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35,750 stories from The Guardian

Jess and Joe Forever review " shades of Salinger in tale of adolescent uncertainty by Michael Billington

Orange Tree, RichmondZoe Cooper's skilful and touching account of an unlikely teenage friendship brings to mind The Catcher in the Rye Zoe Cooper's play, co-produced with Farnham Maltings an…

SOURCE: The Guardian at 11:40am on September 13, 2016

We the Jury and Travesty: do Acaster and Williams's new scripts stand up? by Brian Logan

James Acaster has penned a sitcom pilot and Liam Williams has written a play. Both bring echoes of their striking comedy routines but neither is as successfulSitcoms, in the UK at least, are…

SOURCE: The Guardian at 10:39am on September 13, 2016

Land of 1,000 dances: Out of Asia 2 at Sadler's Wells " in pictures by Guardian Staff

Five years after its landmark Out of Asia season, Sadler's Wells presents a second programme of eastern choreography. From the minimalism of TAO Dance Theatre to the epic Under Siege, take a…

SOURCE: The Guardian at 10:39am on September 13, 2016

A Streetcar Named Desire, National Theatre, London by Michael Billington

National Theatre, LondonYou can see Tennessee Williams's Blanche DuBois in one of two ways: as an embodiment of the poetic spirit destroyed by crude reality or as a southern snob tragically …

SOURCE: The Guardian at 9:22am on September 13, 2016

From Maxine Peake to Vivien Leigh: Streetcar's Blanche Dubois " in pictures by Guardian Staff

Maxine Peake is the latest actor to play Tennessee Williams's troubled heroine. Take a look at the other stars who have depended on the kindness of strangers Continue reading...

SOURCE: The Guardian at 5:10am on September 13, 2016

The Dover Road review " AA Milne comedy pooh-poohs romantic love by Michael Billington

Jermyn Street theatre, London Before writing children's classics, Milne was a popular dramatist. His 1922 comedy about eloping lovers gets an excellent revival by Nichola McAuliffeLondon's s…

SOURCE: The Guardian at 3:13am on September 13, 2016

Aubergine review " a tender but overcooked play about food and loss by Alexis Soloski

Playwrights Horizons, New YorkCan turtle soup heal the rift between a father and son? This play about the emotional uses of food is poignant, but its philosophical maxims are too sweetWe eat…

SOURCE: The Guardian at 10:51pm on September 12, 2016

Stewart Francis: If I only made my wife chuckle, that would suit me fine by Paul Fleckney

Reports of the Canadian standup's retirement have been exaggerated. Touring his new show Pun Gent, he says he's ditched his anxiety " and is asking UK audiences to connect the dotsTwo years …

SOURCE: The Guardian at 6:55pm on September 12, 2016

Final David Bowie songs to be released on Lazarus cast album by Guardian Music

Classic covers from the New York jukebox musical starring Michael C Hall will join the late star's last recordings in a combined releaseAn album featuring David Bowie's final recordings will…

SOURCE: The Guardian at 7:55am on September 12, 2016

The Encounter: Simon McBurney on an Amazonian voyage that exploded time by Simon McBurney

When photographer Loren McIntyre travelled to the Javari valley it overturned everything he knew about the world. I'm retelling his journey with a microphone " you listen with headphonesComp…

SOURCE: The Guardian at 6:52am on September 12, 2016

HighTide festival review " taut trios tackle love triangles, terror and Beyoncé by Michael Billington

Aldeburgh, SuffolkTwo short new plays skilfully compress stories of cultural power in Boko Haram-ravaged Nigeria, and an agile and eloquent mountaineering romanceNow celebrating its 10th yea…

SOURCE: The Guardian at 4:56am on September 12, 2016

Plan your week's theatre: top tickets by Lyn Gardner

Last call beckons for for Helen McCrory's The Deep Blue Sea, David Hoyle delivers an education, Great Yarmouth goes Out There, and National Theatre Wales celebrates Roald Dahl It's almost yo…

SOURCE: The Guardian at 2:45am on September 12, 2016

Royal Shakespeare Company plans hi-tech staging of The Tempest by Dalya Alberge

RSC combines with Intel and Imaginarium Studios to bring performance-capture technology to live theatreThe head of the Royal Shakespeare Company (RSC) may be more versed in the language of t…

