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35,750 stories from The Guardian

Yerma five-star review " Billie Piper is earth-quaking as Lorca's heroine by Susannah Clapp

Young Vic, LondonPiper makes a shattering Yerma in Simon Stone's inspired present-day reworking of Lorca's tragic study of childlessnessIn one fell " but felicitous " swoop, Simon Stone has …

SOURCE: The Guardian at 4:20am on August 7, 2016

The Taming of the Shrew review " the Bolshoi lets its hair down by Sarah Crompton

Royal Opera House, LondonDivine dancing, evocative staging and a sympathetic adaptation make perfect sense of Shakespeare's difficult playWatching the Bolshoi in Jean-Christophe Maillot's ve…

SOURCE: The Guardian at 3:13am on August 7, 2016

The Plough and the Stars review " women rise highest in O'Casey's Easter Rising drama by Susannah Clapp

Lyttelton, LondonHis powerful female characters redeem this handsome but hackneyed revival of Seán O'Casey's great 1926 playThe Plough and the Stars is now most famous for causing a riot.…

SOURCE: The Guardian at 3:13am on August 7, 2016

Sherlock Holmes: The Hound of the Baskervilles review " a song and dance over Conan Doyle by Clare Brennan

York Theatre RoyalThe classic detective mystery gets the Victorian music hall treatmentFor many years now, Damian Cruden has directed the merry anarchy that is the York panto (written by and…

SOURCE: The Guardian at 3:13am on August 7, 2016

Extravaganza Macabre review " how to light up an audience by Susannah Clapp

Battersea Arts Centre, London A spoof on Victorian melodrama from the Little Bulb troupe makes a perfect debut for BAC's new outdoor arenaBattersea Arts Centre is the only theatre in London …

SOURCE: The Guardian at 3:13am on August 7, 2016

Dating, science and babytalk: Edinburgh festival shows " in pictures by Murdo Macleod

The Edinburgh festival 2016 offers everything from comedy to hard-hitting political theatre, circus shows and hi-tech hybrids " and the debut appearance of one very young performer indeed Co…

SOURCE: The Guardian at 6:48pm on August 6, 2016

Kiri Pritchard-McLean review " raucous protest gags about sexism in standup by Brian Logan

Pleasance Courtyard, EdinburghThe director of Gein's Family Giftshop uses her debut solo show to examine the 'women aren't funny' myth Related: Edinburgh festival 2016: what to see and where…

SOURCE: The Guardian at 11:15am on August 6, 2016

On the Edinburgh fringe you're never too young " or old " to do standup by Hannah Ellis-petersen

An anarchic 82-year-old and a one-liner star aged 13 will go on stage with very different actsAt the back of a double-decker bus parked in the bustling heart of the city, two comedians sit d…

SOURCE: The Guardian at 10:12am on August 6, 2016

Radio Active at Edinburgh festival review " Angus Deayton's mild media mockery by Brian Logan

Pleasance Courtyard, EdinburghA revival of Deayton and Geoffrey Perkins' spoof of commercial radio " first heard on Radio 4 in 1980 " offers a jolly hour of familiar material and nostalgia R…

SOURCE: The Guardian at 9:03am on August 6, 2016

Capturing the castle: Edinburgh festival's Deep Time spectacular - in pictures by Murdo Macleod

The Edinburgh international festival will be officially launched on Sunday night with an epic outdoor event fusing animation, lighting and music. Deep Time, created by 59 Productions, delves…

SOURCE: The Guardian at 9:03am on August 6, 2016

Greater Belfast at Edinburgh festival review " evocative tales of the city by Lyn Gardner

Traverse, Edinburgh With a live score, a searching intellect and studied delivery, Matt Regan's show about home redraws the boundaries between theatre piece, spoken word and gigSometimes you…

SOURCE: The Guardian at 7:54am on August 6, 2016

Diary of a Madman at Edinburgh festival review " a tragic clown meets modernity by Lyn Gardner

Traverse, EdinburghLiam Brennan gives a tender performance in this funny-sad reworking of the Gogol story, as a lowly Scot buffeted by the forces of globalisation Related: Edinburgh festiva…

