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2,044 stories from The Theatre Times

Interview with Author and Director Eva Doumbia by Nicole Birmann Bloom

Eva Doumbia is a writer, director and actress. Her creative residence in New Orleans for the development of "Authophagies" was postponed due to the COVID-19 crisis, as well as the premier…

SOURCE: thetheatretimes.com at 2:39pm on May 22, 2020

Invisible Diaries " Best Of: A Note from the Curator by Katalin Trencsényi

As a response to the damage the Covid-19 pandemic has caused in the theatre world, the Dramaturgs' Network (a volunteer arts organization, based in the UK) has launched a new project: Invisi…

SOURCE: thetheatretimes.com at 5:51pm on May 21, 2020

Revisiting the National Theatre's 2011 "Frankenstein" by Aleks Sierz

So far, it could be said that the National Theatre is having a good lockdown. Every week, this flagship streams one of its stock of NT Live films, which are always a welcome reminder of the …

SOURCE: thetheatretimes.com at 1:21pm on May 21, 2020

Evidence and/or Performance? by Monika Kwaśniewska

It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress (Natalia Bielecka) take the stage. They are dressed in loose, everyday, dark-coloured cloth…

SOURCE: thetheatretimes.com at 9:19pm on May 19, 2020

"#GestezChezVous" Participative Project by Compagnie Hippocampe and Théâtre Victor Hugo by Armando Rotondi

The Covid-19 Emergency has been and still is a challenge for theatre companies, institutions, and artists that had radically to re-think their own practice in terms of social distancing and …

SOURCE: thetheatretimes.com at 5:13pm on May 19, 2020

The International Online Theatre Festival Is Extended Until May 31, Additing Eleven New Productions by The Theatre Times

IOTF PS + 11: EXTENDED May 16"31, 2020 IOTF is an annual online theatre festival showcasing the work of diverse global artists. IOTF PS + 11: EXTENDED offers a two-week extension to this yea…

SOURCE: thetheatretimes.com at 11:33am on May 18, 2020

BLIXT Locally Grown on Community-Driven Theatre During COVID-19 by Rhiannon Ling

BLIXT Locally Grown was born on "a car ride between Scottsbluff and Lincoln," Becky Boesen recalls, "after teaching a workshop, with big open skies above us." BLIXT's co-founder, Petra Wahlq…

SOURCE: thetheatretimes.com at 11:23am on May 18, 2020

Interview with Raphaëlle Boitel " Compagnie L'oubliée by Nicole Birmann Bloom

Written by The Cultural Services of the French Embassy of the United States. Interview Conducted by Nicole Birmann Bloom (Program Officer, Performing Arts, French Cultural Services). Transla…

SOURCE: thetheatretimes.com at 2:13am on May 17, 2020

Translating Theatre/Trans-lating Theatre by David Malcolm

David Malcolm has been one of the key organizers of the Between. PomiÄ™dzy festival ever since it was created in 2010. In this essay, he presents his recollections concerning various even…

SOURCE: thetheatretimes.com at 3:06pm on May 16, 2020

Invisible Diaries: A Problem With Walls (Covid-19 Week 3, Day 2) by Duška Radosavljević

This article is part of the Dramaturgs' Network Invisible Diaries series. Woke up today to packed bags laid out on the living room carpet. My four-year-old is going on holiday. To her …

SOURCE: thetheatretimes.com at 5:53pm on May 15, 2020

International Online Theatre Festival 2020. A glimpse into the physical theatre performances. by Ariadne Mikou

During an art and culture online ubiquity that was expanded in the course of the global pandemic, the International Online Theatre Festival (IOTF) launched its 2nd edition on the 15th of Apr…

SOURCE: thetheatretimes.com at 1:22am on May 15, 2020

Kosmopolis " The Between-Pomiędzy Festival of Literature and Theatre by Sylwia Dobkowska

Unusual times need unusual solutions. We certainly live in times that are challenging, but they also provide an opportunity to do things differently. The Between-PomiÄ™dzy Festival of Lit…

SOURCE: thetheatretimes.com at 4:48pm on May 14, 2020

Shakespeare on Zoom: How a Theatre Group in Isolation Conjured up a "Tempest" by Laura Jayne Wright

