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3,495 stories from The Arts Desk

Rasheeda Speaking, Trafalgar Studios review - unsettling comedy, thorny racism by Tom Birchenough

Bravura performance from Tanya Moodie in sharp new American drama of racial discordConflict and comedy can be unpredictable bedfellows, and Chicago playwright Joel Drake Johnson's 2014 play …

SOURCE: The Arts Desk at 9:48am on April 21, 2018

Bat Out of Hell, Dominion Theatre review - the Meat Loaf musical returns, batty as ever by Marianka Swain

The booming behemoth is right at home in We Will Rock You's old digsBack by feverishly popular demand, Jim Steinman's mega-musical is no longer in danger of alarming unsuspecting operagoers.…

SOURCE: The Arts Desk at 8:12pm on April 19, 2018

Tina, Aldwych Theatre review - new Tina Turner bio-musical is simply OK by Marianka Swain

★★★ TINA, ALDWYCH THEATRE - new Tina Turner bio-musical is simply OKPowerhouse Adrienne Warren is the saving grace of a show that plays it safeIt is, perhaps, a tale that s…

SOURCE: The Arts Desk at 6:36pm on April 17, 2018

Instructions for Correct Assembly, Royal Court review - Jane Horrocks in Middle England Westworld by Aleks.sierz

New sci-fi drama about suburban perfection lacks the necessary human touch There's a whole universe which British theatre has yet to explore properly " it's called the sci-fi imagination. Al…

SOURCE: The Arts Desk at 6:59pm on April 14, 2018

The Moderate Soprano, Duke of York's Theatre review - love and opera with a flinty edge by David Nice

Roger Allam and Nancy Carroll serve David Hare's iron fist in velvet glove to perfection"What could be more serious than married life?" asked Richard Strauss, whose operas became a surp…

SOURCE: The Arts Desk at 2:51am on April 14, 2018

Chicago, Phoenix Theatre review - baggy revival picks up later pace by Laura De Lisle

Cuba Gooding Jr hardly rises, but his co-stars shine in a show stronger on wit than tunesChicago has been on, in one form or another, for a very long time.

SOURCE: The Arts Desk at 5:38am on April 13, 2018

Quiz, Noël Coward Theatre, review - entertaining confection by Veronica Lee

James Graham tells of the "coughing major" who wanted to be a millionaireYou could be forgiven for not remembering the "coughing major" brouhaha in 2001, coming as it did the day b…

SOURCE: The Arts Desk at 2:00am on April 11, 2018

10 Questions for Performer Seth Kriebel by Thomas H.green

Rising star of the interactive theatrical experience explains where he's coming from and what he's up toSeth Kriebel, 45, is a performer, much of whose work involves audience parti…

SOURCE: The Arts Desk at 5:28am on April 5, 2018

The Country Wife, Southwark Playhouse review " knowing Restoration update by Heather Neill

Wycherley's sexy comedy transplanted to the Roaring TwentiesEven in its successful early days Wycherley's 1675 comedy was notorious, but it was considered too lewd to be staged at all betwee…

SOURCE: The Arts Desk at 2:30pm on April 4, 2018

Pressure, Park Theatre review - David Haig terrific in his own drama by Aleks.sierz

Documentary drama about the weather on the eve of D-Day is a successThere are few things more British than talking about the weather. What makes this play about a meteorologist interesting, …

SOURCE: The Arts Desk at 6:32pm on April 3, 2018

White Guy on the Bus, Finborough Theatre review - a moral tale of Pennsylvania's divisions by Katherine Waters

Race, wealth and class collide in American thriller Ros and Ray are old hippies made good. She's a hard-bitten, hard-working teacher in an inner-city Pennsylvania school where her pupils rob…

SOURCE: The Arts Desk at 5:00am on March 31, 2018

The Inheritance, Young Vic review - a long day's journey into light by David Benedict

One part Angels in America to six parts Howards EndAbout a decade ago, theatre-makers started routinely describing themselves as being in the business of storytelling.

