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35,750 stories from The Guardian

Dario Fo: 'Tony Blair has nothing to do with the left' by Guardian Staff

Dario Fo, playwright, Nobel laureate and - at 79 - still the most subversive man in Italy, is running for mayor of Milan. But why? And what will he do if he wins? Well, for a start, he'll so…

SOURCE: The Guardian at 5:52am on October 13, 2016

Franca Rame obituary by John Francis Lane

Leading Italian actor, playwright and militant leftwing politician who was the wife and professional partner of Dario FoFranca Rame, who has died aged 84, was one of Italy's most admired sta…

SOURCE: The Guardian at 4:51am on October 13, 2016

Dario Fo, Nobel-winning playwright, dies aged 90 by Reuters

Italian was famous for satirical works like The Accidental Death of an AnarachistNobel prize-winning Italian playwright and actor Dario Fo has died, the Italian government has said. Fo, famo…

SOURCE: The Guardian at 3:51am on October 13, 2016

Ancient Rain review: Paul Kelly and Camille O'Sullivan fuse poetry and cabaret, with mixed results by Jane Howard

Kelly and O'Sullivan's collaboration embraces a century of Irish writing, but the seriousness does not quite result in depthWhen it all works, the poetry is the first star of Ancient Rain, a…

SOURCE: The Guardian at 9:07pm on October 12, 2016

Donegal review " Frank McGuinness's ballad for a singing, squabbling family by Lyn Gardner

Abbey theatre, DublinMusician Jackie returns to his manipulative kin in Ireland, but a terrific cast can't quite make us care about their various resentmentsThe Cherry Orchard meets Dynasty …

SOURCE: The Guardian at 6:01pm on October 12, 2016

The interview: Michael Clark by Lynn Barber

He was the 80s enfant terrible who fell into depression and heroin addiction in the 90s. Now 47, the charismatic ballet star is back at the Edinburgh Festival this month for the first time i…

SOURCE: The Guardian at 3:58pm on October 12, 2016

Read it and bleep: is virtual reality the future of storytelling? by Kate Gwynne

A convention in New York last week afforded a glimpse at a new era of narrative collaboration. Will the concepts of reader and author soon be a thing of the past?Two forces are sending shock…

SOURCE: The Guardian at 11:46am on October 12, 2016

Al Murray, Pub Landlord review " pulling punches as well as pints by Brian Logan

Royal Albert Hall, LondonBrexit gifts the Little Englander a barrel-load of acidic spoofs, but this act seems content to serve up just the mildFor most of Al Murray's career as The Pub Landl…

SOURCE: The Guardian at 11:46am on October 12, 2016

Broken Biscuits review " sweet tale of teen rockers strikes the right chord by Alfred Hickling

Live theatre, Newcastle Tom Wells' play about three chronically uncool school-leavers who form a band treads a perfect line between gauche charm and whimsyFrom the unlikely theatrical hotspo…

SOURCE: The Guardian at 8:37am on October 12, 2016

One Night in Miami review " Muhammad Ali, Sam Cooke and Malcolm X slug it out by Michael Billington

Donmar Warehouse, LondonThe acting is outstanding and the issues are timely in Kwame Kwei-Armah's production of Kemp Powers' passionate playIt may be a flawed play, but it is still a great o…

SOURCE: The Guardian at 7:24am on October 12, 2016

'It's not Bob and Patti: The Ballet': new show celebrates Mapplethorpe and Smith by Lyndsey Winship

Reading the memoir Just Kids led choreographer Fleur Darkin to create a dance tribute to the photographer's flower portraits and the punk poet'The colour is so alive and so free, it almost m…

SOURCE: The Guardian at 6:22am on October 12, 2016

Underneath a Magical Moon review " Peter Pan retold in a Wendy house by Alfred Hickling

York Theatre RoyalThe children's favourite is brought thrillingly up to date with a string of fairy lights, a handful of glitter and a healthy dose of imagination'I would definitely not want…

SOURCE: The Guardian at 3:03am on October 12, 2016

Dublin festival's boundary-busting theatre looks to Ireland's past and future by Lyn Gardner

