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8,108 stories from DC Theatre Scene

Swan song for DC's Source Festival, and complete list of festival works 2008 " 2017 by Tim Treanor

Ten years. Eighty-two productions — two hundred thirty-eight, if you count each short production separately. An Osborne Award. A Steinberg honor. Over fifteen hundred artists — a…

SOURCE: DC Theatre Scene at 11:11am on February 2, 2018

Fire and Air Review: Terrence McNally's new play about Diaghilev, Nijinsky and the Ballets Russes by Jonathan Mandell

Fire and Air could not have looked more promising –a starry cast performing a new play by Terrence McNally about one of the most celebrated of dance companies, the Ballets Russes. P…

SOURCE: DC Theatre Scene at 8:45pm on February 1, 2018

Prosky, Robards, Huston, Durang, Bernhardt. Stories from Theresa Rebeck and Kristine Nielsen by Christopher Henley

You have until February 11th to see The Way of the World at Folger Theatre. Playwright Theresa Rebeck has rewritten the Restoration classic and directs a cast led by Kristine Nielsen. In par…

SOURCE: DC Theatre Scene at 10:01am on February 1, 2018

Opera Lafayette performs Erminia and La forêt enchantée (The Enchanted Forest) Review by Susan Galbraith

Watching a Baroque opera delivered by Ryan Brown and Opera Lafayette can feel like a refreshing "re-set" time-travel from warp-speed to the pace of a gently-moving skiff down a lazy river. E…

SOURCE: DC Theatre Scene at 9:24am on February 1, 2018

Brave Spirits contemporizes ancient Trojan Women with today's diverse spectrum of women. by Jon Jon Johnson

The future is female. The future is non-binary. The future is genderqueer. The future is trans. The future is queer. But before we reach the future, and while we strive in the present, it…

SOURCE: DC Theatre Scene at 1:20pm on January 31, 2018

4,380 Nights at Signature Theatre (review) by Emily Priborkin

When a play grips your thoughts and continues to cling to them past the curtain call, then you know you've witnessed a treasure. The elements of 4,380 Nights blend together to generate a cap…

SOURCE: DC Theatre Scene at 10:25am on January 31, 2018

On manhood and memory: In Search of My Father (review) by Angela Carroll

"Just what kind of man would abandon his son?" This is the central question writer/performer W. T. Allen has been asking in his twenty-year running play In Search of My Father … Wal…

SOURCE: DC Theatre Scene at 9:48am on January 31, 2018

Perisphere takes on Molière's Tartuffe (review) by Marshall Bradshaw

Perisphere Theater refreshes Molière's classic Tartuffe with a skilled and playful cast. But you need be patient. The show digs itself a very deep hole in its first full scene, exhibiting m…

SOURCE: DC Theatre Scene at 12:10pm on January 30, 2018

The Dog Must Die at Highwood Theatre (review) by Tim Treanor

Overlong and undercooked, Highwood Theatre’s The Dog Must Die puts the stop in dystopia. This tale of a society in which something has gone terribly, terribly wrong begins promisingly …

SOURCE: DC Theatre Scene at 11:01am on January 30, 2018

It's Alive! Young Frankenstein at Toby's Dinner Theatre (review) by Jill Kyle-keith

Toby’s Dinner Theatre’s production of Young Frankenstein proves you don’t have to travel to New York or even as far as DC to get your Broadway Baby fix. Young Frankenste…

SOURCE: DC Theatre Scene at 11:26am on January 29, 2018

Abuse in Washington area theatres: Town Hall meeting tonight to share survey and proposed Code of Conduct by Jon Jon Johnson

When the physical and sexual abuse at Chicago’s  Profiles Theatre was brought to light, the theatre communities of America buzzed about. Here in DC, it shocked some , but for others…

SOURCE: DC Theatre Scene at 11:10am on January 29, 2018

Jefferson's Garden at Ford's Theatre (review) by Debbie Minter Jackson

Set in the time of the American Revolution, Jefferson’s Garden is the sweeping story of the immense struggle of our country’s founders, and the personal story of two people despe…

SOURCE: DC Theatre Scene at 10:34am on January 27, 2018

Groundbreaking Sovereignty educates on Native American history(review) by Kate Colwell

