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8,108 stories from DC Theatre Scene

Coriolanus from Brave Spirits (review) by Steven McKnight

One of the joys of theatre is seeing a classic play presented in a surprising manner that gives new life to the story.  Brave Spirits Theatre's lively production of Coriolanus once again …

SOURCE: DC Theatre Scene at 3:12pm on February 14, 2018

Noura from Shakespeare Theatre Company (review) by Tim Treanor

It would be an odd experience, watching Heather Raffo’s Noura on a double bill with Danai Gurira’s fine Familiar. I almost did that, bookending the weekend with the two shows abo…

SOURCE: DC Theatre Scene at 11:08am on February 14, 2018

Alexander and the Terrible, Horrible, No Good, Very Bad Day (review) by Kelly McCorkendale

Adventure Theatre MTC's Alexander and the Terrible, Horrible, No Good, Very Bad Day is a laugh-out-loud journey through the worst calamities of childhood, and appealing to kids and adults al…

SOURCE: DC Theatre Scene at 10:41am on February 14, 2018

dog & pony dc puts on Peepshow (review) by John Bavoso

Traditionally, a peepshow is a one-way affair"someone performs and someone (or someones) else observe, usually without being seen themselves. But I knew walking into dog & pony dc's cont…

SOURCE: DC Theatre Scene at 7:09pm on February 13, 2018

Danai Gurira's comedy Familiar at Woolly Mammoth Theatre (review) by Angela Carroll

Familiar, by Tony Award winning playwright Danai Gurira, is an intimate comedy-drama set in the home of a first-generation Zimbabwean family living in Minnesota. The family has gathere…

SOURCE: DC Theatre Scene at 11:28am on February 13, 2018

Iyona Blake in Lady Day at Emerson's Bar and Grill (review) by Jeffrey Walker

Heartache, pain, regrets, joys, and a fair share of personal demons might fell a weaker person. But not even time in prison could stop the musical force of nature known to fans as Lady Day. …

SOURCE: DC Theatre Scene at 11:24am on February 13, 2018

No Word in Guyanese For Me from Rainbow Theatre Project (review) by Kate Colwell

Much like the photo album that plays a pivotal role in numerous scenes of the play,  No Word in Guyanese For Me leaves the audience with poignant images: a pair of Guyanese feet gratef…

SOURCE: DC Theatre Scene at 10:43am on February 13, 2018

All She Must Possess. Matisse, Gertrude Stein and the Cone sisters at Rep Stage (review) by Jayne Blanchard

Of all the reasons to love Baltimore, perhaps the most sumptuous are the Cone sisters"iron-willed Dr. Claribel and the softer, more social Miss Etta"and specifically, the stunning collection…

SOURCE: DC Theatre Scene at 10:10am on February 13, 2018

Set Designer Paige Hathaway wins Live Design Rising Star Award by Lorraine Treanor

Congratulations to DC based set designer, Paige Hathaway, the go-to designer for many DC area theatre companies, who will be the recipient of Live Design’s  2018 Rising Star Awar…

SOURCE: DC Theatre Scene at 12:15pm on February 12, 2018

2018 Love Lines Valentines. Free e-cards for theatre lovers by Lorraine Treanor

We created this year’s Valentines by pairing images to lines or lyrics from four shows from this year’s season – The Humans, Twelfth Night, All the Things You Are: Jerom…

SOURCE: DC Theatre Scene at 11:55am on February 12, 2018

Julia Cho's Aubergine, a Korean-American family's drama (review) by Steven McKnight

In Julia Cho's Aubergine, a Korean-American chef deals with his dying father. Cho uses food as the cornerstone for a sensitive though meandering meditation on the difficulties of family, com…

SOURCE: DC Theatre Scene at 10:52am on February 12, 2018

Cabaret Rising at the Dupont Underground (review) by Jill Kyle-keith

Deep in the bowels of the earth, unnoticed by most yet just beneath the feet of people visiting Dupont Circle, and less than a mile from the White House, lurks the Dupont Underground. Once a…

SOURCE: DC Theatre Scene at 10:01am on February 12, 2018

Schenkkan's Great Society: President Lyndon Baines Johnson's tumultuous term (review) by Tim Treanor

