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35,750 stories from The Guardian

The Wake review " response to hidden Irish histories is fuelled by fury by Helen Meany

Abbey theatre, DublinAmong three sharp leads, Aisling O'Sullivan is riveting as an Irishwoman learning disturbing truths about her home town in this revival of Tom Murphy's 1998 playFrom hig…

SOURCE: The Guardian at 4:43am on July 1, 2016

Frankie Boyle criticises 'cowardly' BBC for Israel joke apology by Sam Jones

BBC apologised for joke in which comedian compared Palestine to a cake being 'punched to pieces by a very angry Jew'Frankie Boyle has accused the BBC Trust of cowardly behaviour after it apo…

SOURCE: The Guardian at 2:34am on July 1, 2016

Boys Will Be Boys review " rude and raucous banking satire by Michael Billington

Bush Hall, London Melissa Bubnic's song-filled attack on the City of London is played with great brio by an all-female cast but stops short of landing a knockout blowMelissa Bubnic's play, j…

SOURCE: The Guardian at 8:21am on June 30, 2016

Present Laughter review " Coward revival glosses over charmless snobbery by Lyn Gardner

Theatre Royal, Bath Sparkling bons mots and Samuel West's fine performance as a self-obsessed matinee idol fail to disguise the deep unpleasantness of this farceBath's annual summer love aff…

SOURCE: The Guardian at 8:21am on June 30, 2016

Leap into the unknown: Natalia Osipova unveils three world premieres " in pictures by Guardian Staff

After making an explosive impact in the world of ballet, Natalia Osipova is experimenting with contemporary choreographers " and dancing with her offstage partner Sergei Polunin " in a tripl…

SOURCE: The Guardian at 3:55am on June 30, 2016

Portraying animals is more than just acting the goat by Lyn Gardner

From the sheep in the NT's As You Like It to the bunnies in the Watermill's Watership Down, actors have excelled at the difficult task of depicting all creatures great and smallAs the Waterm…

SOURCE: The Guardian at 3:55am on June 30, 2016

Adrienne Truscott: nudity is a very inexpensive and effective costume by Alexandra Spring

The performance artist-turned-standup on appearing naked from the waist down, male audiences and the chances of walking out of her show 'unraped'Asking For It five-star review: sophisticated…

SOURCE: The Guardian at 11:36pm on June 29, 2016

Nigel Terry obituary by Michael Coveney

Stage and screen actor known for his roles in The Lion in Winter, Excalibur and CaravaggioEvery now and then, a strange and mystical being wanders through the British theatre, and Nigel Terr…

SOURCE: The Guardian at 10:34pm on June 29, 2016

Comedy profile: Ginger and Black by Nosheen Iqbal

Armed with a guitar, a couple of stools and Ryvita-dry anecdotes, this toe-tapping twosome have got a colourful futureThe story so far: "Hi, we're Ginger and Black. Because I'm ginger and ..…

SOURCE: The Guardian at 9:25pm on June 29, 2016

Faith Healer five-star review " Brian Friel's masterpiece of stage mystery by Michael Billington

Donmar, London A lost world of showbiz exiles is evoked through powerful monologues, hauntingly delivered by Stephen Dillane, Gina McKee and Ron Cook Brian Friel's magical play can be seen i…

SOURCE: The Guardian at 7:22am on June 29, 2016

1984 " review by Michael Billington

Almeida, LondonThe fierce intelligence of the Almeida, Headlong and Nottingham Playhouse's spin on George Orwell shines through - but the play contributes to a worrying theatrical trendIt is…

SOURCE: The Guardian at 6:32am on June 29, 2016

King Lear review " Timothy West's foolish king divides a nation by Lyn Gardner

Bristol Old VicThe generations are at war in this stunningly timely tale of political turmoil, with West delivering an intelligent performance as Shakespeare's tragic rulerIf you want eviden…

SOURCE: The Guardian at 6:32am on June 29, 2016

Boys Will Be Boys: bankers' cabaret is an all-female Glengarry Glen Ross by Lyn Gardner

Top girls in the financial world are the focus of a musical show drawing on David Mamet and Peggy Lee. Its writer and director talk about female antiheroes, how they were inspired by Cate Bl…

