receiving residuals from Law and Order" but their primary dedication is to t…

SOURCE: Culture Bot at 5:32pm on May 2, 2025

Eric Bagosian's HUMPTY DUMPTY Shows Its Age. by Catherine Sawoski

Set in the year 2000, flip phones are everywhere in Humpty Dumpty. The two central couples, Hallmark characters with high-power city jobs, spend much of the play walking around desperately w…

SOURCE: Culture Bot at 11:54am on April 26, 2025
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