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2,260 stories from Chicago Theater Beat

Review: How to Be a Rock Critic (Steppenwolf Theatre) by Catey Sullivan

Rock critic Lester Bangs didn't live long " he died at 33 after overdosing on cough syrup " but his short career chronicling the gods of rock and roll had lasting impact. In the one-man show…

SOURCE: Chicago Theater Beat at 5:36pm on July 12, 2017

Review: Hamlet (Midsommer Flight) by Lauren Whalen

Now in its sixth season of presenting free Shakespeare in Chicago parks, Midsommer Flight both keeps Hamlet simple and dives into the complexities of mental illness, violence and the consequ…

SOURCE: Chicago Theater Beat at 1:18am on July 11, 2017

Review: The Nance (Pride Films and Plays) by Lauren Whalen

Douglas Carter Beane's The Nance, a play exploring the gay-stereotypes used in 1930's New York vaudeville, premiered on Broadway in 2013 starring Nathan Lane " an actor who himself has playe…

SOURCE: Chicago Theater Beat at 8:36pm on July 9, 2017

Review: Ragtime (Griffin Theatre) by Duane Barnes

Ragtime comprises an era, a jumble of hopes and dreams, energetic music, disasters, collisions , and a story of love, hope and tragedy. Its host, Griffin Theatre, is an ensemble of talented …

SOURCE: Chicago Theater Beat at 11:54pm on July 8, 2017

Review: The Gin Game (Drury Lane Theatre) by Catey Sullivan

The plot of D. L. Coburn's 100-minute, two-person drama sounds so simple you wonder how it could possibly be a compelling drama: Two people play half a dozen hands of gin. Yet within this sm…

SOURCE: Chicago Theater Beat at 7:48pm on July 6, 2017

Review: Changes " A Science Fiction Tap Opera to the Music of David Bowie (Chicago Tap Theatre) by Lauren Whalen

Chicago Tap Theatre first staged Changes, its sci-fi tap tribute to David Bowie, 11 years ago in the company's infancy, and re-staged it 5 years later. Despite *Changes* being their most req…

SOURCE: Chicago Theater Beat at 3:32pm on July 4, 2017

Review: Ah, Wilderness! (Goodman Theatre) by Catey Sullivan

Enter the world of most Eugene O'Neill plays and you'll find yourself in a world of hurt. The exception that proves the rule is Ah, Wilderness!, O'Neill's sole romantic comedy. Set on the 4t…

SOURCE: Chicago Theater Beat at 8:32pm on July 3, 2017

Review: The King and I (Broadway in Chicago) by Catey Sullivan

Visually sumptuous and sonically gorgeous, Broadway in Chicago's opulent national tour of The King and I is a throwback to the golden era of Rodgers and Hammerstein. Highly Recommended! (rea…

SOURCE: Chicago Theater Beat at 11:18pm on June 30, 2017

Review: Native Gardens (Victory Gardens Theater) by Catey Sullivan

Holy Virginia Creeper On a Stick. Not since before the November election have I laughed as long, hard and cathartically as I did at Karen Zacarias' Native Gardens. But what starts as a comed…

SOURCE: Chicago Theater Beat at 12:36am on June 30, 2017

Review: Hitler on the Roof (Akvavit Theatre) by Lauren Whalen

Akvavit Theatre's Hitler on the Roof creates a stunning mural of physical theater where the action is darkly beautiful and the stage picture constantly changing. Taking place in a basement p…

SOURCE: Chicago Theater Beat at 8:06pm on June 28, 2017

Review: Water & Power (UrbanTheater Company) by Duane Barnes

Great gifts can come in small packages. Likewise, great plays can come in small theaters. UrbanTheater Company's Water & Power is one of those great gifts. A tale of two brothers, non-i…

SOURCE: Chicago Theater Beat at 4:06pm on June 28, 2017

Review: Pass Over (Steppenwolf Theatre) by Catey Sullivan

Steppenwolf's world premiere Pass Over is the rare drama that will keep you utterly rapt from start to finish, while also spinning an unforgettable commentary on the problems that plague 21s…

SOURCE: Chicago Theater Beat at 6:48pm on June 27, 2017

Review: Her Majesty's Will (Lifeline Theatre) by Lauren Whalen

Beautifully adapted by Jeff Award-winner Robert Kauzlaric, Her Majesty's Will, based on the novel by David Blixt, imagines Shakespeare's early years as a swashbuckling adventure full of intr…

