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10,593 stories from A Younger Theatre

Review: Nine Night, The Trafalgar Studios by Sebastian Calver

A tentative build-up, but boy is it worth it! Nine Night is a story paying homage to the nine nights celebrating the life of the dead that is a necessity in order to send away the departed w…

SOURCE: A Younger Theatre at 12:06pm on December 13, 2018

Review: Laura, Soho Theatre by Alexandra Wilbraham

Normally, when a play calls for audience participation, I would kindly decline, tip my hat and moonwalk out of the building. It's also why I avoid sitting in the front row. Laura, however, i…

SOURCE: A Younger Theatre at 8:49am on December 13, 2018

Review: Uncle Vanya, Hampstead Theatre by Gabriel Wilding

Why do we watch the same plays over and over again? Is it a testament to the innate genius of the writers? Because they cover issues constantly facing humanity? Is it a lack of imagination, …

SOURCE: A Younger Theatre at 6:36am on December 13, 2018

Review: Dialektikon, Park Theatre by Sebastian Calver

An unusual menagerie of consequential storytelling. Dialektikon follows Miranda, played by Mary Nyambura, a young girl defenceless and naive in a cruel world full of unknowns. Through the us…

SOURCE: A Younger Theatre at 1:04pm on December 11, 2018

Review: Borders and Games, Arcola Theatre by Sebastian Calver

We live in a society very ignorant of the conflict in Syria and its harrowing reality, which is often paved over by the short and sickly-sweet blanket term: “the crisis in Syria". The …

SOURCE: A Younger Theatre at 6:24am on December 11, 2018

Jonny Woo: "For such a divisive topic we are not overrun with Brexit shows" by Erin Cobby

In our final Q & A of 2018, Erin Cobby chats Brexit with Jonny Woo as he brings his all-star cabaret to the majestic Coliseum in London. Erin: What was the purpose of the cabaret? Jonny:…

SOURCE: A Younger Theatre at 8:36am on December 10, 2018

Review: Maiden Speech Festival " Day 4, Tristan Bates Theatre by Jacob Sarkisian

The Maiden Speech Festival presents a collection of short plays every evening that discusses and dissects various subjects and themes. This, inevitably, results in quite a mixed bag of theat…

SOURCE: A Younger Theatre at 11:48am on December 9, 2018

Review: The Rave Space, Camden People's Theatre by Charlotte Irwin

To an extent, The Rave Space does what it says on the tin. You walk down the stairs into the dark basement of Camden People's Theatre, get your hand stamped, take your purple laser, and star…

SOURCE: A Younger Theatre at 8:32am on December 9, 2018

Review: A Christmas Carol, The Old Vic by Jessica Handscomb

"Christmas time is a good time; a kind, forgiving, charitable, pleasant time; the only time I know of when men and women open their shut-up hearts freely, and think of people below them as i…

SOURCE: A Younger Theatre at 6:18am on December 9, 2018

Review: Transpose: The Future, The Pit at the Barbican by Dovydas Laurinaitis

Opening with a series of videos from individuals reflecting on our current societal placement in Trans discourse, Transpose: The Future immediately sets the tone of its exploration. It is on…

SOURCE: A Younger Theatre at 2:54pm on December 8, 2018

Review: Return to Elm House, Battersea Arts Centre by Suzannah Ball

With the state of the world being very much up in arms with the inevitable and much-needed presence of the Me Too movement, Return to Elm House interweaves nineteenth century feminism with p…

SOURCE: A Younger Theatre at 6:06am on December 8, 2018

Review: The Crumple Zone, The Kings Head Theatre by Jessica Handscomb

The crumple zone, for those who may not know, is the part of a car designed to take the full force of the impact if and when a collision occurs. It's also the title of Lambco productions' ne…

SOURCE: A Younger Theatre at 10:06am on December 7, 2018

We really need to show more queer women on stage by Jennifer Cerys

Jennifer Cerys is demanding more representation of queer women on stage. She writes about finding our identity on our own terms and how to inspire the younger generation. When I was growing …

