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35,750 stories from The Guardian

Harry Potter and the Cursed Child review " this spell-binding play is utterly theatrical by Susannah Clapp

Palace theatre, LondonEmotional punch, rich suspense and dazzling effects make for all-round magic in the latest twist in Harry Potter's taleOK, I'll keep the secrets. After all, I'm wearing…

SOURCE: The Guardian at 2:54am on July 31, 2016

TV dancers alive and high-kicking 40 years later by Vanessa Thorpearts and Media Correspondent

Former primetime TV dance troupe Second Generation reunites to relive their glory daysHigh-kicking dancers in sequinned jumpsuits, often with bowler hats or feather boas, were once a tradema…

SOURCE: The Guardian at 7:32pm on July 30, 2016

Searingly honest, bitingly funny: the female millennials changing comedy by Sarah Hughes

A new wave of young women are set to dominate standup at Edinburgh this yearThe Edinburgh Fringe festival kicks off three weeks of mayhem this week as a new generation of comedians jostle fo…

SOURCE: The Guardian at 7:32pm on July 30, 2016

Harry Potter and the Cursed Child could soon go worldwide, says JK Rowling by Press Association

As play opens in the West End of London, author says she expects it could be destined for Broadway and beyond to reach as many Potter fans as possible As Harry Potter and the Cursed Child op…

SOURCE: The Guardian at 4:20pm on July 30, 2016

Chris Gethard: turning shame and pain into laughs by Seth Colter Walls

He's guested on Broad City and starred with Amy Schumer " and the comic has also struggled with depression, now material for his brutally raw standup show, which he's about to take to Edinbu…

SOURCE: The Guardian at 6:36am on July 30, 2016

I Can't Sing X Factor musical to close after just six-week run by Maev Kennedy

£6m parody penned by Harry Hill and Steve Brown latest West End flop despite warm reviews and a divine Simon Cowell' Mark Lawson: Why I Can't Sing was voted off' Judge a song from I Can't…

SOURCE: The Guardian at 2:01am on July 30, 2016

Leona Lewis on joining Broadway's Cats: 'The show's got a lot of heart' by Alex Needham In New York

The X Factor made her a global star, then she provided Jimmy Page with his proudest post-Zep moment. Ten years on, Lewis is making the leap to BroadwayWhen it comes to credentials for a long…

SOURCE: The Guardian at 1:09pm on July 29, 2016

Kathleen Turner Q&A " as it happened by Guardian Staff

The Hollywood star, currently appearing in the play Bakersfield Mist in the West End, joined us live to talk about Ken Russell, King Lear and the joys of playing Chandler Bing's dad 2.09pm B…

SOURCE: The Guardian at 9:56am on July 29, 2016

Simon Amstell webchat " as it happened by Guardian Staff

Why is he so self-loathing? How does he style his hair? And what did his grandma think of Grandma's House? Read the comedian's answers to your questions now 2.44pm GMT Thanks very much to Si…

SOURCE: The Guardian at 9:56am on July 29, 2016

Bridget Christie: 'I ate strawberry-flavoured pants with baked beans' by Rachel Aroesti

From Amy Schumer to Best In Show, the comedian reveals the things that make her laugh the mostI'll never forget Kevin McAleer's Edinburgh warmup at the King's Head in Crouch End in July 2006…

SOURCE: The Guardian at 8:52am on July 29, 2016

Five of the best... theatre shows this week by Lyn Gardner

The Destroyed Room | Faith Healer | Unreachable | Into The Woods | The Deep Blue SeaTaking its name from Jeff Wall's famed photograph of a trashed bedroom, which appeared on the cover of a S…

SOURCE: The Guardian at 8:52am on July 29, 2016

Three of the best... dance performances this week by Judith Mackrell

Bolshoi Ballet | Ballet National De Marseille | Dance BaseThere's a more contemporary feel to the Bolshoi's second week, with Jean-Christophe Maillot's playful adaptation of Shakespeare's Th…

SOURCE: The Guardian at 8:52am on July 29, 2016

Exposure the Musical review " photography-themed Faustus loses focus by Michael Billington

