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35,750 stories from The Guardian

Plan your week's theatre: top tickets by Lyn Gardner

Harriet Walter stars as Prospero at the Donmar's new site, Mark Gatiss joins The Boys in the Band at the Park, London, and, in Edinburgh, a 2,500-year-old story of women seeking asylumDublin…

SOURCE: The Guardian at 2:55am on September 26, 2016

Obituary: Eleo Pomare by Terry Monaghan

Choreographer and dancer fired by a sense of social injusticeEleo Pomare, who has died in Manhattan aged 70, was widely regarded as the angriest, but also the most underrated, of the leading…

SOURCE: The Guardian at 12:45am on September 26, 2016

Q&A: Dave Gorman gets to the point " 'most of the world is lovely' by Interview By Paul Fleckney

The comedian opens up about forsaking alcohol for laughs, his PowerPoint double act … and his catDave, how has the tour been going so far?It's been very jolly, thank you. Amazingly, I'm st…

SOURCE: The Guardian at 7:32pm on September 25, 2016

Kenneth Tynan on demolishing Noël Coward " and then dining with him by Kenneth Tynan

In this extract originally published in the Observer on 1 April 1973 following Coward's death, Kenneth Tynan remembers a chance encounter with the playwrightOne night in the spring of 1959 I…

SOURCE: The Guardian at 3:26pm on September 25, 2016

Lin-Manuel Miranda on his Broadway smash: 'Hamilton is from the school of Eminem' by Emma Brockes

The creator ​of ​the hit musical, ​whose fans range from Barack Obama to Salman Rushdie​, reveals how​ ​mixtapes, hip-hop​ and America's foun…

SOURCE: The Guardian at 9:56am on September 25, 2016

The Brides of Bluebeard review " siren Ruby Dolls slay the abusive monster by Lyn Gardner

Camden People's theatre, London Cabaret singing group the Ruby Dolls tackle domestic violence in their updated folktale that tempers its sinister edges with humourBilled as "a gothic folktal…

SOURCE: The Guardian at 9:56am on September 25, 2016

Imogen review " Globe unleashes sex, drugs and gang warfare on Cymbeline by Michael Billington

Shakespeare's Globe, London EastEnders actor Maddy Hill brings gutsy toughness as the heroine of this refocused Shakespeare adaptation, but Matthew Dunster's violent setting seems at odds wi…

SOURCE: The Guardian at 8:50am on September 25, 2016

War Horse director pulls the strings to stage puppet version of Victor Hugo tale by Dalya Alberge

Tom Morris is hoping to repeat his success with the first world war classic story in a new play at the Bristol Old VicThe spectacular staging of War Horse, with lifelike equine puppets, has …

SOURCE: The Guardian at 8:50am on September 25, 2016

Twelve Angry Men " review by Michael Billington

Garrick, London This 1950s courtroom drama is an efficient piece of entertainment but is beginning to show its ageReginald Rose's script has had an incredibly long life. It first surfaced on…

SOURCE: The Guardian at 3:28am on September 25, 2016

David Hare: the genius of Georges Simenon by David Hare

As he brings one of the crime writer's novels to the National stage, David Hare reveals why he loves the pithy, power-obsessed creator of MaigretLike many bookish children, I grew up consumi…

SOURCE: The Guardian at 3:28am on September 25, 2016

OCD Love review " striking fusion of techno, dance and OCD by Luke Jennings

Sadler's Wells, LondonSix dancers move as one in Sharon Eyal's gravely beautiful exploration of the obsessive-compulsive stateL-E-V is an Israeli dance company created by choreographer Sharo…

SOURCE: The Guardian at 3:28am on September 25, 2016

Torn review " charged family drama by Susannah Clapp

Jerwood Theatre Upstairs at the Royal Court theatreForm mirrors content in this fraught play full of tension, secrets and fractured dialogueEverything is shredded in Nathaniel Martello-White…

SOURCE: The Guardian at 3:28am on September 25, 2016

Tim Etchells: 'It's not a utopian project. We argue a lot... that friction is important' by Holly Williams

