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35,750 stories from The Guardian

The Entertainer review " an off-key swan song by Susannah Clapp

Garrick, LondonJohn Osborne's venomous 1957 play lends itself well to the Brexit era, but Kenneth Branagh's farewell Garrick production fails to igniteIt seemed, John Osborne said, "as dange…

SOURCE: The Guardian at 3:30am on September 4, 2016

Do we stage too much Shakespeare? by Stephen Unwin

Is the Bard still all things to all people? I believe our staging of the same few plays in increasingly esoteric ways is destroying his contemporary relevanceThe avalanche of Hamlets that en…

SOURCE: The Guardian at 1:21am on September 4, 2016

Gillian Anderson on therapy, rebellion and 'being weird' by Simon Hattenstone

She found fame in The X-Files but is most proud of her roles in The Fall and A Streetcar Named Desire. She talks about turning from an obnoxious teenage punk into a control freak " and why m…

SOURCE: The Guardian at 12:18am on September 4, 2016

Can a play ever be too short? by Lyn Gardner

Some theatregoers feel short-changed by a short play. But can brevity be a bonus, or do you expect a full-night's entertainment?Linger at a press desk on a first night and you are guaranteed…

SOURCE: The Guardian at 11:15pm on September 3, 2016

As he likes it: John Kerry says Rosalind is his favourite Shakespeare character by David Smith In Washington

Secretary of state for whom all the world's a stage writes essay for British Council, praising heroine's diplomatic skills and the restorative effect of comedyPoliticians around the world mi…

SOURCE: The Guardian at 11:33am on September 3, 2016

Megan Mullally: 'Young people think sex comes to a screeching halt at 32' by Brian Logan

The Will and Grace star on writing songs about genitals and baring all in a new stage show about the blissful " and highly sexed " state of her union with Parks & Recreation actor Nick O…

SOURCE: The Guardian at 5:15am on September 3, 2016

Death of a Salesman five-star review " Antony Sher is extraordinary by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonGregory Doran's Arthur Miller production skilfully contrasts a bitter old man with his dapper younger self, as Harriet Walter touchingly reveals…

SOURCE: The Guardian at 9:32pm on September 2, 2016

Branagh fails the Wall test as Archie Rice | Letters by Letters

As a member of the Max Wall Society " known as bricks " I was fascinated to read Michael Billington's review of The Entertainer (31 August). Max Wall himself played Archie Rice in John Osbor…

SOURCE: The Guardian at 1:51pm on September 2, 2016

Five of the best... theatre shows this week by Lyn Gardner

Groundhog Day | A Midsummer Night's Dream | Every Brilliant Thing | In Fidelity | StrifeReuniting the team behind Matilda (composer Tim Minchin, director Matthew Warchus and designer Rob How…

SOURCE: The Guardian at 8:40am on September 2, 2016

Three of the best... dance performances this week by Judith Mackrell

Candoco Dance Company | Alvin Ailey American Dance Theater | StompDance plays a key role in the annual Unlimited festival for disabled artists and performers (Tue to 11 Sep), with this compa…

SOURCE: The Guardian at 8:40am on September 2, 2016

Amy Schumer throws sexist heckler out of Stockholm show by Nadia Khomami

Comedian posts video of herself dealing with man who yelled 'Show us your tits' during performance in Swedish capitalAmy Schumer shut down a sexist heckler during a standup show in Stockholm…

SOURCE: The Guardian at 7:33am on September 2, 2016

King Lear review " Sher is a Lear fit to rank with the finest by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonAntony Sher is unbearably moving as the volatile king, in Gregory Doran's stellar production full of standout performancesThis year, we may be e…

SOURCE: The Guardian at 7:33am on September 2, 2016

Pajama Men: 'The Day After Tomorrow is the second funniest film ever' by Hannah J Davies

From unintentionally hilarious disaster movies to cauliflower, the comedians reveals the things that make them laugh the mostShenoah Allen: Arsenio Hall having a bad day in Amazon Women On T…

