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10,593 stories from A Younger Theatre

Review: Aisha, Tristan Bates Theatre by Aidan Bracebridge

Review: Aisha, Tristan Bates Theatre5.0Overall ScoreAisha is a devastatingly powerful one-woman play about what it really means to be a victim of child marriage in the UK, not as an imperson…

SOURCE: A Younger Theatre at 6:12am on January 9, 2019

Review: Pinter 5, Harold Pinter Theatre by Grace Patrick

Review: Pinter 5, Harold Pinter Theatre4.0starsI suppose I should preface this by telling you that I've experienced more or less nothing about either Harold Pinter, or his plays. I once saw …

SOURCE: A Younger Theatre at 10:54am on January 5, 2019

Review: Time is Love/ Teimpo Es Amor, The Finborough Theatre by Madeline Lee

With delightful language and superb acting, two out of three elements are nailed in this production to make it an outstanding play. It now only needs a mesmerising plot to stress the signifi…

SOURCE: A Younger Theatre at 8:42am on January 5, 2019

Anomoly: "If that's in your genes, what does it make you?" by Lindsey Huebner

Linsdey Huebner talks to writer, Liv Warden about her debut play which focusses on the family of a man accused of sexual assault. The post Anomoly: “If that's in your genes, what does …

SOURCE: A Younger Theatre at 8:18am on January 4, 2019

Review: Club Briefs, Leicester Square Spiegeltent by Gabriel Wilding

Sumptuous, salacious and utterly stupendous! Leave the kids at home, dodge your prudish boyfriend and don't invite Nana, because Club Briefs promises a raunchy night of high class cabaret, c…

SOURCE: A Younger Theatre at 7:06am on December 26, 2018

Review: Sweat, Donmar Warehouse by Jessica Handscomb

Written in 2015, Sweat is Lyndsey Nottage's second Pulitzer Prize winning play, preceded by Ruined, written in 2009. The story is set in Reading, Pennsylvania, an industrial town in which ge…

SOURCE: A Younger Theatre at 2:32pm on December 24, 2018

Review: The Tragedy Of King Richard The Second, Almeida Theatre by Sebastian Calver

Review of The Tragedy Of King Richard The Second, playing at the Almeida Theatre until 2 January. The post Review: The Tragedy Of King Richard The Second, Almeida Theatre appeared first on …

SOURCE: A Younger Theatre at 5:36am on December 23, 2018

Review: The Borrowers, Factory Theatre by Max Thomas

If it ever feels as though you're constantly losing things around the house, then you too might have Borrowers, says narrator Eddie, whose childhood memory provides the framework for Bea Rob…

SOURCE: A Younger Theatre at 10:42am on December 21, 2018

How one tweet changed the course of a company by Feargus Woods Dunlop

Founder of national touring company, New Old Friends, Feargus Woods Dunlop writes about the power of social media and how it really can change your life. It did his. If you scroll through th…

SOURCE: A Younger Theatre at 8:32am on December 21, 2018

Review: Rhapsody in You and Wrong Songs for Christmas, Print Room at the Coronet by Madeline Lee

Review of Rhapsody in You and Wrong Songs for Christmas, which played at the Print Room at the Coronet on 15 December. The post Review: Rhapsody in You and Wrong Songs for Christmas, Print R…

SOURCE: A Younger Theatre at 6:06am on December 20, 2018

Review: Weird, Soho Theatre by Madeline Lee

Weird is a one woman play that explores issues of mental health, specifically OCD, in an immensely accessible and intriguing way. The show starts when we discover Yasmin (Amy Doyle) has left…

SOURCE: A Younger Theatre at 8:06am on December 19, 2018

Review: Dandelion, King's Head Theatre by Jessica Handscomb

"Children are being taught they have an inalienable right to be gay. All of those children are being cheated of a sound start in life." I was, ignorantly, shocked to hear a recording of thes…

SOURCE: A Younger Theatre at 4:48pm on December 18, 2018

Review: Really Want To Hurt Me, Soho Theatre by Saskia Coomber

Really Want To Hurt Me is a coming- of- age story about a gay teenage boy in mid 80s Exeter, or, I should say, tries to be a coming-of- age story about a gay teenage boy in mid 80s Exeter. W…

