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2,072 stories from The Theatre Times

These Online Improv Formats Have Clicked With Bengaluru Audiences by Sravasti Datta - The Hindu.com

Improv artistes Balasree Viswanathan and Laxmi Priya talk about the creative spin they have given to their performances Balasree Viswanathan and Arjun Mehra, co-artistic director and artisti…

SOURCE: thetheatretimes.com at 5:45pm on June 9, 2020

Oedipus Zoom: Remarking Tragedy, Now Via Video Conference by Kat Mustatea

The frame lingered some seconds too long on Frances McDormand, playing Jocasta, just long enough to glimpse her listening mournfully, painfully, to Oscar Isaac, playing Oedipus. On a stage, …

SOURCE: thetheatretimes.com at 12:36am on June 8, 2020

Brief Notes Towards A Definition Of Leftfield Theatre by Aleks Sierz

In his wide-ranging, and widely read, survey of postwar British theatre, called State of the Nation, the Guardian critic Michael Billington sets out his stall: in the introduction t…

SOURCE: thetheatretimes.com at 1:08am on June 7, 2020

The Dangers of Optical Illusionary Performative Activism by Azudi Onyejekwe

Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves on the back. This process is never-ending. If the following makes you defensive … Good. To …

SOURCE: thetheatretimes.com at 12:47am on June 7, 2020

Michelle Memran on Maria Irene Fornes and "The Rest I Make Up" by Rhiannon Ling

Michelle Memran is the documentarian behind The Rest I Make Up (2018), a touchingly candid portrait of Cuban-American playwright and director Maria Irene Fornes. A revolutionary figure in th…

SOURCE: thetheatretimes.com at 2:52am on June 6, 2020

Angella Emurwon: Writing for Me is like Breathing by Ian Kiyingi Muddu

Angella Emurwon is a playwright, theatre director and filmmaker. The name 'Emurwon' means seer, and Angella is already doing that in Ugandan theatre. I interviewed her to learn about her wor…

SOURCE: thetheatretimes.com at 8:07pm on June 5, 2020

Dramaturgy in Action: How the Stratford Festival's Meighen Forum Challenges Audiences to Think Beyond the Production by Sally Kozminski

Imagine you have just experienced one of the most extraordinary performances you have ever seen in your life. You, along with the rest of the audience, are on your feet applauding enthusiast…

SOURCE: thetheatretimes.com at 7:39pm on June 5, 2020

Incubator 7: POPArt's Innovative Response to Covid-19 by Tonderai Chiyindiko

In the midst of the Covid-19 pandemic which, among other industries, has adversely affected the theatre sector in South Africa and globally, POPArt, a cutting edge South African based experi…

SOURCE: thetheatretimes.com at 12:17pm on June 4, 2020

Lloyd Lutara: The Ugandan Artist Who Refuses to Box a Story by James Montaño

Lloyd Lutara (LL) is a multi-form storyteller writing and producing theatre, film, fiction and television. By taking a single story and adapting it for different media, he is breaking …

SOURCE: thetheatretimes.com at 10:33pm on June 3, 2020

Review: "A Streetcar Named Desire" at The Young Vic by Allison Newey

The National Theatre's triumphant march through its archive of NT Live recordings continues this week with a glorious blaze of a show. Starring Gillian Anderson, Ben Foster and Vanessa Kirby…

SOURCE: thetheatretimes.com at 1:00am on June 3, 2020

#TeatroConfinado: Spanish Theater's Answer to the Pandemic by Antonio Hernández Nieto

The COVID-19 pandemic has closed theaters around the world, including New York's Broadway and London's West End, Buenos Aires' Calle Corrientes, and Gran Vía in Madrid. The theater sector…

SOURCE: thetheatretimes.com at 1:17am on June 2, 2020

UK-Based Flute Theatre Takes To Instagram To Help Those In The Autistic Spectrum by Rajashree Das

The COVID-19 pandemic has brought significant shifts in routines all over the world. With more people finding themselves adapting to a lifestyle they're less used to, the latent emotional di…

SOURCE: thetheatretimes.com at 1:00am on June 1, 2020

"Seven Days Later" at Sarajevo's Narodno Pozorište by Mila Bulimbasic Botteri

"Who was human before the war, remained so", says one of the actors in the beginning of the play Sedam dana kasnije (Seven Days Later), which ran in January at Sarajevo's Narodno pozoriÅ¡t…

