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4,023 stories from http://www.theaterscene.net

Wives by Darryl Reilly

Ms. Backhaus' writing is erudite, well-shaped and imaginative but isn't funny which is problematic considering it's intended as a barbed comedy until its heartfelt metaphysical conclusion…

SOURCE: www.theaterscene.net at 12:00am on September 17, 2019

American Moor by Victor Gluck, Editor-in-chief

Cobb is titanic in this piece bringing his resonant voice and impressive physical presence to bear on the most famous classic role for a Black actor in the canon as well as his thoughts abou…

SOURCE: www.theaterscene.net at 11:00pm on September 16, 2019

Only Yesterday by Joseph Pisano

As John, Christopher Sears is an enjoyable pill, perfectly offset by Tommy Crawford's Paul whose amiable placidity is almost Buddha-like. More importantly, both actors have impressive musica…

SOURCE: www.theaterscene.net at 12:07pm on September 16, 2019

Decky Does a Bronco by Victor Gluck, Editor-in-chief

Making is U.S. debut 19 years after its Scottish premiere in an actual park, Douglas Maxwell's "Decky Does a Bronco" is a worthy addition to the dramatic literature of plays about childhood …

SOURCE: www.theaterscene.net at 9:17pm on September 15, 2019

I Never Sang for My Father by Joel Benjamin

The trouble is Lee's almost catatonic approach to Gene.  He speaks in a toneless monotone and adapts a monolithic physical approach, his hands constantly held stiffly at his sides.  Wh…

SOURCE: www.theaterscene.net at 3:39pm on September 14, 2019

Lear: That Old Man I Used to Know by Victor Gluck, Editor-in-chief

Hopkins had added selections from Lewis Carroll (references to the Jabberwock and "The White Knight's Song: The Aged Age Man," the poem which gives her the new title), Emily Dickinson ("I'm …

SOURCE: www.theaterscene.net at 12:43pm on September 14, 2019

Dining with Ploetz by Mark Dundas Wood

"Dining with Ploetz" at Theater for the New City consists of three short plays by writer, director and teacher Richard Ploetz. The program adds up to slightly under two hours' running time (…

SOURCE: www.theaterscene.net at 12:33pm on September 13, 2019

The Cooping Theory 1969: Who Killed Edgar Allan Poe? by Victor Gluck, Editor-in-chief

Poseidon Theatre Company's "The Cooping Theory 1969: Who Killed Edgar Allan Poe?," described as a "new immersive paranormal experience," is set at the RPM Underground which is more interesti…

SOURCE: www.theaterscene.net at 1:53pm on September 11, 2019

The Ringdove by Joel Benjamin

What raised "The Ringdove" above mere creative story-time theater was the exquisite artwork and detailed performances.  The perfect, colorful costumes (by Casey Compton) that evoked every…

SOURCE: www.theaterscene.net at 12:04pm on September 11, 2019

Make Believe by Victor Gluck, Editor-in-chief

Bess Wohl's new play, "Make Believe," is a fascinating study of how the traumas of childhood affect our adult lives, particularly the damage seen and unseen parents inflict on their offsprin…

SOURCE: www.theaterscene.net at 1:05pm on September 10, 2019

Tech Support by Victor Gluck, Editor-in-chief

Deborah Whitfield's 'Tech Support" offers a clever idea in order to review feminism in the past century. Unfortunately, her rather superficial approach misses a great many opportunities. The…

SOURCE: www.theaterscene.net at 12:39pm on September 9, 2019

Belleville by Darryl Reilly

The small studio theater space where the show is performed with its basic living room scenic design informs director Cameron Clarke's resourceful and bold staging. Working in such a confined…

SOURCE: www.theaterscene.net at 10:58pm on September 8, 2019

See You by Mark Dundas Wood

This production is a rambunctious enterprise, and Hunter and his cast do a reasonably good job of keeping dialogue that's made up largely of long strings of short declarative sentences (o…