SOURCE: A Younger Theatre at 4:42pm on December 17, 2018

Review: The Convert, Young Vic by Grace Patrick

I've been sitting for a little while now, trying to express exactly what I think about The Convert, and it's proving difficult because everything I have to say feels cheap in the shadow of t…

SOURCE: A Younger Theatre at 3:42pm on December 17, 2018

Review: Horrible Histories " Horrible Christmas, Alexandra Palace by Alexandra Wilbraham

I'm still feeling slightly frosty as I sit down in Alexandra Palace's recently reopened gloriously gilded theatre space, ready to enjoy a spot of Horrible Christmas magic. It's a massive spa…

SOURCE: A Younger Theatre at 9:04am on December 16, 2018

Review: Murder for Two, The Other Palace by Madeline Lee

This farcical two-man musical is highly entertaining and showcases quadruple threat performers; with superb acting and singing, genius piano playing, but questionable dancing. The only stere…

SOURCE: A Younger Theatre at 6:42am on December 16, 2018

Mandy.com: "We can't change the industry ourselves" by Josephine Balfour-oatts

In the caffeine-scented offices of Mandy.com, Josephine Balfour Oatts shares a handshake and an encouraging conversation about the arts industry with CEO, Philip Large. A firm handshake, a s…

SOURCE: A Younger Theatre at 10:54am on December 15, 2018

Review: The Tell-Tale Heart, Dorfman Theatre by Alannah Jones

The Tell-Tale Heart is one of gothic virtuoso Edgar Allan Poe's best known and best loved stories. Poe's masterclass in the grotesque is re-imagined here by Anthony Nielson, in his first pla…

SOURCE: A Younger Theatre at 8:42am on December 15, 2018

Review: The Merry Wives of Windsor, Barbican by A Younger Theatre

The Merry Wives of Windsor gets an Essex makeover complete with a shot of reality TV in Fiona Laird's adaptation filled with big hair, fake tans and good times.  Shakespeare's comedy is t…

SOURCE: A Younger Theatre at 8:42am on December 15, 2018

Review: The Messiah, The Other Palace by Suzannah Ball

The Messiah is a hilariously unpredictable exploration of Nativity. Writer and Director Patrick Barlow succeeds in creating a piece of comedy that feels alive, feeding on and reacting to the…

SOURCE: A Younger Theatre at 8:42am on December 15, 2018

Review: Peter Pan, The Park Theatre by Tricia Wey

We all know the story of Peter Pan, the boy who refused to grow up. It's a time-honoured favourite, especially at this time of year. With the show's popularity, expectations for any producti…

SOURCE: A Younger Theatre at 6:32am on December 15, 2018

Review: That Night Follows Day, Southbank Centre by Grace Patrick

That Night Follows Day reminds me very deeply of a couple of lines by Philip Larkin- "They fu*k you up, your mum and dad. They may not mean to, but they do." Honing in on the ideas of what i…

SOURCE: A Younger Theatre at 11:04am on December 14, 2018

Review: A Christmas Carol, The Royal Shakespeare Theatre by Max Thomas

David Edgar's new adaptation of Dickens' classic 1843 novella returns to the RSC for the second year running with a new cast, after achieving critical and commercial success in 2017. Adapted…

SOURCE: A Younger Theatre at 6:36am on December 14, 2018

Review: Camp As Christmas, The Pheasantry by Saskia Coomber

The excitement and electricity that fills the space as you enter The Pheasantry cannot be ignored; the hustle and bustle in anticipation of the evening’s entertainment- Camp As Christm…

SOURCE: A Younger Theatre at 3:24pm on December 13, 2018

Leo Bill: "Of course there's still a place for Shakespeare!" by Pamela Vera

Hello again, Shakespeare! We sat down with actor, Leo Bill to find out what it was like working with a legend and whether there’s such a thing as ‘Bard’ overload. With The …

SOURCE: A Younger Theatre at 1:06pm on December 13, 2018
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