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3,495 stories from The Arts Desk

The Grönholm Method, Menier Chocolate Factory - sleek and short but in no way deep by Matt Wolf

Much-traveled play contains one twist too many Add Catalan writer Jordi Galcerán to the shortlist of European playwrights who are finding an international perch, in this case with a tr…

SOURCE: The Arts Desk at 6:04am on May 25, 2018

Ian Rickson: 'I'm an introvert, I want to stop talking about myself' - interview by Jasper Rees

The director staging Brian Friel's Translations at the National talks about Ireland, England and the changing face of theatreIan Rickson's route into theatre was not conventional. Growi…

SOURCE: The Arts Desk at 5:18am on May 21, 2018

As You Like It / Hamlet, Shakespeare's Globe review - ensemble emphasis sets leaner style by Tom Birchenough

Michelle Terry's new company explores gender fludity, charts new directionsThere's a distinct feeling of back-to-basics to this opening double bill at the Globe under the theatre's new …

SOURCE: The Arts Desk at 10:06am on May 18, 2018

Effigies of Wickedness, Gate Theatre review - this sleek cabaret conceals desolation behind a smile by Alexandra.coghlan

Songs silenced by the Nazis get a powerful new voiceThe show's subtitle " "Songs banned by the Nazis" " is a catchy one, and somewhere under the confetti, the stilettos, the extravagant nudi…

SOURCE: The Arts Desk at 5:32am on May 17, 2018

Life and Fate / Uncle Vanya, Maly Drama Theatre, Theatre Royal Haymarket review - the greatest ensemble? by David Nice

Stunning detail from Lev Dodin's company in desperate tragedy and human comedyTowards the end of the Maly Drama Theatre of St Petersburg's Life and Fate, a long scene in director Lev Do…

SOURCE: The Arts Desk at 4:18am on May 16, 2018

Red, Wyndham's Theatre - Mark Rothko drama paints a vivid picture by Marianka Swain

Alfred Molina gives a towering performance as the self-absorbed artistThe band's back together. Alfred Molina plays Rothko for the third time in Michael Grandage's revisiting of John Logan's…

SOURCE: The Arts Desk at 7:32pm on May 15, 2018

Describe the Night, Hampstead Theatre review - epic take on the mythology of Putin by Jenny Gilbert

A not-very-brief history of Russia's relationship with lies and lyingFive years ago, when New York playwright Rajiv Joseph started on his fantasy disquisition on truth, lies and the rec…

SOURCE: The Arts Desk at 7:04am on May 11, 2018

Problem in Brighton, Brighton Festival review - comic but patchy rock show by Thomas H.green

David Shrigley's 'fun musical event' succeeds about half the timeProblem is Brighton is down in the Festival programme as an "alt-rock/pop pantomime", with actors involved and…

SOURCE: The Arts Desk at 5:54am on May 11, 2018

The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's muse by Katie Colombus

A kaleidoscope of colour, sound and the perfect love storyThey say that behind every successful man is a strong woman. The Flying Lovers of Vitebsk is as much " if not more so " the champion…

SOURCE: The Arts Desk at 7:54pm on May 9, 2018

Nightfall, Bridge Theatre, review - moving but over-exposed by Aleks.sierz

Sad and intimate play about rural life gets a bit lost in this large theatrePlaywright Barney Norris is as prolific as he is talented. Barely out of his twenties, he has written a series of …

SOURCE: The Arts Desk at 5:42pm on May 8, 2018

Win a Luxury Weekend for Two to celebrate Brighton Festival! by The Arts Desk

Enter our competition to win a spectacular weekend at England's finest arts festival Brighton Festival is the UK's leading annual celebration of the arts, with events taking place in ve…

SOURCE: The Arts Desk at 6:36am on May 8, 2018

IOU Rear View, Brighton Festival review - imaginative odyssey around town by Thomas H.green

Mind-massaging travelogue of theatre, poetry and site-specific visual experienceYorkshire theatre company IOU have a tool in their armoury that most of their peers do not. It's an open-toppe…

SOURCE: The Arts Desk at 11:04am on May 6, 2018

Building the Wall: Park Theatre review - the nature of nightmare by Katherine Waters