St James theatre, LondonA snapper falls under the spell of a Mephistophelian PR man in Mike Dyer's energetic story, which takes a turn for the absurd despite some decent songsThe Faust legen…

SOURCE: The Guardian at 7:45am on July 29, 2016

Anton Chekhov: the young pretender by Jonathan Kent

In Chekhov's early plays you can chart the birth of 20th-century theatre. As a new season opens at the National Theatre, director Jonathan Kent explores the evolution of a genius Portmanteau…

SOURCE: The Guardian at 7:45am on July 29, 2016

Vamos Cuba! review " tedious, cliched and not remotely sexy by Judith Mackrell

Sadler's Wells, LondonNilda Guerra's feeble attempt to portray the spirit of her country reduces the vibrant history of Cuban dance to a parade of tourist stereotypesCuba raises more home-gr…

SOURCE: The Guardian at 7:45am on July 29, 2016

Breakfast at Tiffany's review " Pixie Lott sparkles but Holly Golightly will not shine by Michael Billington

Theatre Royal Haymarket, London The pop singer brings verve and musicality to the glamorous enigma, with admirably conflicted support from Matt Barber " it's Truman Capote's story itself tha…

SOURCE: The Guardian at 7:27pm on July 28, 2016

As You Like It review " bawdy and arboreal fun in the great outdoors by Alfred Hickling

Grosvenor Park Open Air theatre, Chester A spirited ensemble make Shakespeare's comic journey into the forest a gleeful enterprise, even in the company of his least funny foolTouchstone must…

SOURCE: The Guardian at 10:24am on July 28, 2016

The Plough and the Stars review " tenement tragedy affirms life in the midst of bloodshed by Michael Billington

Lyttelton, LondonThe women are exceptionally strong in this production of O'Casey's great Easter Rising drama, which draws out the complex humanity of its charactersI found it took time to g…

SOURCE: The Guardian at 8:16am on July 28, 2016

Why surprise is the secret of theatrical success by Lyn Gardner

Whether it's seeing a hammy musical spun into gold or a well-worn classic that blows you away, being taken by surprise is one of the best rewards of theatreAfter seeing Andrew Lloyd Webber a…

SOURCE: The Guardian at 5:12am on July 28, 2016

Edinburgh festival offers refunds for controversial opera before opening by Chris Johnston

Christophe Honoré's Così fan tutte has been described as a 'provocative and sexually explicit' adaptation Mozart's operaThe Edinburgh international festival has been criticised for offer…

SOURCE: The Guardian at 5:24pm on July 27, 2016

Stage v screen: is theatre better in the cinema? by Peter Bradshaw

Theatre is pricey and divisive but can a livestream ever capture its flesh and blood thrills? Our film critic decided to find out " by legging it out of Kenneth Branagh's Romeo and Juliet at…

SOURCE: The Guardian at 1:15pm on July 27, 2016

'I was in tears': fans on Harry Potter and the Cursed Child by James Walsh and Guardian Readers

Harry Potter fans lucky enough to have seen the play already share their reviews. Warning: contains spoilersHow magical was the new Harry Potter play for longstanding Potter fans? Our theatr…

SOURCE: The Guardian at 10:13am on July 27, 2016

Half a Sixpence review " Fellowes rewrite has flash but no soul by Lyn Gardner

Chichester festival theatreJulian Fellowes's reboot of the Tommy Steele rags-to-riches musical is efficient and brims with cosy nostalgia but oddly charmless Related: The cult of Tommy Steel…

SOURCE: The Guardian at 7:51am on July 27, 2016

Bucket List: the play raging against the 'humanitarian disaster' of capitalism by Lyn Gardner

Theatre Ad Infinitum's new show is about a Mexican girl who turns to revenge in the face of corruption. Director Nir Paldi explains why we're all to blame for oppression of the poor " and wh…

SOURCE: The Guardian at 5:38am on July 27, 2016

How do actors learn their lines? by Antony Sher

Dialogue is like food: you hold it in your mouth, you taste it. And learning the part of Falstaff in Henry IV Parts I and II was like munching on a rich pudding"How do you learn all those li…

SOURCE: The Guardian at 12:19am on July 27, 2016
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