While theatres remain closed, the way we watch Shakespeare is changing. When I picture the audiences Shakespeare would have written for, I think of the groundlings in Shakespeare in Love(…

SOURCE: thetheatretimes.com at 5:23am on May 13, 2020

Kosmopolis Rebound: Sopot, 2020 by S.e. Gontarski

Professor S.E. Gontarski is the honorary patron of Beckett Research Group in GdaÅ„sk, created and directed by Professor Tomasz WiÅ›niewski. BRGiG is the organizer of  The University…

SOURCE: thetheatretimes.com at 3:16pm on May 12, 2020

Serbian Balcony Performances in Times of COVID-19: Clapping, Protesting, Confrontation by Borisav Matić

How did diverse balcony performances emerge in Serbia during the coronavirus epidemic and how did they become a metaphor for a polarized society? Since the beginning of the coronavirus epide…

SOURCE: thetheatretimes.com at 11:33pm on May 11, 2020

Italian Resilience Against COVID-19: Dancers in Quarantine by Maria Pia Pagani

Because of COVID-19, Italian dancers' work has abruptly stopped. In order to underline this difficult moment and his forced absence from the stage, global dance icon Roberto Bolle grew a bea…

SOURCE: thetheatretimes.com at 12:22pm on May 11, 2020

Wit and Wisdom: "Much Ado About Nothing" at the Delacorte Theater by Andrew Agress

In this time of isolation, wouldn't it be nice to take a virtual visit to the park? Fear not. PBS is streaming this past summer's Shakespeare in the Park production of Much Ado About Nothing…

SOURCE: thetheatretimes.com at 12:54am on May 11, 2020

Stage Design: Tradition of Diversity by Nadine Berghausen

Germany has more theatres and concert halls than almost any other country in the world. From its many small, private theatres to the large opera houses, stage designers are always working to…

SOURCE: thetheatretimes.com at 12:58am on May 10, 2020

Anya Richkind: The Spontaneous Playwright in Experimental Theatre by Ziming Jim Liu

Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in theatrical arts since she was little. She has written many experimental theatrical creations that…

SOURCE: thetheatretimes.com at 2:30pm on May 9, 2020

Polish Shakespeare Online: Maja Kleczewska's "Macbeth" by Konrad Zielinski

L. P. Hartley's much-recycled observation that 'the past is a foreign country' seems an oddly befitting introduction to Opole-based Kochanowski Theatre's 2004 production of Shakespeare's Mac…

SOURCE: thetheatretimes.com at 3:30pm on May 8, 2020

Capturing the Ephemeral: Marc J. Franklin on Theatre Photography, Inspiration, and Community by Irina Yakubovskaya

His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin is the Principal Photographer and Assistant Photo Editor at Playbill, and his work includes c…

SOURCE: thetheatretimes.com at 10:23pm on May 6, 2020

"Breaking Glass" Review: Sydney Chamber Opera Livestreams Premiere by Melanie Walters

There are very few silver linings that have developed from the current catastrophic health crisis, but the wider accessibility of world-class performances is one positive outcome to have eme…

SOURCE: thetheatretimes.com at 6:29pm on May 6, 2020

How to Support the Arts During a Pandemic by Vikram Phukan

Steadily gathering supporters online is a crowd-funding campaign that trains its specific energies on a frequently overlooked segment of India's vast marginalized populace: artists and artis…

SOURCE: thetheatretimes.com at 2:37am on May 5, 2020

"Beauty & the Beast:" Children's Story, a Universal Message by Ian Kiyingi Muddu

It is a full house. Full house on a Friday? That's rare here. Anyway, we're almost packed like sardines. I'm sitting next to a lovely three-year-old and her mother. Lovely, until she starts …

SOURCE: thetheatretimes.com at 10:55pm on May 3, 2020

"Gators" at Tramp Productions by Aleks Sierz

She's an ordinary young woman, and she really doesn't know what to think. After all, things are way out of control. Out of order. She knows that the natural world is pretty fucked and that n…

SOURCE: thetheatretimes.com at 3:30am on May 3, 2020
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