These Rooms, which reflects on the Easter Rising, and a rural reimagining of Swan Lake both use new forms to give a different perspective on old stories"My job is to be alert and to look out…

SOURCE: The Guardian at 3:09pm on October 11, 2016

Carol Ann Duffy to collaborate in Brexit-inspired National Theatre production by Hannah Ellis-petersen

My Country: A Work in Progress will draw on interviews about the referendum compiled across BritainThe National Theatre is to take on Brexit as part of its new season, in a verbatim work com…

SOURCE: The Guardian at 2:19pm on October 11, 2016

The Remains of Maisie Duggan review " dark, family tale burns itself out by Lyn Gardner

Peacock stage, Abbey theatre, DublinCarmel Winters' familiar story of domestic dysfunction plays to the stereotypes of Irish drama and is never as painfully funny or shocking as it should be…

SOURCE: The Guardian at 10:12am on October 11, 2016

The Two Gentlemen of Verona review " a groovy trip to the swinging 60s by Alfred Hickling

Everyman, LiverpoolNick Bagnall relocates Shakespeare's early comedy to a mind-altering mecca for mods, but the high decibels sometimes overwhelm the poetryNick Bagnall is developing a reput…

SOURCE: The Guardian at 8:02am on October 11, 2016

Can Ed Balls's Strictly stint reinvigorate New Labour? | The panel by Alastair Campbell, John Snelson, Diane Abbott, Jonathan Freedland, Lyndsey Winship

The former chancellor has improbably samba'd his way into the public affections. Our panel debates if this will be a quickstep back to the heady days of New Labour Continue reading...

SOURCE: The Guardian at 8:02am on October 11, 2016

Elevated visions: how William Forsythe changed the face of dance by Sarah Crompton

Forsythe's 1987 ballet In the Middle, Somewhat Elevated was commissioned by Rudolf Nureyev and starred the young Sylvie Guillem " and it electrified the ballet world. So what made this work …

SOURCE: The Guardian at 4:39am on October 11, 2016

Derren Brown: Infamous " review by Michael Billington

Palace theatre, LondonDerren Brown begs us all, journalists included, not to reveal anything he has done in the course of two-and-a-half hours. Seeing him for the first time, however, I feel…

SOURCE: The Guardian at 8:17pm on October 10, 2016

Oh, Hello on Broadway review " repulsive geezers make audience howl by Alexis Soloski

Lyceum Theatre, New YorkThe comic creations of Nick Kroll and John Mulaney hilariously skewer theatrical conventions in an uproarious show that makes Broadway feel like the place to beGil Fa…

SOURCE: The Guardian at 8:16pm on October 10, 2016

Roots and forgotten fruits: Wesker tribute reminds us of his later plays by Michael Billington

The Royal Court hosted a moving celebration of Arnold Wesker. His early works such as Roots are well known " let's rediscover the rest of his 44 playsIf there is an ideal place to stage a ce…

SOURCE: The Guardian at 12:49pm on October 10, 2016

Tony Craze obituary by Joshua Craze

My father, the playwright and novelist Tony Craze, who has died aged 72, won the first Verity Bargate award for new theatre writing in 1983. He went on to play an important role in British t…

SOURCE: The Guardian at 12:49pm on October 10, 2016

Taylor Mac review " 24-hour-long pop show is everything by Alex Needham

Lasting an entire day and night with no breaks, Taylor Mac's 24-Decade History of Popular Music contains multitudes, a 'radical faery realness ritual' which reimagines an America created by …

SOURCE: The Guardian at 10:34am on October 10, 2016

Whose dance is it anyway? The show that asks you to guess the choreographer by Judith Mackrell

Dance Umbrella and CCN-Ballet de Lorraine's Unknown Pleasures presents five new works anonymously. So, what's it like to watch a production with no preconceptions?What kind of value judgment…

SOURCE: The Guardian at 9:38am on October 10, 2016

Michael Clark Company review " dance rebel bids farewell to Bowie by Judith Mackrell

Barbican, LondonThe punk perfectionist's homage to Satie, Patti Smith and Bowie packs in a range of moods from enigmatic mournfulness to stomping, dadaist revolutionMichael Clark has never q…

SOURCE: The Guardian at 8:20am on October 10, 2016
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