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35,749 stories from The Guardian

Eastman: Fractus V review " Chomsky inspires an exhilarating diversity of styles by Judith Mackrell

Sadler's Wells, LondonDrawing on everything from breakdance to Midle Eastern song, Sidi Larbi Cherkaoui's new choreography views fusion and collaboration as acts of political resistanceAs a …

SOURCE: The Guardian at 9:12am on October 28, 2016

Jason Byrne: 'A heckler told me I was too fit to be a comedian' by Rachel Aroesti

From Steve Martin to bowl haircuts, the Irish standup and audience participation master reveals what makes him laugh the mostBilly Connolly. I saw him in Dublin when I was 16 and all I wante…

SOURCE: The Guardian at 9:12am on October 28, 2016

How close were Marlowe and Shakespeare? by John Dugdale

The editors of the Oxford Complete Shakespeare believe Christopher Marlowe collaborated on the three Henry VII plays … but are they right?By crediting Christopher Marlowe this week as the …

SOURCE: The Guardian at 9:12am on October 28, 2016

FKA twigs taps perfectly into the spirit of our times with Rooms by Sanjoy Roy

Dancers in this Egyptian Halloween fantasy wrestle with clay and convention at the bequest of the ever-experimental musicianIn the basement of a labyrinthine warehouse, a woman lies on a hos…

SOURCE: The Guardian at 7:54am on October 28, 2016

The Intelligent Homosexual's Guide to Capitalism and Socialism review " Tony Kushner's turbulent epic fizzes with ideas by Guardian Staff

Hampstead theatre, LondonDavid Calder plays a communist longshoreman with a death wish and Tamsin Greig is his witty, passionate daughter in Michael Boyd's terrific production"Have you seen …

SOURCE: The Guardian at 7:54am on October 28, 2016

This week's best... theatre & dance performances by Lyn Gardner and Judith Mackrell

One Night In Miami | Ockham's Razor: Tipping Point | The Red Shed | Portraits In Motion | The Suppliant Women | Nitin Sawhney | Under Siege | The Happiness Project Continue reading...

SOURCE: The Guardian at 4:36am on October 28, 2016

Eddie Pepitone: 'I'm just another clown on the bus like you' by Paul Macinnes

Sarah Silverman, Hugh Grant and Zach Galifianakis are fans of this US comic's righteous anger but the man himself is less keen. 'I'm a completely flawed hypocrite,' he tells usIt's not often…

SOURCE: The Guardian at 10:36pm on October 27, 2016

Faith Healer review " Judy Davis directs Colin Friels in near-perfect production by Clarissa Sebag-montefiore

Belvoir St theatre, SydneyIn a series of equally impressive and moving monologues, Brian Friel's play asks the audience whether anyone's memory can ever truly be trustedOn a small intimate s…

SOURCE: The Guardian at 9:42pm on October 27, 2016

Falsettos review " radically intimate musical hits the high notes by Alexis Soloski

Walter Kerr Theater, New YorkThe story " about a father who leaves his wife for a man, and finds himself amid the Aids crisis " dates to the 90s, but its psychological truths remain acuteWhe…

SOURCE: The Guardian at 9:42pm on October 27, 2016

NG83: When We Were B Boys review " sweet but baggy breakdancing doc by Phil Hoad

Ageing B-boys reminisce in this wry but tender look at how hip-hop culture turned 1980s East Midlands suburbia into beat streetGalvanic subculture gives new lease of life to humdrum / impove…

SOURCE: The Guardian at 4:06pm on October 27, 2016

Howard Davies obituary by David Hare

Theatre director most admired by playwrights and seen as the master of 20th-century repertoryIn June 2007, the Guardian critic Michael Billington was asked to name the best theatre director …

SOURCE: The Guardian at 1:06pm on October 27, 2016

They must have known Emma Rice was never going to treat Shakespeare as holy writ by Michael Morpurgo

The artistic director of Shakespeare's Globe is to leave in 2018. She will be sorely missed for her risk-taking and joyful reinventionsFor many long years now, with the creation of the Kneeh…

SOURCE: The Guardian at 11:42am on October 27, 2016

Judith Cruickshank obituary by Gerry Moss

My friend Judith Cruickshank, who has died aged 78 from a brain tumour, had a great passion for dance and writing on it. Cruickshank was her maiden name, under which she contributed to the T…