SOURCE: The Guardian at 6:51am on August 6, 2016

From Black Watch to Harry Potter: the duo putting the motion into emotion by Lyn Gardner

Ten years after their explosive physical approach took the Edinburgh festival by storm, John Tiffany and Steven Hoggett return with Tennessee Williams's The Glass Menagerie. They explain why…

SOURCE: The Guardian at 5:46am on August 6, 2016

James Acaster: the Leonardo DiCaprio of standup by Rachel Aroesti

He has found comedy in everything from knitwear to ready-to-eat apricots. But this son of Kettering's apparently whimsical humour comes with hidden depths Related: Edinburgh festival 2016: c…

SOURCE: The Guardian at 4:45am on August 6, 2016

The Edinburgh shows we want to see: BoJo the clown and humble Kanye West by The Guide

It feels as if everyone's a comedian these days, but what if they really were? We asked six comics to imagine shows for some infamous public figures… Continue reading...

SOURCE: The Guardian at 4:45am on August 6, 2016

Angus Deayton: 'When did I last cry? England 1 Iceland 2' by Rosanna Greenstreet

The actor and presenter on footballing heroes " and villains " Scottish legs and being a metrosexualBorn in Surrey, Angus Deayton, 60, studied at Oxford University, where he co-created the s…

SOURCE: The Guardian at 4:45am on August 6, 2016

'It magnifies the acting, good and bad': the art and alchemy of mask theatre by Lyn Gardner

Done well, it tells fantastical and affecting stories; done badly it descends into syrupy schmaltz. Edinburgh's mask-theatre companies discuss a delicate craft At the end of many mask theatr…

SOURCE: The Guardian at 3:34am on August 6, 2016

Crystal balls: What will Edinburgh be like in 2050? by Josie Long

We asked fringe star Josie Long to envision the festival of the future Continue reading...

SOURCE: The Guardian at 2:34am on August 6, 2016

Passinho: the Sugarloaf all-stars of Rio's new dance craze by Jez Smadja

It began at a Rio barbecue. Now passinho is jinking out of the Brazilian favelas and onto a world stage"Congratulations to all of us who chose dance instead of drugs," reads the latest hourl…

SOURCE: The Guardian at 1:30am on August 6, 2016

The Trump Card review " Mike Daisey's cutter skewers Trump and his audience by Megan Carpentier

Woolly Mommoth Theatre, Washington DCThe monologuist is stirring things up again with a new work that forces liberal audiences to face facts: there's a little bit of Donald Trump in all of u…

SOURCE: The Guardian at 5:45pm on August 5, 2016

War Paint review " make-up mavens face off in superficial style by Mark Guarino

Goodman theatre, ChicagoWhen two cosmetic titans battle, it isn't pretty " but this musical doesn't quite get to the heart of the animosity between Elizabeth Arden and Helena RubensteinIf be…

SOURCE: The Guardian at 2:32pm on August 5, 2016

Kilted cowboys: the show mining America's kinship with Scotland by Matt Trueman

The TEAM and National Theatre of Scotland have joined forces for Anything That Gives Off Light, a whisky-soaked tale exploring the entwined histories of the Highlands and the American fronti…

SOURCE: The Guardian at 12:22pm on August 5, 2016

Heads Up review " here is the news from the end of the world by Lyn Gardner

Summerhall, Edinburgh Kieran Hurley is like a polite Cassandra in this superb storytelling show about disconnected lives and impending doomKieran Hurley's new solo show is a quiet hurricane …

SOURCE: The Guardian at 12:22pm on August 5, 2016

On the pulse: Edinburgh show measures the audience's heart rate by Hannah Ellis-petersen

Plot of The Inevitable Heartbreak of Gavin Plimsole is steered by the heartbeats of audience membersBa-bum, ba-bum, ba-bum. It's the simple rhythm that governs of all our lives. But how ofte…

SOURCE: The Guardian at 10:19am on August 5, 2016

Edinburgh fringe is where I stock my theatrical larder for the year ahead by Lyn Gardner

Critics are eternal optimists, only making it out every evening in the belief that we might see something to make us fall in love with theatre all over againfringe is the annual event that m…

SOURCE: The Guardian at 8:10am on August 5, 2016
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