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10,593 stories from A Younger Theatre

Review: RATS, Etcetera Theatre by Sebastian Calver

A dystopian, existential mare. RATS, written by Gaël van den Bossche, challenges our individuality by posing an idea that we would all function better and essentially be happier if we had…

SOURCE: A Younger Theatre at 9:18am on November 23, 2018

Review: Dr Carnesky's Incredible Bleeding Woman, Soho Theatre by Alannah Jones

"What if I told you that the origins of all magic, of all ritual, since the beginning of time was menstrual? Would you believe me?" So begins this theatrical extravaganza of Dr Carnesky and …

SOURCE: A Younger Theatre at 5:54am on November 22, 2018

Review: Philip Pullman's Grimm Tales, Unicorn Theatre by Suzannah Ball

Am I no longer privy to the magic of the mundane? While the children which scatter the front rows are happily laughing along, calling out and interacting with the actors onstage, I am left f…

SOURCE: A Younger Theatre at 2:36pm on November 21, 2018

Review: Dietrich: Natural Duty, Wilton's Music Hall by Gabriel Wilding

Telling the lesser-known tale of German movie star Marlene Dietrich, this cool production is both heartwarming and side-splitting. Mixing Drag, cabaret, songs and… duty? together, Peter Gr…

SOURCE: A Younger Theatre at 12:24pm on November 21, 2018

Review: Switzerland, The Ambassadors Theatre by Sebastian Calver

There’s something particularly funny about putting a successful yet grouchy old realist in a room with an optimistic, naive try-hard. Besides the fun digs at the younger generation enj…

SOURCE: A Younger Theatre at 11:18am on November 21, 2018

Review: Pressure Points, White Bear Theatre by Gus Mitchell

Pressure Points, written by Jack Stanley and presented in the stripped-back space at the White Bear, asks us what being a political young person today might look like. Following the fortunes…

SOURCE: A Younger Theatre at 9:42am on November 21, 2018

Is Theatre Still a Tool for Revolutionary Thought? by Erin Cobby

With mediums such as television having audiences of millions and sparking instant mass debate, Erin Cobby questions whether theatre is still a tool for revolutionary thought. What makes a pl…

SOURCE: A Younger Theatre at 9:42am on November 21, 2018

Review: Pickle Jar, Soho Theatre by Steph J. Watkins

It's clear to see that the woman who took over from Phoebe Waller-Bridge in the well-received production of Fleabag, has adapted the best from this, and has gone on to create her own interpr…

SOURCE: A Younger Theatre at 8:42am on November 21, 2018

Producing the Maiden Speech Festival: Making Space For Change by Lexi Clare

Producer, Lexi Clare writes about why we accept harmful discrimination, the ‘openness’ of theatre and how she is hoping to make change with Maiden Speech Festival. I think many p…

SOURCE: A Younger Theatre at 1:12pm on November 19, 2018

Review: A Small Place, Gate Theatre by Dovydas Laurinaitis

Entering a room resembling a forgotten community library, from exposed wires hanging beyond a missing ceiling panel in that all too familiar shade of cement, to bare shelves lined with odd b…

SOURCE: A Younger Theatre at 11:42am on November 17, 2018

Review: Thirteen Cycles, Rosemary Branch Theatre by Hilary Webb

A unique piece of improv theatre is currently underway at the Rosemary Branch Theatre as Erin McGathy directs Thirteen Cycles, a science fiction adventure. The audience is taken on an interg…

SOURCE: A Younger Theatre at 10:36am on November 17, 2018

Review: Hadestown, The National Theatre by Gabriel Wilding

Imagine if Urinetown and Little Shop of Horrors had a baby while the sounds of Nashville and New Orleans blared into the night, well that's Hadestown! Spinning the classic Greek myth of Orph…

SOURCE: A Younger Theatre at 7:18am on November 17, 2018

Review: Made In China's Super Duper Close Up, The Yard by Charlotte Irwin

Towards the end of Made In China's Super Duper Close Up, solo-performer Jess Latowicki tells the audience, "I always thought my story would be one with backing dancers." There is a certain s…

