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10,593 stories from A Younger Theatre

Review: Seussical the Musical, Southwark Playhouse by Gabriel Wilding

Whimsical, nonsensical, and sadly lacking heart, Seussical the Musical aims to blend many of Dr. Seuss's characters into one flashy surreal tale filled with rhyming, joy and well…more rhym…

SOURCE: A Younger Theatre at 9:04am on December 1, 2018

Review: Maiden Speech, Tristan Bates by Sebastian Calver

As a woman in what is still a male dominated industry, can you achieve your goals, without exploiting yourself through sexualisation? Maiden Speech is a platform for new writers, produced by…

SOURCE: A Younger Theatre at 9:04am on December 1, 2018

Review: Guys and Dolls, The Mill at Sonning by Grace Patrick

Following its original New York premiere in 1950, Guys and Dolls has grown to be a show that is known and loved around the world. In fact, it's probably one of the most well-known stage musi…

SOURCE: A Younger Theatre at 5:42am on December 1, 2018

Review: Renaissance Men, Old Red Lion Theatre by Sebastian Calver

Renaissance Men follows Irvine (Sam Heron), a young lad with a desire to write. Through his writing he expresses personal suffering, and is clearly struggling to find his identity. Heron's c…

SOURCE: A Younger Theatre at 10:04pm on November 30, 2018

Review: La Bohème, London Coliseum by Alannah Jones

Jonathan Miller's 2009 production of Puccini's La Bohème returns to the London Coliseum, revived by director Natascha Metherell to mark the fortieth anniversary of Miller's directorial debu…

SOURCE: A Younger Theatre at 11:32am on November 30, 2018

Theatremaker on a budget: London " are you a leaver or remainer? by Holly Bond

As a Londoner now living in Bristol, Holly Bond knows the pressures of being a theatre-maker in and out of the Capital. Here, she argues the pros and cons of both. Google 'leaving London' an…

SOURCE: A Younger Theatre at 8:12am on November 29, 2018

Review: Connie Wookey, The Bunker by Manuel Muñoz

London-based actor Constance Wookey brings to The Bunker her one-woman show Connie Wookey: Denied Under Section 221(g) of the Immigration and Nationality Act, a compelling autobiographical t…

SOURCE: A Younger Theatre at 6:06am on November 29, 2018

Leaving traditional criticism behind: Lyn Gardner's latest project by Lyn Gardner

Lyn Gardner writes about Stagedoor, a new app changing the way we access and view theatre, as well as the constant need for fresher critical voices. When I started writing about theatre in t…

SOURCE: A Younger Theatre at 12:36pm on November 28, 2018

Review: Mojo, Hens & Chickens Theatre by Jacob Sarkisian

New London theatre company That Lot should be praised for their ambitious attempt at bringing to life Jez Butterworth's revered Mojo in the tiny Hens & Chicken Theatre. Unfortunately, ho…

SOURCE: A Younger Theatre at 7:12am on November 28, 2018

Review: The Mountaintop, Bristol Old Vic by Phoebe Graham

"We’ve got some difficult days ahead. But it really doesn’t matter with me now, because I’ve been to the mountaintop. […] So I’m happy, tonight. I’m not w…

SOURCE: A Younger Theatre at 3:48pm on November 27, 2018

Review: Dick Whittington, Lyric Hammersmith by Olivia Gibbs-fairley

As is evident by the weather, Christmas is around the corner, and so too are the multitude of traditions associated with it; mince pies, Christmas songs and of course the Great British tradi…

SOURCE: A Younger Theatre at 2:42pm on November 27, 2018

Review: Macbeth, The Garrick Theatre by Olivia Gibbs-fairley

Directed by Natasha Nixon, Macbeth is the latest production by the National Youth Theatre REP Company, and the final in its 2018 season (the two previous productions being Consensual and Vic…

SOURCE: A Younger Theatre at 2:42pm on November 27, 2018

Judy Kuhn: "Fiddler has never felt so relevant" by A Younger Theatre

The AYT team fired off some questions via email to Judy Kuhn, star of the Menier Chocolate Factory’s Fiddler on the Roof and all-round legend. We find out whether the show’s rele…