SOURCE: The Guardian at 11:42am on October 27, 2016

Sunday in the Park With George review " Jake Gyllenhall sings Sondheim superbly by Alexis Soloski

New York City CenterHats off to Gyllenhall, who leads a triumphant concert performance of Stephen Sondheim's Pulitzer-winning musical about the very process of art-makingLook, Jake Gyllenhaa…

SOURCE: The Guardian at 10:31am on October 27, 2016

How we made: Peter Shaffer and Felicity Kendal on Amadeus by Interviews By Anna Tims

'At first, when they heard how childish and foul-mouthed Mozart was, the cast got the giggles''I came up with the idea for this play after reading a lot about Mozart. I was struck by the con…

SOURCE: The Guardian at 9:24am on October 27, 2016

North Country review " a post-apocalyptic future in Bradford M&S by Alfred Hickling

Wild Woods, BradfordThe gloomy basement of an abandoned Marks & Spencer hosts a sci-fi piece that comments on the current immigration crisisFreedom Studios is a Bradford theatre company …

SOURCE: The Guardian at 9:24am on October 27, 2016

Anastasia review " Natalia Osipova offers sensitive glimpses of a soul in hell by Judith Mackrell

Royal Opera House, LondonIt's hard to know why the Royal Ballet have revived Kenneth MacMillan's flawed study of madness, but Osipova's magnificent performance makes it worthwhile The ballet…

SOURCE: The Guardian at 8:18am on October 27, 2016

My Mother Medea review " child refugees given a voice in twist on classic myth by Lyn Gardner

Unicorn theatre, London Holger Schober's clever two-hander presents Medea's children as unwanted arrivals in a new school, in a timely riff on notions of them and usEriopis (Stephanie Levi-J…

SOURCE: The Guardian at 8:18am on October 27, 2016

Amadeus review " stunning production pits Salieri against God, Mozart and his own orchestra by Michael Billington

Olivier theatre, London Musicians are thrust centre stage to epic effect in Michael Longhurst's revival, and Lucian Msamati is excellent as the composer locked in battle with the divinePeter…

SOURCE: The Guardian at 7:12am on October 27, 2016

Inside the musical: A Pacifist's Guide to the War on Cancer " video by Jess Gormley, Caterina Monzani

A Pacifist's Guide to the War on Cancer is a new musical collaboration between the National Theatre and Complicite Associates, currently playing at the Dorfman Theatre, with music by Tom Par…

SOURCE: The Guardian at 6:01am on October 27, 2016

Howard Davies: a lightning rod for theatrical genius by Michael Billington

Howard Davies, who has died aged 71, was one of the great post war theatre directors, teasing new messages from old plays and drawing career-defining performances from Alan Rickman, Helen Mi…

SOURCE: The Guardian at 6:01am on October 27, 2016

E-baby review " an endearing but haphazard romp into the complex world of surrogacy by Clarissa Sebag-montefiore

Ensemble theatre, SydneyWritten by a former Fairfax journalist, Jane Cafarella, the play mixes laugh-out-loud one-liners with flashes of true grief " but it only skims the surfaceE-baby prot…

SOURCE: The Guardian at 12:18am on October 27, 2016

Adelaide festival 2017 program: Cate Blanchett and Shakespeare get dark, weird and surreal by Steph Harmon

Program spanning opera, film, dance, music, performance art and theatre to feature Rufus Wainwright's 'symphonic visual concert' and Neil Armfield's outdoor production of The Secret River Ca…

SOURCE: The Guardian at 11:12pm on October 26, 2016

Call centre staffed by 'resting' actors to open its doors in Manchester by Josh Halliday North Of England Correspondent

Billing itself as the only firm that wants its staff to quit to pursue their dreams, RSVP has 600 wannabe performers on its booksOlivia Coleman cleaned houses, George Clooney was an insuranc…

SOURCE: The Guardian at 7:42pm on October 26, 2016

Porn, blackface and Germaine Greer: the shows that built the Wooster Group by Alexis Soloski

The artistic director of the boundary-pushing New York experimental theater company won a $300,000 prize. Here are the Group's landmark productionsElizabeth LeCompte, the artistic director o…

SOURCE: The Guardian at 2:04pm on October 26, 2016
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