SOURCE: The Guardian at 6:20am on September 2, 2016

King Lear " review by Michael Billington

Royal Shakespeare TheatreIt works. That's one's instant verdict on the transformed Royal Shakespeare Theatre. And it succeeds precisely because it feels new and strangely familiar. The old a…

SOURCE: The Guardian at 5:27am on September 2, 2016

Henning Wehn review " German comedy ambassador's devilish reception by Brian Logan

Leicester Square theatre, LondonWehn dials down the Teutonic stereotypes to launch into material other comics might find too weighty " such as the farce of the London housing marketAfter 13 …

SOURCE: The Guardian at 5:14pm on September 1, 2016

Freddie Fox: Tom Stoppard's Travesties still fizzes like candyfloss by Andrew Dickson

Stepping in to play Romeo for Kenneth Branagh at a couple of days' notice, followed by the razzamatazz of Tristan Tzara? Fox says it's like ice skatingIt sounds like an actor's fantasy, cros…

SOURCE: The Guardian at 8:34am on September 1, 2016

Unfaithful review " sexual encounters of the half-credible kind by Michael Billington

Found 111, LondonNiamh Cusack and Matthew Lewis are part of a quartet of characters whose unfulfilled lives throw them together in Owen McCafferty's play about infidelityOwen McCafferty, in …

SOURCE: The Guardian at 7:16am on September 1, 2016

Comedy review: Hans Teeuwen, Soho Theatre, London by Brian Logan

Soho Theatre, London"If there's something strange in the neighbourhood/ Who you gonna call? Hans Teeuwen!" It takes bulletproof self-belief to conduct an opening night crowd in a singalong o…

SOURCE: The Guardian at 6:12am on September 1, 2016

Bridget Christie on Hans Teeuwen: 'the gold standard of comedy' by Bridget Christie

The unnerving Dutch comedian defies categorisation and revels in edgy absurdism. Behind the nonsense, he's hysterically funny and deadly seriousI first saw the Dutch absurdist Hans Teeuwen i…

SOURCE: The Guardian at 6:12am on September 1, 2016

Lucy McCormick, the fringe messiah making a cabaret of Christianity by Brian Logan

Triple Threat, Lucy McCormick's Nutella'n'snogging take on the New Testament, has graduated seamlessly from the queer scene to mainstream theatre. But it's as much an attack on celebrity cul…

SOURCE: The Guardian at 5:10am on September 1, 2016

The deranged Dutch are coming! The finest comedy of autumn 2016 by Brian Logan

Brexit, starting over, a honey-selling scam and karaoke with chickens … these are the concerns of the big names in comedy this autumn'Autumn culture: Film | Art & design | Dance | Cla…

SOURCE: The Guardian at 5:10am on September 1, 2016

Clinton: The Musical review " a political marriage of racy gags and erotic earworms by Simon Miraudo

State Theatre Centre of Western Australia, PerthThough over the top, this musical exploration of US politics' most fascinating couple is a welcome sideshow from the real-life election campai…

SOURCE: The Guardian at 12:50am on September 1, 2016

Rose Byrne returns to Sydney stage in David Mamet's Speed-the-Plow by Nancy Groves

Bridesmaids star takes her first Australian theatre role in 15 years as Andrew Upton announces a busy final season at Sydney Theatre CompanyRose Byrne will return to the Australian stage for…

SOURCE: The Guardian at 11:50pm on August 31, 2016

Matilda - review by Lyn Gardner

Cambridge Theatre, LondonThose who think that the West End is always dumbing down and that an intelligent musical is an oxymoron will have to stay behind for detention with the diabolical Mi…

SOURCE: The Guardian at 10:48pm on August 31, 2016

Sisters Grimm: 'If your ears are bleeding, maybe turn it down' by Jane Howard

The theatre renegades have spent 10 years rising through the ranks. But the spaces where they cut their teeth are 'going dark'The trajectory of Melbourne's Sisters Grimm " the artistic colla…

SOURCE: The Guardian at 8:42pm on August 31, 2016
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