SOURCE: thetheatretimes.com at 11:40pm on May 31, 2020

Jonathan Pitches on Physical Theatre's Ability to Transform Written Text by Niloofar Mohtadi

Jonathan Pitches is a Professor of Theater and Performance at the University of Leeds. He is the Deputy Director of the Stanislavsky Research Centre and the author of three monographs: Scien…

SOURCE: thetheatretimes.com at 1:35am on May 31, 2020

Invisible Diaries: Thoughts for the End of the World As We Know It by Kara McKechnie

This article is part of the Dramaturgs' Network's Invisible Diaries series. Slung Low is a company that is reactive to the "now." In my previous posts, I have written about their re…

SOURCE: thetheatretimes.com at 6:59pm on May 30, 2020

Invisible Diaries: Being In-Between, Holding the Space by Kara McKechnie

This article is part of the Dramaturgs' Network's Invisible Diaries series. I am part German and part British; I am part academic and part dramaturg; I am part theatre and part oper…

SOURCE: thetheatretimes.com at 6:27pm on May 30, 2020

'From the Italian Land to Poland' and Back: A conversation with Giovanni Pampiglione by Gertrude Gibbons

Rome, 9th February 2020. "Can I get some paper? Some cream-colored paper? And a pen?" It is an autumn evening of 1982 in Trieste; the company performing StanisÅ‚aw Przybyszewska's L'affar…

SOURCE: thetheatretimes.com at 3:13am on May 30, 2020

Italian Resilience Against COVID-19: Vocal Performances for Museums and Monuments by Maria Pia Pagani

Because of COVID-19, Italian actors' work had abruptly stopped but digital resources offer them "new" possibilities of maintaining live contact with their audiences. Some important artists h…

SOURCE: thetheatretimes.com at 2:02am on May 30, 2020

Choreographer Yasmine Hugonnet at Biennale Arcipelago Mediterraneo by Ariadne Mikou

Seven bodies, moving in silence, form a slowly transitioning human landscape. The change in their shapes is almost imperceptible, like seven individual rocks that the sea gradually transform…

SOURCE: thetheatretimes.com at 3:50am on May 29, 2020

Zoom Play: "Midnight Your Time" at The Donmar Warehouse by Aleks Sierz

During the lockdown, the best online theatre, more or less, are shows that are specially created for this digital format. Much better than dull records of dramas that might have worked well …

SOURCE: thetheatretimes.com at 2:49am on May 29, 2020

After Coronavirus: Global Youth Reveal That the Social Value of Art Has Never Mattered More by Kathleen Gallagher

Health and government officials around the globe are slowly and ever-so-tentatively moving to relax lockdowns due to coronavirus. In Canada, where the possibility of health-care collapse see…

SOURCE: thetheatretimes.com at 12:46am on May 27, 2020

Theatrical Coronalypse in Belarus by Alexander Mantush

  The global pandemic of coronavirus infection has stopped theatrical activity around the world. Although no quarantine measures have been officially introduced in the Republic of Belarus…

SOURCE: thetheatretimes.com at 8:28pm on May 25, 2020

The Online Stephen J Chifunyise International Theatre Festival by Takudzwa Chihambakwe

When Zimbabwean theatre practitioner Stephen Joel Chifunyise passed on last year, Theatre in The Park, the organizers of the Harare International Theater Festival saw it befitting to rename …

SOURCE: thetheatretimes.com at 2:53am on May 25, 2020

The Other Is Denied a Voice: Maja Kleczewska's "Hamlet/Гамлет" by Witold Loska

What is the role today of one of the pivotal narratives of Western culture, William Shakespeare's Hamlet? Does it really serve the functions it has been claimed to serve, providing a narrati…

SOURCE: thetheatretimes.com at 4:15am on May 24, 2020

Curve Leicester's "What the Butler Saw": A Review by Aleks Sierz

Over the past couple of months, theatre reviewing has become film reviewing, and venues all over the country have struggled to make material available for watching online. The biggest instit…

SOURCE: thetheatretimes.com at 4:14am on May 24, 2020
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