SOURCE: The Guardian at 2:45am on September 12, 2016

Reimagining The Drover's Wife: Leah Purcell weaves Indigenous Australia into classic tale by Steve Dow

The Aboriginal actor and writer radically retools Henry Lawson's short story into a bush thriller with elements of her own family history In the rehearsal room at Sydney's Belvoir Street The…

SOURCE: The Guardian at 11:24pm on September 11, 2016

John Malkovich: 'In relationships, I've had an addictive personality' by Kate Kellaway

The actor and director on addiction and success, Trump's bankruptcies, and the film he wrote that no one will see for 100 yearsJohn Malkovich has acted in 98 films and is about to make his L…

SOURCE: The Guardian at 5:14am on September 11, 2016

Britten in Brooklyn review " bohemian travesty by Susannah Clapp

Wilton's Music Hall, LondonSadie Frost as Gypsy Rose Lee fails to enliven Zoe Lewis's play about a wartime gathering of Britten, Auden and McCullersThere is always an excitement at being in …

SOURCE: The Guardian at 4:07am on September 11, 2016

Alvin Ailey American Dance Theater review " sorrow, sex and the gospel truth by Luke Jennings

Sadler's Wells, LondonThe American troupe's thrilling programmes transform oppression into a night of pure joyThere is a haunting symmetry to the opening-night programme of Alvin Ailey Ameri…

SOURCE: The Guardian at 4:07am on September 11, 2016

How we made a musical about cancer by Rachel Cooke

Producer Judith Dimant's personal experience and director Bryony Kimmings's radical ideas have combined to moving effect in an original new showIn the theatre, work in progress is fiercely p…

SOURCE: The Guardian at 4:07am on September 11, 2016

Burning Doors review " dark stories from eastern Europe by Susannah Clapp

Soho theatre, LondonDespite some magnetic moments " and a Pussy Rioter " Belarus Free Theatre fails to catch fireIn their home country, the founder members of Belarus Free Theatre face deten…

SOURCE: The Guardian at 4:07am on September 11, 2016

The Cheviot, the Stag and the Black, Black Oil review " a superb revival by Clare Brennan

Dundee Rep, and touringJohn McGrath's influential play about the history of the Highlands lives up to expectationsTry as you might not to let it happen, there are times when personal prejudi…

SOURCE: The Guardian at 3:16am on September 11, 2016

King Lear review " more engaging than raging by Susannah Clapp

Royal Shakespeare theatre, Stratford-upon-AvonAntony Sher is a shade too controlled as the maddened king in Gregory Doran's fluent productionThe play that Dr Johnson thought too painful to b…

SOURCE: The Guardian at 3:16am on September 11, 2016

John Malkovich to make London debut as a theatre director by Maev Kennedy and Chris Wiegand

Actor will return to the UK in order to stage Zach Helm's play Good Canary at Kingston's Rose theatreThe American actor John Malkovich is heading to the UK " not to the West End stage, but t…

SOURCE: The Guardian at 5:24pm on September 10, 2016

Operation Crucible review " Sheffield steals the show in lively wartime tale by Alfred Hickling

Crucible, SheffieldThe cast offer a high-spirited depiction of male camaraderie in this play about the Sheffield blitz of 1940, but the show most impresses as a portrait of a cityKieran Know…

SOURCE: The Guardian at 5:24pm on September 10, 2016

Come From Away: the musical that dares to deal with 9/11 by David Smith In Washington

The musical tells the story of travellers grounded in the remote Canadian town of Gander on 9/11 " yet despite the sensitive subject matter, it has received huge ovations and is bound for Br…

SOURCE: The Guardian at 7:37am on September 10, 2016

I love theatre and I'm blind. Here's how that works | Ria Adriani by Ria Andriani

Ria Andriani became blind at the age of five as the result of glaucoma. Thanks to tactile tours and audio descriptors, it hasn't stopped her enjoying theatreThe Rabbits, written by Kate Mill…

SOURCE: The Guardian at 6:57pm on September 9, 2016
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