SOURCE: www.theaterscene.net at 10:08pm on September 8, 2019

Laughing Liberally: Make America Laugh Again by Darryl Reilly

The latest edition of the recurring political humor show "Laughing Liberally" is titled "Make America Laugh Again" and is decidedly anti-Trump. It's created by the brilliant veteran comed…

SOURCE: www.theaterscene.net at 11:33am on September 7, 2019

Eureka Day by Victor Gluck, Editor-in-chief

Jonathan Spector's "Eureka Day" now having its East Coast premiere at Walkerspace is a blisteringly satiric and provocative play torn right out of the headlines. Ostensibly about how one pro…

SOURCE: www.theaterscene.net at 10:28pm on September 6, 2019

Felix Starro by Darryl Reilly

The score with Ms. Hagedorn's sharp lyrics and composer Fabian Obispo's pointed melodies in the manner of Stephen Sondheim and John Kander is quite accomplished with its rousing group number…

SOURCE: www.theaterscene.net at 12:00am on September 4, 2019

Da Vinci & Michelangelo: The Titans Experience by Victor Gluck, Editor-in-chief

Described as a multimedia production, "Da Vinci & Michelangelo: The Titans Experience" is actually a lecture by art historian Mark Rodgers to slides of the masterpieces of these two geni…

SOURCE: www.theaterscene.net at 3:34pm on August 28, 2019

ON THE TOWN with CHIP DEFFAA, August 26th 2019 by Chip Deffaa, Editor-at-large

I'm stunned and saddened by the passing of one of the best music directors I've known--and one of the nicest gentlemen-- Hubert Tex Arnold. He died suddenly, unexpectedly of a brain aneurism…

SOURCE: www.theaterscene.net at 7:18am on August 26, 2019

The Exes by Victor Gluck, Editor-in-chief

Lenore Skomal's "The Exes" wants to revive the Broadway-style sex comedies of the 1950's and 60's, earlier called boulevard comedy. Unfortunately, not only is the formula passé but televisi…

SOURCE: www.theaterscene.net at 11:44pm on August 25, 2019

Contact High: A New Musical by Darryl Reilly

Hass directed and his stilted staging is adequate. Simple entrances and exits, cast members going through the theater's aisle and basic character interactions occur. Some performances are ex…

SOURCE: www.theaterscene.net at 3:01pm on August 23, 2019

Guangzhou Ballet of China: "Carmina Burana" & "Goddess of the Luo River" by Joel Benjamin

Presented at Lincoln Center's David H. Koch Theater by the China Arts and Entertainment Group Ltd., the company used its impressive resource of dancers in two large-scale ballets:  "Godde…

SOURCE: www.theaterscene.net at 1:34pm on August 23, 2019

Waiting for Johnny Depp by Mark Dundas Wood

What's best about "Waiting for Johnny Depp" is Vivino's performance. My, does she ever get a workout during the play's 100-minute running time. She has 15 or so musical numbers (some of them…

SOURCE: www.theaterscene.net at 11:56pm on August 22, 2019

Ballet Festival 2019: Program D by Sheila Kogan

The fourth piece, titled "3 with D" was choreographed by Javier de Frutos and was the only performance that included live music. Patrick Gallagher was on piano in front of the stage and Dan …

SOURCE: www.theaterscene.net at 8:48am on August 21, 2019

Sea Wall / A Life (Broadway) by Darryl Reilly

On screen and stage Gyllenhaal has exhibited his talent and star quality to great effect many times. "A Life" is not one of those shining occasions as he is just passable in it. Stammering, …

SOURCE: www.theaterscene.net at 1:11pm on August 20, 2019

Stormy Weather by Darryl Reilly

Mr. Wills' demonstrates a facility for dramatic writing with his snappy dialogue and fast-paced scenario that inspires laughter and also incites thoughtfulness. Amidst the merriment are keen…

SOURCE: www.theaterscene.net at 9:24pm on August 19, 2019
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