SOURCE: A Younger Theatre at 1:06pm on November 26, 2018

Review: The Fishermen, Arcola Theatre by A Younger Theatre

Gbolahan Obisesan's adaptation of Chigozie Obioma's Man Booker Prize nominated The Fisherman, is the haunting tale of four brothers tragically separated by a curse. Set in Nigeria in the 90s…

SOURCE: A Younger Theatre at 9:48am on November 26, 2018

Review: An evening of Bharatanatyam, Sadler's Wells by Madeline Lee

An evening deeply rooted in Indian culture that is sure to plunge you into a stylised and traditional form of dance complemented by contemporary ideas. The Darbar Festival has been going for…

SOURCE: A Younger Theatre at 9:48am on November 26, 2018

Review: Boujie, Drayton Arms Theatre by Olivia Gibbs-fairley

It's no secret that the theatre industry has problems with diversity beyond the types of actors we see on stage. Playwrights, directors and producers are primarily white males, continuing th…

SOURCE: A Younger Theatre at 3:12pm on November 25, 2018

Review: Pity Laughs: A Tale of Two Gays, The Bill Murray by Hilary Webb

It's fair to say I caught Pity Laughs: A Tale of Two Gays on a bad night, but if that's their worst, then they're still pretty good. Mark Bittlestone and Will Dalrymple's two-man show is all…

SOURCE: A Younger Theatre at 2:06pm on November 25, 2018

Review: Yerma, Cervantes Theatre by Gus Mitchell

Federico Garcia Lorca's Yerma, first performed in 1934, is a deeply strange and dark play, full of rural ghosts, poetry and ritual. It's the final part, as the Cervantes team remind us, of h…

SOURCE: A Younger Theatre at 2:06pm on November 25, 2018

Review: The Ex-Boyfriend Yard Sale, Camden People's Theatre by Grace Patrick

What does it mean to place value on something? We can value things emotionally and we can value them in a monetary sense, but what does it mean to extrapolate the financial worth of an objec…

SOURCE: A Younger Theatre at 3:06pm on November 24, 2018

Review: Summer and Smoke, Duke of York's Theatre by Grace Patrick

Written in 1948, Summer And Smoke by Tennessee Williams is far from one of his most performed works. Overshadowed by the likes of The Glass Menagerie and A Streetcar Named Desire, this play …

SOURCE: A Younger Theatre at 2:04pm on November 24, 2018

Review: The Maids, HOME by Emily Bancroft

Based on the true crime story of the murderous duo Claire and Solange Papin, The Maids explores the relationship between reality and 'the game'. The object of the 'game' " to kill the mistre…

SOURCE: A Younger Theatre at 12:48pm on November 24, 2018

Review: A Hero of Our Time, Arcola Theatre by A Younger Theatre

After a sold out run at the Edinburgh Fringe Festival, Hunchtheatre's adaptation of Mikhail Lermontov's A Hero of Our Time comes to Dalston's Arcola Theatre. A favourite novel of second year…

SOURCE: A Younger Theatre at 12:48pm on November 24, 2018

Why is violence towards Front of House workers tolerated? by Manuel Muñoz

I'm sure many of you have worked Front of House at a theatre. Apart from the performers, we are the most visible, prominent faces and the ones who deal with audiences directly. Most of the t…

SOURCE: A Younger Theatre at 9:32am on November 24, 2018

Review: How to Catch a Krampus, Pleasance Theatre by Jacob Sarkisian

How to Catch a Krampus promises to be a "black-hearted antidote to all things cheery this festive season" – enough, apparently, to 'ruin your Christmas.' This is, obviously, tongue-in-…

SOURCE: A Younger Theatre at 10:24am on November 23, 2018

Review: The Unknown Soldier, The Royal Opera House by Madeline Lee

An unlikely mix of ballets that covers technical proficiency, intriguing narratives and stunning partner work. The whole show takes you through a versatile look at ballet over 70 years, with…

SOURCE: A Younger Theatre at 9:18am on November 23, 2018
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