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35,749 stories from The Guardian

The Red Barn review " David Hare turns Simenon's stormy tale into a film noir by Michael Billington

Lyttelton, LondonHare's adaptation of 1968 novel La Main features subtle performances from Mark Strong and Elizabeth Debicki, but the cinematic design upstages the dramaThere is a palpable g…

SOURCE: The Guardian at 7:12am on October 18, 2016

Express yourself: how a charity is using dance to improve mental health by Rachel Pugh

Amid a strain on services, a charity is investing in the arts to provide 'wrap-around support' for young peopleTen young people from Manchester mental health charity 42nd Street are struggli…

SOURCE: The Guardian at 4:00am on October 18, 2016

Backstage in Biscuit Land review " Tourette's makes for unpredictable, joyous, must-watch theatre by Steph Harmon

Malthouse theatre, Melbourne festivalJess Thom embraces the unexpected in a show that aims to show the surreal, creative and hilarious side to living with Tourette syndrome"There are a few t…

SOURCE: The Guardian at 2:54am on October 18, 2016

Sleep No More: from avant garde theatre to commercial blockbuster by Alexis Soloski

Twelve years after it opened in London, Punchdrunk's take on Macbeth is still packing them in in New York " with a bar and restaurant attached. Has success tarnished the magic " or does it s…

SOURCE: The Guardian at 12:45am on October 18, 2016

Shining Bird and Bangarra dancer join forces in evocative I Can Run video " premiere by Stephanie Convery

The Australian band Shining Bird have joined forces with a Bangarra senior dancer, Waangenga Blanco, and his partner, Caroline Sundt-Wels " the creative director at Desert Designs " for an e…

SOURCE: The Guardian at 10:56pm on October 17, 2016

Katherine Parkinson: 'I'm scared of the brutality of Hollywood' by Emine Saner

The Humans and IT Crowd actor is about to star in a play about the world of humourless comedy fans. Good job she has experience in that field …It's break time at a rehearsal space in south…

SOURCE: The Guardian at 12:08pm on October 17, 2016

Sarah Jones explores the sex industry in Sell/Buy/Date by Alexis Soloski

Travelling through brothels, strip clubs and red-light districts around the world, the performer channels the other's experiences into a new show about sex workFor Sell/Buy/Date, her first n…

SOURCE: The Guardian at 10:57am on October 17, 2016

Heads Will Roll review " whimsical tale of El Dorado chases easy laughs by Lyn Gardner

Drum, PlymouthTold By An Idiot's relentless zaniness obstructs any real exploration of why we delude ourselves in this collection of loosely linked skitsAs the company's name suggests, Told …

SOURCE: The Guardian at 8:51am on October 17, 2016

Hamilton's America review " loving documentary entertains and frustrates by Alexis Soloski

In-depth look at the hit Broadway musical has an impressively starry lineup but doesn't give us a truly behind-the-scenes peek at the creative processNow that Lin-Manuel Miranda's Hamilton, …

SOURCE: The Guardian at 7:45am on October 17, 2016

Plan your week's theatre: top tickets by Lyn Gardner

Ursula Martinez offers Free Admission at Warwick Arts Centre, The Exorcist premieres at Birmingham Rep and the world's second oldest play is at the Grand Opera House in BelfastTold by the Wi…

SOURCE: The Guardian at 2:41am on October 17, 2016

The Play That Goes Wrong proves right for West End by Mark Brown

Hit show that began in a room above a pub has had its run at the Duchess Theatre extended until at least September 2015From Mr Saigon to Dave Poppins: West End disasters and how to avoid the…

SOURCE: The Guardian at 10:25pm on October 16, 2016

The Cherry Orchard review " Diane Lane stars in disarrayed Chekhov comedy by Alexis Soloski

American Airlines theatre, New YorkJumpy actors and an unusual vocabulary are among many jarring elements in a scattered adaptation that never gets out of the woods"I don't know what to make…

SOURCE: The Guardian at 10:25pm on October 16, 2016

Skin a Cat review " sexual odyssey with charm and comic edge by Lyn Gardner

Bunker, LondonThis endearing drama about a woman who has vaginismus " played brilliantly by Lydia Larson " suggests its writer, Isley Lynn, could be rising star London's newest theatre, a fo…

