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1,714 stories from Culture Bot

At La MaMa Moves, a Joint Program Produces States of Grief and Sounds of Pleasure by Brendan McCall

Shared programs can be tricky. As a dance festival curator, part of the battle is attempting to describe a work of art effectively to the public while predicting their reaction. Putting two …

SOURCE: Culture Bot at 12:32pm on May 27, 2025

Plz Just Ask: TIDES by John Jasperse for La Mama Moves! Festival by Joëlle Santiago

"I wanted to see the John Jasperse piece at La Mama but didnt have money for a ticket, so I offered to write about it," I texted Jodi Melnick, performer-collaborator in the piece" who once g…

SOURCE: Culture Bot at 12:32pm on May 27, 2025

THE TRUTH IS THE TRUTH IS THE TRUTH IS THE: A Conversation with Hallie Chametzky on Gertrude Stein and Nuanced Reckonings by Hannah Liberman

I was sixteen in 2016, when Trump was elected for the first time. I went to the March for Our Lives in Boston. I fastened witty political buttons to my denim jacket. I put "activist" in my i…

SOURCE: Culture Bot at 11:18am on May 21, 2025

El Club MEG: La Mama Goes Post-Postmodern  by Emma King

The vibe was very: here we are in the midst of a fascist coup, what is left to fear? Lots, obviously. But the old obsessions with boundaries and criticism are too much to carry now.

SOURCE: Culture Bot at 8:06pm on May 20, 2025

La Mama Moves: How Do You Feel? While Nature Duels with Technology, Dance Contends with Its History and Future by Stefaniia Bern

As artificial intelligence takes over the world, many artists seem primed to abandon their inhibitions and experiment with the latest innovations. Concordance between art and technology is h…

SOURCE: Culture Bot at 11:24am on May 20, 2025

In SOONEST MENDED, Matthew Gasda Shows Off the Fashionable Foibles of the Educated Elite by Mark Woznicki

I could picture the eye rolls coming, the sheer exasperation. There could be no other reaction. "It's a play about this Brooklyn couple" they've been married for years, now they're opening t…

SOURCE: Culture Bot at 5:06pm on May 19, 2025

Conjuring a World of Complex Williamsian Women: A Conversation with Co-Artistic Director of The Fire Weeds, Jaclyn Bethany by Lindsey Walko

As a playwright, there's something very special about an early draft " unedited and raw, a jumble of ideas that tumble out in the most honest and immediate way. There's the potential for so …

SOURCE: Culture Bot at 10:36am on May 19, 2025

Heloise Wilson's ASTRONAUTS WANTED: An Approachable Story Written Deftly by Lindsey Walko

  Do I want to go to Mars? Not really, no. I was never one of those kids who looked up at the night sky and pointed to the stars and said "woah." I haven't even seen, for instance,  In…

SOURCE: Culture Bot at 10:36am on May 19, 2025

On Formulating of a Dance Ecosystem: A Conversation Taylor Schmuelgen and Kayla White, producers of THAT SHOW by Hannah Liberman

When I moved to New York in 2022, I was twenty-two, and I wanted to make dances. I knew a lot of artists my age and was lucky to have lots of great friends who had other great friends. (Mayb…

SOURCE: Culture Bot at 11:42am on May 16, 2025

A(U)NTS! Up Close by Helen Gallagher

With her uncanny ability to capture highly-specific instances and deeply darkly kept-secret feelings, along with her bravery to really go there with descriptions of the body and all of its i…

SOURCE: Culture Bot at 6:03pm on May 6, 2025

"He resists the very tempting urge to wink": Mona Pirnot on I'M ASSUMING YOU KNOW DAVID GREENSPAN, her Meta Masterpiece. by Eve Bromberg

There's a special type of actor who dwells in New York. Perhaps they've done film work" they're most likely still receiving residuals from Law and Order" but their primary dedication is to t…

SOURCE: Culture Bot at 5:32pm on May 2, 2025

Eric Bagosian's HUMPTY DUMPTY Shows Its Age. by Catherine Sawoski

Set in the year 2000, flip phones are everywhere in Humpty Dumpty. The two central couples, Hallmark characters with high-power city jobs, spend much of the play walking around desperately w…

SOURCE: Culture Bot at 11:54am on April 26, 2025

On This Turnless Page: LOVE ALONE ANTHOLOGY PROJECT at La Mama by Emma King

Before seeing this performance, I had never heard of gay writer and AIDS activist Paul Monette. Despite living through the AIDS crisis, choreographer Keith A. Thompson hadn't heard of him ei…