SOURCE: A Younger Theatre at 7:54am on December 7, 2018

Review: Chloe and the Colour Catcher, Bristol Old Vic by Phoebe Graham

Recently, I was discussing what's in store for me next year with a friend. I'm months away from graduation, and I couldn't be more terrified for its arrival. I said that the approaching Summ…

SOURCE: A Younger Theatre at 5:42am on December 7, 2018

Review: Hole, Royal Court Theatre by Tricia Wey

The Royal Court has been extraordinary as of late at dedicating their spaces to let women experiment with form. Ellie Kendrick's debut play Hole is another experiment: not so much a theatre …

SOURCE: A Younger Theatre at 5:42am on December 7, 2018

Review: A State of Mind, Tristan Bates Theatre by Alannah Jones

A State of Mind is a one-woman verbatim piece about mental health that directly recounts the stories and lived experiences of a self-proclaimed rather "wonky" middle-aged woman named Billie …

SOURCE: A Younger Theatre at 2:12pm on December 5, 2018

Vicky Featherstone: "We are very much at the tip of the iceberg" by Josephine Balfour-oatts

Josephine Balfour Oatts has a quick chat with Vicky Featherstone about new play, The Cane #metoo and positions of power and 2019’s very exciting programme. It is the final day of rehea…

SOURCE: A Younger Theatre at 8:42am on December 5, 2018

Review: Striking 12, Union Theatre by Suzannah Ball

There is no escaping the mandatory Christmas cheer that shall soon be, or perhaps already is, plaguing your day to day life. Although you may be filling with excitement the closer you get to…

SOURCE: A Younger Theatre at 7:33pm on December 4, 2018

Review: Redefining Juliet, The Pit at the Barbican by Jessica Handscomb

Juliet Capulet of Shakespeare's world-renowned Romeo & Juliet might be one of, if not the most famous female character ever written for the stage. Countless big names have played her inc…

SOURCE: A Younger Theatre at 5:12am on December 4, 2018

Review: Paid Fantasist, Camden People's Theatre by Jessica Handscomb

The Camden People's Theatre never ceases to amaze me with the sheer range of productions they put on. The bizarre and avant-garde can often be found here, and Paid Fantasist is no exception.…

SOURCE: A Younger Theatre at 2:54pm on December 3, 2018

Scottee: "Fat people are policed on a day-to-day basis" by Josephine Balfour-oatts

Celebrating a decade of work, Scottee is returning with Hamburger Queen. He chats with Josephine Balfour Oatts about how, when it comes to ‘fatness’, society is the problem. Scot…

SOURCE: A Younger Theatre at 9:24am on December 3, 2018

Review: A Christmas Story, The Musical, Waterloo East Theatre by Madeline Lee

A Christmas Story, The Musical centres on a young boy called Ralphie (Felix Hepburn) whose only Christmas wish is to receive a BB gun, and the ways in which his family builds up to the speci…

SOURCE: A Younger Theatre at 6:06am on December 3, 2018

Review: Cuckoo, The Soho Theatre by Gabriel Wilding

Ambitious, infectious, yet seemingly never-ending, Cuckoo is a boiling pot of talent and potential that would have to be subject to a considerable sizing-down before becoming a hit show. Tou…

SOURCE: A Younger Theatre at 6:06am on December 3, 2018

The future of theatre? Matthew Robins on creating music video for Bush Theatre's Drip by Erin Cobby

Erin Cobby talks to composer, Matthew Robins about his collaboration with Boundless Theatre and Script Club on a stop motion music video for Hull based show, Drip at Bush Theatre. The trend …

SOURCE: A Younger Theatre at 8:06am on December 2, 2018

Review: Jeannie, Finborough Theatre by Hilary Webb

This December, Nicolette Kay revives Aimée Stuart's quick-witted play for its first run since 1940. Jeannie, currently underway at the Finborough Theatre, tells the story of a fiery and fun…

SOURCE: A Younger Theatre at 7:04am on December 2, 2018
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