SOURCE: The Guardian at 12:46pm on October 16, 2016

Professor Brian Cox Live: it's a bracing feeling not to be talked down to by Brian Logan

Royal & Derngate, NorthamptonDizzying cosmology show provides workout for the brain, with one part entertainment to 13.8bn parts educationProfessor Brian Cox finds a lot of things "beaut…

SOURCE: The Guardian at 10:40am on October 16, 2016

The Mountaintop review " Luther King Olivier winner returns with driving energy by Lyn Gardner

Young Vic, LondonKatori Hall's play about Martin Luther King and a hotel maid's long night flirting over civil rights issues gains fresh resonance in the context of Black Lives MatterIt's 3 …

SOURCE: The Guardian at 10:40am on October 16, 2016

Oil review " scorchingly ambitious with plenty of renewable energy by Michael Billington

Almeida, LondonAnne-Marie Duff time travels from 1800s Cornwall to 70s Libya in Ella Hickson's remarkable new play about empire, energy and parenthoodThe old idea that women dramatists tend …

SOURCE: The Guardian at 8:32am on October 16, 2016

The Two Gentleman of Verona review " 60s update strikes false note by Clare Brennan

Everyman, LiverpoolShakespeare's early satire on romance gains little from being transported into the swinging decadeDirector Nick Bagnall and composer James Fortune take Shakespeare's early…

SOURCE: The Guardian at 3:06am on October 16, 2016

The Tempest review " drowning in the past by Luke Jennings

Birmingham HippodromeDavid Bintley's uninvolving new version of The Tempest is symptomatic of an identity crisis in British balletThe Tempest, David Bintley's new work for Birmingham Royal B…

SOURCE: The Guardian at 3:06am on October 16, 2016

Steve Tompkins: 'A theatre should behave like a good host' by Interview By Susannah Clapp

The co-founder of acclaimed architects Haworth Tompkins on what makes the ideal theatre, the problem with overlit foyers " and their unlikely inspiration for the Liverpool EverymanIn 1997 th…

SOURCE: The Guardian at 3:06am on October 16, 2016

The Dresser review " Stott and Shearsmith are compelling by Susannah Clapp

Duke of York's, LondonKen Stott and Reece Shearsmith go to town in a very funny revival of Ronald Harwood's terrific backstage tragicomedyRonald Harwood thinks it is a mistake for a woman to…

SOURCE: The Guardian at 3:06am on October 16, 2016

One Night in Miami review " a crucible moment for black America by Susannah Clapp

Donmar Warehouse, LondonFine performances carry Kemp Powers's dramatisation of a momentous meeting between Cassius Clay, Malcolm X, Jim Brown and Sam CookeStanding ovations have recently bec…

SOURCE: The Guardian at 3:06am on October 16, 2016

Theatre review: The Chalk Garden / Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonI have never much warmed to Enid Bagnold's play: what others call its high comic style sounds to me arch, precious and exhibitionist. But, if this 1956 Haymarket hit …

SOURCE: The Guardian at 12:48am on October 16, 2016

Sarah Lamb: blood on the bars by Judith Mackrell

For some ballerinas, being laid up with a serious foot injury can end a career. But not Sarah Lamb. Judith Mackrell talks misogyny, politics and heavy-lifting with the Boston-born power…

SOURCE: The Guardian at 4:04pm on October 15, 2016

Alan Bennett interview: 'After Brexit, if people had voted out, I wouldn't give them a selfie' by Mark Lawson

The playwright discusses referendum gloom, turning down I'm a Celebrity, and why his third volume of diaries may be his last. Read an extract hereHaving been a Spitting Image puppet, voiced …

SOURCE: The Guardian at 3:15am on October 15, 2016

Theatre in the Roundhouse: Berkoff, Warhol and an age of experimentation " in pictures by Images Courtesy Of The Roundhouse

London's Roundhouse is celebrating its 50th anniversary. Since reopening 10 years ago it's staged a fine lineup of music and performing arts. Here, revisit some of the shows that were staged…

SOURCE: The Guardian at 2:20am on October 15, 2016
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