Different Americas clash in engrossing two-hander set in Texas prisonWriter Robert Schenkkan's Building the Wall imagines modern America in the not-too-distant future. The date is 22nd Novem…

SOURCE: The Arts Desk at 6:36am on May 6, 2018

NoFit State Circus present Lexicon, Brighton Festival review - a wild eye-boggling jamboree by Thomas H.green

Vivid big top action makes a hugely enjoyable opener to Brighton Festival 2018When an acquaintance heard my first review of the Brighton Festival was a circus event they snorted, "Oh dear." …

SOURCE: The Arts Desk at 6:42am on May 5, 2018

An Ideal Husband, Vaudeville Theatre review - unsettled evening leaves blood on Wilde's drawing-room furniture by Alexandra.coghlan

A strong cast can't quite pull off the author's most political playAcross London last night politicians waited anxiously to hear their fates, and things were no different at the Va…

SOURCE: The Arts Desk at 8:04am on May 4, 2018

Picks of Brighton Festival 2018 by Writer-Director Neil Bartlett by Thomas H.green

The playwright and novelist on what's making him head for the Brighton Festival 2018 box office Director, playwright and novelist Neil Bartlett has been making theatre and causing …

SOURCE: The Arts Desk at 7:54pm on May 2, 2018

Mood Music, Old Vic review - riveting critique of the music biz by Aleks.sierz

Joe 'Sunny Afternoon' Penhall's triumphant new play about the music industry really rocksPlaywright Joe Penhall and the music biz? Well, they have history. When he was writing the book for S…

SOURCE: The Arts Desk at 6:54pm on May 2, 2018

Chess, London Coliseum review - powerfully sung but still problematic by Matt Wolf

Eighties musical remains a melodically rich muddle Its origins as a concept album cling stubbornly to Chess, the Tim Rice collaboration with the male members of ABBA first seen on the West E…

SOURCE: The Arts Desk at 6:42am on May 2, 2018

The Writer, Almeida Theatre review - deconstruction run rampant by Matt Wolf

Romola Garai gives a storming performance in deliberately tricksy Ella Hickson playForget write what you know: writing what you feel would seem to be the impetus driving Ella Hickson's often…

SOURCE: The Arts Desk at 6:42am on May 1, 2018

Nine Night, National Theatre review - Jamaican family drama full of spirit by Aleks.sierz

New comedy about a West-Indian wake is lively, but a bit undercookedThe good news about so-called black drama on British stages is that it has broken out of its gangland violence ghetto and …

SOURCE: The Arts Desk at 6:42pm on April 30, 2018

10 Questions for Sharon Smith of Arts Collective Gob Squad by Thomas H.green

Sharon Smith of the Berlin-based Gob Squad talks age, Oscar Wilde and Nicki MinajGob Squad is a "seven-headed" Anglo-German arts collective who specialise in multimedia performance. Beginnin…

SOURCE: The Arts Desk at 5:12am on April 26, 2018

Absolute Hell, National Theatre review - high gloss show saves over-rated classic by Aleks.sierz

Energetic revival of Rodney Ackland's best play exposes many of its faults Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend goes like this: Abs…

SOURCE: The Arts Desk at 2:54am on April 26, 2018

The Prudes, Royal Court review - hilarious but frustrating sex show by Aleks.sierz

New two-hander about sex is wise and funny, but fails to achieve a climax Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn't? But he has made it a central part o…

SOURCE: The Arts Desk at 7:18pm on April 25, 2018

Strictly Ballroom: The Musical, Piccadilly Theatre review - largely naff by Matt Wolf

Long-aborning stage version of the Baz Luhrmann film is a protracted cartoon A much tinkered-with show needs to go back to the drawing board, if this latest iteration of Strictly Ballroom: T…

SOURCE: The Arts Desk at 8:12am on April 25, 2018

Kathleen Turner: Finding My Voice, The Other Palace review - a familiar name in freshly exciting form by Matt Wolf

The screen and stage star invents herself anew, this time in song A onetime Martha and Maggie the Cat in the theatre, not to mention a screen siren of the sort they don't make anymore, might…

SOURCE: The Arts Desk at 9:18pm on April 24, 2018
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