SOURCE: Culture Bot at 10:54am on April 24, 2025

Who's Your Leader? Kelly Bartnik on The Death of Rasputin and Why Everything Might Be a Cult by Theo Armstrong

Spring is in the air and, amidst the horrors, new productions abound! I caught up with Kelly Bartnik of Artemis is Burning to discuss upcoming previews for The Death of Rasputin, an immersiv…

SOURCE: Culture Bot at 8:24pm on April 16, 2025

In NYTW's BECOMING EVE Being Jewish is Living in Paradox by Jeff Careyva

TRADITION: it's what survives into the next generation, what parents and teachers pass along to their children, and what we find ourselves replicating for better or worse. If the present is …

SOURCE: Culture Bot at 11:03am on April 9, 2025

The truth is… A dance-theater retelling of the lives of Gertrude Stein and Alice B. Toklas by Theo Armstrong

As it turns out, Stein and Toklas did many things, some of them frightening and problematic, some of them strenuous and beautiful"all of them a legacy worth digging into. Chametzky was wise …

SOURCE: Culture Bot at 4:48pm on April 5, 2025

Anne Imhof "DOOM: House of Hope" at Park Avenue Armory by Kevin Ritter-jung

It's very easy to feel small, to feel helpless. But even in the midst of this dark time, we have the capacity to be present with each other, and through caring for each other when we are in …

SOURCE: Culture Bot at 4:48pm on April 5, 2025

The Devastation of A Frustrated Dream: Micaela Fariña and Gonzalo Quintana's La consagración de nadie (Unsuccessful) by Sophie Frizzell

A few weeks ago I got a gig working the book table at BODY/SHADOW, a Douglas Dunn + Dancers performance at Judson Church.  In preparation I perused the books" all penned by Dunn" for sale…

SOURCE: Culture Bot at 3:32pm on April 2, 2025

On Rhythmic Utterances, The Catharsis of Musicality, and Destabilizing Interactions: A Conversation with Playwright Abe Koogler by Eve Bromberg

When Deep Blue Sound announced its residence at The Public Theater, the playwrights in my MFA program were thrilled. Their response gave me an inkling as to what kind of playwright Abe Koogl…

SOURCE: Culture Bot at 2:12pm on March 28, 2025

The Whales are Missing: In Abe Koogler's DEEP BLUE SOUND, Politics Linger While Characters Humanize and The Audience is Drawn Near by Lindsey Walko

  Every American town has some marker that sets it apart from every other American town. I'm not talking about geography, population, values, or even baseball teams, but rather, those qui…

SOURCE: Culture Bot at 2:12pm on March 28, 2025

An Archive on Floppy Disks: A Conversation with Jennifer Ashley Tepper of THE JONATHAN LARSON PROJECT by Eve Bromberg

The musical Rent plays an important role not only in the history of American musical theatre, but also in the lives, hearts, and minds of that special class of earnest young people: The Thea…

SOURCE: Culture Bot at 4:42pm on March 25, 2025

Dear Kayla Farrish, Burn it Down! At Least the Ashes Will Enrich the Earth by Darvejon A. Jones

Imagine being told that what you have just experienced did not actually happen the way you experienced it, that it was actually just a collection of dissonant apparitions created by your own…

SOURCE: Culture Bot at 11:06am on March 24, 2025

In Dan Blick's LAKE GEORGE, Hell is the Liminality of A Holiday and a Rented Lake House by Lindsey Walko

Sartre was right when he said that "hell is other people". Nothing can encapsulate the feeling of purgatory like a family vacation at a rented lake house. Sartre's full quote should actually…

SOURCE: Culture Bot at 11:06am on March 24, 2025

In Her Solo Show MY WAY, Isabel Monk Cade Confronts and Then Arrives Home by Eve Bromberg

I first heard Isabel Monk Cade read her essay My Way"which has since become, through a collaboration with director Joy Donze, a fully-staged solo show" as part of The Dogtown Reading Series …

SOURCE: Culture Bot at 3:32pm on March 11, 2025

Miya Shaffer on "I Feel Like You Don't Trust Me" by TAQ Dance by Miya Shaffer

These haptic qualities enable the audience an imagined point of entry into the onstage sensations, inviting vicarious feeling of the braided hair, the waxiness of plant fronds, the lightness…

SOURCE: Culture Bot at 5:06pm on March 10, 2025
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