If the shade of Lyndon Johnson permitted himself a small smile last night, who could blame him? The irony of having the Washington opening of the second of Robert Schenkkan’s two-play …

SOURCE: DC Theatre Scene at 9:14am on February 9, 2018

"It's a MUUUSICAL!" Something Rotten! at National Theatre (review) by Keith Loria

You can't judge a show by its title, and never was that more the case than with Something Rotten!, the musical farce now appearing at the National Theatre, which provides a rip-roaring, laug…

SOURCE: DC Theatre Scene at 6:25pm on February 7, 2018

Handbagged at Round House Theatre (review) by Tim Treanor

Forget everything you have assumed about Handbagged, Moira Buffini’s marvelous play about Queen Elizabeth II and Prime Minister Margaret Thatcher. It is different, and better, than tha…

SOURCE: DC Theatre Scene at 11:41am on February 7, 2018

La Foto (A Selfie Affair) at GALA Hispanic Theatre (review) by Brett Steven Abelman

The Internet, cell phones, and photoshopping are not only for the young, and the narcissism they engender is not only the provenance of millennials. The most refreshing thing about Gustavo O…

SOURCE: DC Theatre Scene at 9:32am on February 7, 2018

2018 Helen Hayes nominees announced. In the Heights gets most nods for two companies by Lorraine Treanor

The 2018 Helen Hayes Awards nominations were announced Monday night by theatreWashington. Round House Theatre was the most nominated company with 22 nominations. The most nominated produc…

SOURCE: DC Theatre Scene at 3:50pm on February 6, 2018

Red Velvet, the real life story of actor Ira Aldridge at Chesapeake Shakespeare (review) by Angela Carroll

In the early 19th century, Ira Aldridge, an African American actor and playwright, was performing on European stages. A fraction of Aldridge's miraculous story is portrayed in director Shirl…

SOURCE: DC Theatre Scene at 12:12pm on February 6, 2018

Kennedy Center's family friendly Digging Up Dessa (review) by Steven McKnight

Laura Schellhardt's Digging Up Dessa tell the story of a troubled teenager who copes with a family tragedy through her interest in fossils.  This world premiere production, commissioned b…

SOURCE: DC Theatre Scene at 12:11pm on February 6, 2018

Review: It's the Rest of the World That Looks So Small at Flying V by Missy Frederick

Those unfamiliar with the works of Jonathan Coulton are likely to find themselves going down the Google rabbit hole after seeing It's the Rest of the World That Looks So Small, a theatrical …

SOURCE: DC Theatre Scene at 11:56am on February 5, 2018

Today's war on women reflected in The Trojan Women Project (review) by Jeffrey Walker

Playing like variations on the theme of the ancient Greek play The Trojan Woman, Brave Spirits’ The Trojan Women Project faces head-on a number  of issues ripped from the headlin…

SOURCE: DC Theatre Scene at 11:14am on February 5, 2018

Booker T. Washington's messages in Character Building resound today (review) by Debbie Minter Jackson

Most of us have heard of Booker T. Washington as the counterpoint to W.E.B. DuBois, one espousing the "safe' position of newly freed blacks to better themselves through industry and service …

SOURCE: DC Theatre Scene at 10:35am on February 5, 2018

American Ballet Theatre's delectable Whipped Cream (review) by Alexander C. Kafka

The Nunes memo, election tampering by Russia, the refugee crisis, mass shootings, harassment and molestation, Olympic doping, North Korean nukes, climate change, fascism, nationalism, racism…

SOURCE: DC Theatre Scene at 8:27pm on February 3, 2018

Win 2 tickets to Something Rotten! DCTS weekend ticket giveaway. by Lorraine Treanor

Two lucky readers will have the chance to attend opening night of the smash Broadway musical, Something Rotten!, Tuesday, February 6 at The National Theatre. With its heart on its ruffled…

SOURCE: DC Theatre Scene at 4:55pm on February 2, 2018

Skeleton Crew at Baltimore Center Stage (review) by Jayne Blanchard

That a play set in an auto parts stamping factory is part of the Women's Voices Theater Festival is reason enough to see Skeleton Crew, Dominique Morisseau's fine, emotionally feral play tha…

SOURCE: DC Theatre Scene at 1:05pm on February 2, 2018
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