SOURCE: The Arts Desk at 3:57am on March 29, 2018

Misty, Bush Theatre review - powerful meditation on how we tell stories by Laura De Lisle

Arinzé Kene writes and stars in a witty, hard-hitting play about race and culture in modern London Arinzé Kene is having a bit of a moment. He won an Evening Standard Film Award for The Pa…

SOURCE: The Arts Desk at 9:00pm on March 22, 2018

Black Men Walking, Royal Court review - inspiring and exhilarating by Aleks.sierz

Yorkshire hikers reclaim the English countryside - and their identitiesIn the same week that Arinzé Kene's Misty, a play that passionately questions the clichés of plays about black Briton…

SOURCE: The Arts Desk at 7:01pm on March 22, 2018

Sir Matthew Bourne remembers Scott Ambler 1960-2018 " "A prince among men" by Anonymous

New Adventures Artistic Director's tribute to his core collaborator and star performerMATTHEW BOURNE WRITES: Nobody deserves the title of New Adventures "legend" more than Scott Ambler;…

SOURCE: The Arts Desk at 9:32am on March 22, 2018

The Plough and the Stars, Lyric Hammersmith review - a trenchant reimagining of the Irish classic by Jenny Gilbert

O'Casey's injunction to love thy neighbour above thy country hits home in this timely updateSean Holmes is artistic director of the Lyric Theatre, Hammersmith, yet his revival of t…

SOURCE: The Arts Desk at 4:00am on March 22, 2018

Kiss of the Spider Woman, Menier Chocolate Factory review - brilliantly performed and imaginatively staged by Matt Wolf

A familiar title transcends the schematic to land with renewed forceNo, this isn't the large-scale Kander and Ebb musical, which opened in 1992 in London before transferring for a sizable ru…

SOURCE: The Arts Desk at 2:47pm on March 21, 2018

Caroline, or Change, Hampstead Theatre review - Sharon D Clarke conquers by Matt Wolf

The award winning musical returns in all its ferocity and glory It's long been a theatrical given, especially in musicals, that characters need to be seen to change: a climactic duo in the e…

SOURCE: The Arts Desk at 4:00am on March 21, 2018

The Great Wave, National Theatre review - moving epic of global loss by Aleks.sierz

Brilliant, and epic, new thriller about Japanese citizens abducted by North KoreaYou could call it an absence of yellow. Until very recently British theatre has been pretty poor at represent…

SOURCE: The Arts Desk at 7:20pm on March 19, 2018

Hamlet, RSC, Hackney Empire review - Paapa Essiedu's winning Dane by Matt Wolf

★★★★ HAMLET, RSC, HACKNEY EMPIRE Paapa Essiedu's winning DaneRSC's touring Hamlet is well worth catching anywhere en routeShakespeare's death-laden play is alive…

SOURCE: The Arts Desk at 1:00am on March 19, 2018

Hamlet, RSC, Hackney Empire review - Paapa Essiedu's winning Dane by Matt Wolf

RSC's touring Hamlet is well worth catching anywhere en routeShakespeare's death-laden play is alive and well and breathing with renewed force in Hackney, the last British stop for an R…

SOURCE: The Arts Desk at 1:00am on March 19, 2018

Vivaldi's The Four Seasons: A Reimagining, Sam Wanamaker Playhouse review - a gentle exploration of life, love and death by Alexandra.coghlan

★★★★★ VIVALDI'S THE FOUR SEASONS, SAM WANAMAKER PLAYHOUSE beguilingly beautiful show from the UK's most exciting puppeteersA beguilingly beautiful show from the…

SOURCE: The Arts Desk at 12:00am on March 19, 2018

Vivaldi's The Four Seasons: A Reimagining, Sam Wanamaker Playhouse review - a gentle exploration of life, love and death by Alexandra.coghlan

A beguilingly beautiful show from the UK's most exciting puppeteersVivaldi's The Four Seasons: A Reimagining " it's not a title that trips off the tongue. Nor one, frankly, that inspire…

SOURCE: The Arts Desk at 9:00pm on March 18, 2018

Female Parts: Shorts, Hoxton Hall review - women speak out by Katherine Waters

★★★ FEMALE PARTS: SHORTS, HOXTON HALL Women speak outAdulteress, mother and immigrant tell their stories in three monologuesHot on the heels of International Women's Day co…

SOURCE: The Arts Desk at 3:22am on March 17, 2018

Female Parts: Shorts, Hoxton Hall review - women speak out by Katherine Waters

Adulteress, mother and immigrant tell their stories in three monologuesHot on the heels of International Women's Day come three monologues written, directed and produced by women showing at …

SOURCE: The Arts Desk at 3:22am on March 17, 2018
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