SOURCE: The Guardian at 5:13am on June 29, 2016

Shock value: How Aamer Rahman's 'reverse racism' joke saved his career by Brian Logan

The Aussie comic on his YouTube hit, why teachers are using his video and how his 'police-related activity' means he won't be touring the US anytime soonLate last year, Aussie comic Aamer Ra…

SOURCE: The Guardian at 10:49pm on June 28, 2016

Daniel Radcliffe and Rupert Grint up for WhatsOn Stage awards by Mark Brown

Harry Potter alumni shortlisted for respective theatrical roles in The Cripple of Inishmaan and MojoHarry Potter graduates Daniel Radcliffe and Rupert Grint are among the nominees shortliste…

SOURCE: The Guardian at 8:34pm on June 28, 2016

Janet Suzman: how Paul Scofield's genius silenced a rehearsal studio by Janet Suzman

I was Portia in Stratford one year when Paul walked in, dropped his coat and delivered a speech so masterful I would have played a grain of sand just to be in the same room as himThe Royal S…

SOURCE: The Guardian at 6:26pm on June 28, 2016

Contractions review " Mike Bartlett's horribly plausible tale of workplace fear by Alfred Hickling

Crucible, SheffieldHow far would you go to keep your job? An employee finds her sex life is a matter for the HR department in this sleek-looking dramaMike Bartlett's play, which began life a…

SOURCE: The Guardian at 10:58am on June 28, 2016

King Lear, past and present " in pictures by Guardian Staff

Shakespeare's tragic monarch remains one of the most demanding roles in theatre. As Timothy West returns to the role at Bristol Old Vic, revisit the key portrayals on stage and screen, from …

SOURCE: The Guardian at 8:42am on June 28, 2016

Lend us your ears: how actors have handled key Shakespearean speeches by Michael Billington

From Hamlet's 'To be or not to be' to Macbeth's 'Tomorrow and tomorrow and tomorrow', Shakespeare's lines present an infinity of choicesEarlier this month, I took part in a fascinating discu…

SOURCE: The Guardian at 7:39am on June 28, 2016

Watership Down review " Rona Munro keeps the fur flying by Lyn Gardner

Watermill, NewburyMunro's adaptation of Richard Adams' classic novel is performed by a cast who prove that there's much more to playing rabbits than bouncing aroundRona Munro has come a long…

SOURCE: The Guardian at 7:39am on June 28, 2016

How to evoke a world in chaos? Let 13 teenage girls storm the stage by Lyn Gardner

The Hamilton Complex explores our attitudes towards girls on the cusp of adulthood and uses adolescence as a metaphor for society's uncertaintyIn 1971, the British photographer David Hamilto…

SOURCE: The Guardian at 4:34am on June 28, 2016

The Australian Ballet takes on Degas' dancers " in pictures by Steph Harmon

In its world premiere at the National Gallery of Victoria, Degas: A New Vision is one of the most comprehensive Edgar Degas retrospectives in decades, and makes up the largest collection of …

SOURCE: The Guardian at 3:26am on June 28, 2016

The Royal Ballet's new season: another tiptoe towards equality by Judith Mackrell

Crystal Pite becomes the first woman to create work for the Royal Ballet since 1999 " alongside new productions by Wayne McGregor, Liam Scarlett and Javier de Frutos. It's another encouragin…

SOURCE: The Guardian at 7:03pm on June 27, 2016

FGM survivors on Cuttin' It: 'I remember that smell of disinfectant too' by Interviews By Emine Saner

Cuttin' It is a play about British Somali girls and female genital mutilation. Three women who have been cut give their verdicts' Cuttin' It " streetwise drama evolves into fierce FGM statem…

SOURCE: The Guardian at 11:34am on June 27, 2016

Artists are in shock after the vote, but we need them now more than ever | Charlotte Higgins by Charlotte Higgins

In the years to come, artists and intellectuals will venture across the rift to interpret the two halves of our divided kingdom to one other"We had a headache," wrote Philip Pullman on Twitt…

SOURCE: The Guardian at 9:25am on June 27, 2016
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