SOURCE: Chicago Theater Beat at 10:54pm on June 21, 2017

Review: The Night Season (Strawdog Theatre) by Lauren Whalen

With Strawdog Theatre's The Night Season, playwright and screenwriter Rebecca Lenkiewicz's creates a fable of a dysfunctional Irish family and the English actor who finds himself smack in th…

SOURCE: Chicago Theater Beat at 1:12am on June 20, 2017

Review: Relativity (Northlight Theatre) by Catey Sullivan

Playwright Mark St. Germain's intriguing Relativity, directed by BJ Jones, goes far deeper than the famously tousled shock of white hair that Einstein will forever be associated with. As Ein…

SOURCE: Chicago Theater Beat at 6:48pm on June 17, 2017

Review: Parade (Writers Theatre) by Catey Sullivan

Under Gary Griffin's direction, the musical Parade is an exquisitely rendered ensemble piece defined by richly nuanced performances and sonic majesty. Anchored by Patrick Andrews as Leo Fran…

SOURCE: Chicago Theater Beat at 2:05am on June 14, 2017

Review: Johnny 10 Beers' Daughter (Something Marvelous) by Lauren Whalen

Johnny 10 Beers' Daughter, brought to us by Something Marvelous, profiles individuals in war zones " in this case a father and daughter " but instead of intelligent and unpredictable, this s…

SOURCE: Chicago Theater Beat at 12:42am on June 8, 2017

Review: T. (American Theater Company) by Catey Sullivan

With the funny, perceptive T., playwright Dan Aibel's shows that an infamous sports attack didn't happen in a vacuum. Figure skating (and society's) rigid rules about how women should behave…

SOURCE: Chicago Theater Beat at 12:18am on June 4, 2017

Review: Paradise Blue (TimeLine Theatre) by Catey Sullivan

There's a fascinating, important story in Detroit's Black Bottom community, both in its thriving heyday and in the institutionalized racism that erased it. Playwright Dominique Morisseau sta…

SOURCE: Chicago Theater Beat at 11:06pm on June 1, 2017

Review: Time Stands Still (AstonRep Theatre) by Lauren Whalen

Thoughtfully penned, directed and acted, AstonRep Theatre's Time Stands Still features a complex female lead, whose actions affect those around her in realistic and surprising ways. Highly R…

SOURCE: Chicago Theater Beat at 11:06pm on May 30, 2017

Review: Seminar (Spartan Theatre) by Lauren Whalen

Theresa Rebeck's Seminar feels like a wannabe literary adaptation of "The Paper Chase." Instead of the law students, however, Seminar protaganists are wannabe novelists, living in New York w…

SOURCE: Chicago Theater Beat at 4:36pm on May 28, 2017

Review: Chicago the Musical (Drury Lane Theatre) by Catey Sullivan

After over a decade of pursuing the elusive rights to the show, Drury Lane finally got the green light to put their stamp on John Kander's and Fred Ebb's classic musical. Director William Os…

SOURCE: Chicago Theater Beat at 11:12pm on May 26, 2017

Review: Not About Nightingales (Raven Theatre) by Scotty Zacher

Based on real events, Not About Nightingales is Tennessee Williams' gut-wrenching account of events at a Philadelphia prison in 1937 when prisoners mounted a hunger strike in hopes of bringi…

SOURCE: Chicago Theater Beat at 8:18pm on May 22, 2017

Review: Shakespeare in Love (Chicago Shakespeare) by Catey Sullivan

Sparkling wit, a feel-good romance and a sexy, sassy, intelligent heroine - with those elements firmly in place, Chicago Shakespeare's Shakespeare in Love is just the thing to usher in the s…

SOURCE: Chicago Theater Beat at 7:54pm on May 20, 2017

Review: She Loves Me (Marriott Theatre) by Catey Sullivan

As romances go, She Loves Me, by Sheldon Harnick and Jerry Bock, is as pretty as a glossy-page perfume insert. In the Marriott Lincolnshire production, It is also just about as deep. Slightl…

SOURCE: Chicago Theater Beat at 9:36pm on May 18, 2017
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