The leader of the six-strong Forced Entertainment on performing 24-hour plays, winning an Ibsen award and why they want to help those just starting outTim Etchells is the leader of Forced En…

SOURCE: The Guardian at 3:28am on September 25, 2016

No Man's Land review " a wan take on Pinter's classic by Susannah Clapp

Wyndham's theatre, LondonOnly Ian McKellen flourishes in a lacklustre production of this beloved, strange and rich playThe legacy of No Man's Land is overwhelming. In 1975, John Gielgud and …

SOURCE: The Guardian at 3:28am on September 25, 2016

Good Canary review " the real star is Malkovich's direction by Susannah Clapp

Rose theatre, Kingston upon ThamesFreya Mavor excels in Zach Helm's compelling tale of a woman trapped in addiction The Rose at Kingston has suddenly bloomed. John Malkovich's production of …

SOURCE: The Guardian at 3:28am on September 25, 2016

Was Terry Gilliam right to call the Monty Python reunion 'depressing'? by Brian Logan

Are the Python's comments damagingly off-message or warming us up for shows that will be more than a cynical nostalgia fest?Were you excited when you heard Monty Python were reuniting for li…

SOURCE: The Guardian at 10:00pm on September 24, 2016

Morrissey or Shelagh Delaney? " quiz by Chris Wiegand

Hull Truck's A Taste of Honey, starring Shameless's Rebecca Ryan, is the second major revival this year of Shelagh Delaney's hugely influential debut. As Morrissey once observed, "At least 5…

SOURCE: The Guardian at 5:25pm on September 24, 2016

Disability and the 'new normal': why Australia needs to ramp up access to stage and screen by Steve Dow

Australia is '20 years behind' in terms of disability-led performance and the fight for real representation is just beginningIn the old courthouse in Geelong, 75km south-west of Melbourne, t…

SOURCE: The Guardian at 6:56pm on September 23, 2016

Theatres must act now about gender inequality by Lyn Gardner

There's no shortage of women working in the arts but the organisations taking part in Tonic Theatre's Advance programme are scrutinising the obstacles facing them " with a focus on freelance…

SOURCE: The Guardian at 12:37pm on September 23, 2016

Emily Rising review " the girl who floated away from her family by Miriam Gillinson

Little Angel theatre, LondonDan Rebellato's play, which follows a 10-year-old facing the world when her parents split up, is beautiful, sad and full of clever touchesEmily Rising is a play a…

SOURCE: The Guardian at 11:27am on September 23, 2016

Attached review " Swedish clowns spar and soar in lovable show by Lyn Gardner

Stratford Circus, London The circus double act Magmanus deliver a charming and cunningly constructed piece with a Mouse Trap!-style finaleThe Swedish duo Magmanus get themselves into some ve…

SOURCE: The Guardian at 9:16am on September 23, 2016

Sam Simmons: 'Larry David gives me hope people still find old white bald men funny' by Rachel Aroesti

From Dr Seuss to his 'pure evil' mother, the 2015 Edinburgh award-winner reveals what makes him laugh the mostJudith Lucy, a total genius Australian comedian. She is so very, very dry, and s…

SOURCE: The Guardian at 8:15am on September 23, 2016

Father Comes Home from the Wars review " gripping African-American epic by Michael Billington

Royal Court, LondonPerformed by an excellent cast, Suzan Lori-Parks's trilogy about the US civil war is riddled with Homeric allusions and seamlessly incorporates songs into the action Relat…

SOURCE: The Guardian at 8:14am on September 23, 2016

Three of the best... dance performances this week by Judith Mackrell

La Fille Mal Gardée | Giselle | Scottish BalletThe Royal Ballet opens its new season with one of the most captivating comedy ballets in its repertory. Continue reading...

SOURCE: The Guardian at 8:14am on September 23, 2016

Miss Saigon: our old show is back " fresh and angry for the 21st century by Ray Shell

Ray Shell, a member of the original Miss Saigon cast, admires the brutality, fragility and yearning of the London revival' Guardian review " 'exemplary vigour'' Observer review " 'celebratio…

SOURCE: The Guardian at 1:42am on September 23, 2016
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