Whether or not you will enjoy Sovereignty at Arena Stage depends on why you value theatre. If you attend this show with the intent to learn, you will find it an incredibly enriching experien…

SOURCE: DC Theatre Scene at 11:08am on January 26, 2018

Natsu Onoda Power on her adaptation of Ursula Le Guin's The Lathe of Heaven by Keith Loria

In 2007, Richard Henrich adapted the Ursula K. Le Guin book, The Lathe of Heaven, for a production at Spooky Action Theater, which he directed. But the show didn't completely fulfill his vis…

SOURCE: DC Theatre Scene at 9:49am on January 26, 2018

Theresa Rebeck wrote Way of the World with Kristine Nielsen in mind. They talk about the play and their professions by Christopher Henley

Theresa Rebeck, Kristine Nielsen, and The Way of the World "Are you twins? Sisters?" Theresa Rebeck and Kristine Nielsen were heading past a guard's desk at Folger Shakespeare Library when t…

SOURCE: DC Theatre Scene at 1:47pm on January 24, 2018

The Wolves at Studio Theatre (review) by Roy Maurer

Much of the fumbling journey of growing up as a teenager is done around other teenagers, not parents or other adults, at least in my experience. And the essence of that pubescent collective …

SOURCE: DC Theatre Scene at 10:55am on January 24, 2018

Unnecessary Farce at Keegan Theatre (review) by Tim Treanor

OK, so you’re Eric, a cop, played by Noah Schaefer, and you’re in charge of the highest-stakes stakeout of the year — the one which will get you off your desk duty and into…

SOURCE: DC Theatre Scene at 10:21am on January 24, 2018

American Opera Initiative 2018: three new short operas by Susan Galbraith

Opera has a promising future, judging by this past weekend's plethora of riches delivered in the newly renovated Terrace Theatre at The Kennedy Center.  As part of the American Opera Init…

SOURCE: DC Theatre Scene at 9:10am on January 24, 2018

Capital Fringe Producers' page by Lorraine Treanor

Hi, there 2018 CAPITAL FRINGE  PRODUCERS We're ready to promote your show Simply help us get to know what you’ll need and we’ll be in touch.   Questions? Send an email to…

SOURCE: DC Theatre Scene at 7:35am on January 24, 2018

New comedy theatre debuts with The Consul, The Tramp, and America's Sweetheart (review) by Brett Steven Abelman

The debut production of Best Medicine Rep, a new theater company dedicated to comedy, is not really a comedy. The Consul, The Tramp, and America's Sweetheart, written by artistic director Jo…

SOURCE: DC Theatre Scene at 4:20pm on January 23, 2018

Hamlet from Shakespeare Theatre Company " cue the comedy (review) by Tim Treanor

Be honest with me: when you saw Michael Urie in his one-actor show, Buyer and Cellar, about working in Barbara Streisand’s basement, did you think “Hey, that guy should play Haml…

SOURCE: DC Theatre Scene at 11:45am on January 23, 2018

Franz Kafka's The Trial at Synetic Theater (review) by Susan Galbraith

In a world where facts are malleable, the working government gets shut down, good people are without protection of the law, bureaucrats are colluding with the powerful and mad, and officials…

SOURCE: DC Theatre Scene at 8:40am on January 23, 2018

World War II love story continued: See Rock City at Washington Stage Guild (review) by Emily Priborkin

History books shroud World War II with specific imagery: soldiers, Nazi salutes, atomic bombs, Rosie the Riveter, and a victorious kiss from a sailor in Times Square. But See Rock City break…

SOURCE: DC Theatre Scene at 7:20am on January 23, 2018

Proving Up, a ghost story opera from Washington National Opera (review) by Susan Galbraith

This weekend a new opera, Proving Up, proved itself indeed " a chamber opera worthy for the 21st century. Born out of a spirit of inquiry, Proving Up is mysterious, mesmerizing, startling in…

SOURCE: DC Theatre Scene at 12:18pm on January 22, 2018

All the Things You Are: Jerome Kern from In Series (review) by Alexander C. Kafka

“I hear you’re a son of a bitch," said Jerome Kern, introducing himself to a producer. "So am I.”  But he was one productive son of a bitch, composing more than 700 s…

SOURCE: DC Theatre Scene at 11:43am on January 22, 2018
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