SOURCE: A Younger Theatre at 7:18am on November 17, 2018

Review: Tom, Lilian Baylis Studio by Madeline Lee

A poignant piece and a fascinating way of creating art Wilkie Branson has created a short film that is both animation and real life, to tell the tale of Tom and his existential life. He has …

SOURCE: A Younger Theatre at 7:18am on November 17, 2018

Review: HATCH, Camden People's Theatre by Dovydas Laurinaitis

Opening on a foldable bed, topped with the barest of mattresses, Jessie (Sarah Carton) adorned in greyness, lays impatiently before beginning to recount her love for Callum " the reason she …

SOURCE: A Younger Theatre at 7:18am on November 17, 2018

Helping us break into the industry: TheatreCraft returns. by Alex Turner

TheatreCraft, the UK's biggest free off-stage theatre careers event for 16-30-year-olds, returns to London next month. Project Manager Alex Turner talks about what to expect from this yea…

SOURCE: A Younger Theatre at 7:18am on November 17, 2018

Review: No Direction Home " Daughters of the Sun, Camden People's Theatre by A Younger Theatre

Loosely based on Maxim Gorky's Children of the Sun, Daughters of the Sun insists it puts female characters at the forefront, exploring themes of privilege and the function of art. Primarily …

SOURCE: A Younger Theatre at 5:24am on November 16, 2018

Review: Single Spies, York Theatre Royal by Ela Portnoy

Theatre By The Lake's Lakes Season at the York Theatre Royal is a 12-day repertory programme that transferred to York from Keswick, where it was performed this summer. Single Spies is the se…

SOURCE: A Younger Theatre at 4:06pm on November 15, 2018

Review: Pinter Three, The Harold Pinter Theatre by Sebastian Calver

I think Pinter Three finds a perfect balance in showing the purpose of theatre; capturing the idea of release, enjoyment and escapism but conjoining it with seriously challenging topics and …

SOURCE: A Younger Theatre at 5:06am on November 15, 2018

Lekan Lawal: "How has it taken so long for this type of story to be explored?" by Josephine Balfour-oatts

In a mysterious alcove deep within the Battersea Arts Centre, remnants of Punchdrunk's Masque Of The Red Death creep across the walls. The door is framed by licks of white paint " small, hap…

SOURCE: A Younger Theatre at 3:48pm on November 14, 2018

Review: Pinter Four: Moonlight/Night School, Harold Pinter Theatre by Jessica Handscomb

Harold Pinter is considered one of the greatest British playwrights of all time. Producing much of his work in the twentieth century, he wrote 29 full plays alongside poetry and doing plenty…

SOURCE: A Younger Theatre at 10:24am on November 14, 2018

Review: Untold Stories: New Writing Festival, Pleasance Theatre by Joseph Winer

Untold Stories has produced its latest festival of new writing work for the Pleasance Theatre and it's an absolute treat. Eight short pieces explore politics, football, employment law, immig…

SOURCE: A Younger Theatre at 10:24am on November 14, 2018

Review: Chutney, The Bunker Theatre by Saskia Coomber

Chutney, or "Operation: Chutney" as the characters in Reece Connolly's play call their "hobby", takes us through a married couple's obsession with blood lust, which they satiate by systemati…

SOURCE: A Younger Theatre at 5:36am on November 13, 2018

Review: Don Quixote, Garrick Theatre by Gus Mitchell

The RSC's Don Quixote, originally staged at The Swan Theatre, Stratford-upon-Avon in 2016, emerged from the company's 400th anniversary celebration of Shakespeare's death. Spain's father of …

SOURCE: A Younger Theatre at 12:06pm on November 12, 2018

Cuckoo at the Soho Theatre: "These characters are not narrow souls" by Josephine Balfour-oatts

Lisa Carroll leads the way as our party vacate the packed Theatre Deli in Finsbury Avenue. We climb a winding staircase, the pallid concrete matching that of the high-rise office blocks rubb…

SOURCE: A Younger Theatre at 7:42am on November 12, 2018
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