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35,749 stories from The Guardian

Jumpy review " April De Angelis's toe-curling mother-daughter truths by Mark Fisher

Royal Lyceum, EdinburghCora Bissett's spirited revival is performed by a fine ensemble beneath a towering set but doesn't go deeper than a lightweight observational comedyShe's a woman who f…

SOURCE: The Guardian at 8:18am on November 2, 2016

How we made Matthew Bourne's Swan Lake by Interview By Anna Tims

Matthew Bourne and designer Lez Brotherston explain why they cast male dancers as the swans in their acclaimed reimagining of Tchaikovsky's famous balletMatthew Bourne, creatorI had daydream…

SOURCE: The Guardian at 6:18am on November 2, 2016

Henry I leads the charge to crown Reading as a cultural hotspot by Stephen Moss

A new play about the 12th-century monarch is at the heart of plans to raise the artistic profile of a town best known for its IT companies and shoppingSomething is stirring in Reading, hithe…

SOURCE: The Guardian at 6:18am on November 2, 2016

Bourne's supremacy: the blockbuster choreographer puts on The Red Shoes by Judith Mackrell

He turned Swan Lake into a homoerotic comedy. Can Matthew Bourne work his magic on the best dance film ever? He talks toxic love triangles and knighthoods "When I'm watching a film or play,"…

SOURCE: The Guardian at 4:06am on November 2, 2016

Leonardo DiCaprio and Baz Luhrmann could reunite for film version of Hamlet by Matt Trueman

Australian director reveals desire to follow Romeo + Juliet and The Great Gatsby with a third DiCaprio-driven film adaptationLaurence Olivier, Kenneth Branagh and even Mel Gibson have done i…

SOURCE: The Guardian at 11:24pm on November 1, 2016

Don Juan in Soho, Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonPatrick Marber is not the first person to give Molière's comedy a makeover. Only two years ago Neil Bartlett transposed the action to a belle-époque hotel. But, whi…

SOURCE: The Guardian at 4:48pm on November 1, 2016

Much Ado About Nothing " review by Michael Billington

Wyndham's Theatre, LondonArt is not a competition. Since, however, this is the second Much Ado in five days, comparisons are inevitable. And, while Jeremy Herrin's version at Shakespeare's G…

SOURCE: The Guardian at 3:31pm on November 1, 2016

Children storm the stage with awkward questions for grownups by Lyn Gardner

Kids are increasingly creating work with adult theatre-makers and the results challenge our expectations of both childhood and performanceHow do we grow up? It's a good question and one rais…

SOURCE: The Guardian at 3:31pm on November 1, 2016

How to Hide a Lion review " kids' book comes to life with a roar by Lydia Davies

Polka theatre, LondonPeter Glanville directs an enchanting musical adaptation of Helen Stephens' picture book about a girl who strikes up a friendship with a forlorn lionOne of the refreshin…

SOURCE: The Guardian at 3:31pm on November 1, 2016

David Tennant to return to West End for Don Juan in Soho next spring by Mark Brown

Doctor Who and Broadchurch star to play lothario in Patrick Marber's take on Molière at Wyndham's theatre in LondonDavid Tennant is to return to the West End stage, playing a lothario in Pa…

SOURCE: The Guardian at 2:24pm on November 1, 2016

Marc Maron talks stand up: 'I think I am funnier than I have ever been' by Melissa Locker

The WTF host discusses why his Obama interview won't turn his podcast political and why his set at the New York comedy festival will surprise somePink Floyd bassist Roger Waters is due at Ma…

SOURCE: The Guardian at 1:31pm on November 1, 2016

A subsidised critic is the thin end of a dangerous wedge by Michael Billington

The Boston Globe's initiative to fund a classical music critic by nonprofit groups raises troubling questions for arts critics on both sides of the AtlanticAll critics cherish their independ…

SOURCE: The Guardian at 12:31pm on November 1, 2016

The Nest review " Conor McPherson gives 70s fable a fresh coat of despair by Lyn Gardner

Young Vic, London Franz Xaver Kroetz's 1975 play about a hard-up couple preparing to have a child is staged by Ian Rickson in a new translation by Conor McPhersonFranz Xaver Kroetz's play, n…

SOURCE: The Guardian at 12:31pm on November 1, 2016

Social workers do standup: 'A good laugh makes you feel better' | Norman Miller by Norman Miller

In a climate of cuts and low morale, social workers Debbie Greaves and Jim McGrath have turned to standup comedy to help relieve the pressureIf you spend your days dealing with family crisis…

SOURCE: The Guardian at 11:18am on November 1, 2016

Fool for Love review " Sam Shepard's caged lovers are lost in the wild by Michael Billington

Found111, London Shepard's 1983 play about incestuous love " revived with Adam Rothenberg and Lydia Wilson " has lost something of its visceral powerSome plays grow richer with time. I can't…

SOURCE: The Guardian at 9:12am on November 1, 2016

'I'm rotten. Rotten to the core' … the night I stood centre stage and strangled a stranger by Ryan Gilbey

Our writer gets 15 minutes to prepare for a starring role in A Girl and a Gun, a drama that takes film noir into the wild westI am dressed in cowboy gear and closing my hands around a woman'…

SOURCE: The Guardian at 4:36am on November 1, 2016

Farce is everywhere on stage " but why? by Mark Lawson

From One Man, Two Guvnors to Noises Off and What the Butler Saw, trouser-dropping and door-slamming is back with a vengeance in the West End and on Broadway. How come?On radio phone-ins at t…

SOURCE: The Guardian at 3:36am on November 1, 2016

Step-by-step guide to dance: William Forsythe by Sanjoy Roy

In the fourth instalment of our series introducing major choreographers and companies, Sanjoy Roy explores the work of William ForsytheIn short Continue reading...

SOURCE: The Guardian at 1:12am on November 1, 2016

Andrew Upton and Simon Phillips on farce, Mamet and what's next for Sydney Theatre Company by Steve Dow

It has been an emotionally exhausting year for Australia's biggest state stage company " so what better way to end it than in farce?Actor David Woods is playing a Frenchman, Victor, whom his…

SOURCE: The Guardian at 1:12am on November 1, 2016

Houdini fans hold annual seance: 'If anyone could escape the beyond, it's him' by Nicole Puglise

The magician died 90 years ago, but that hasn't stopped enthusiasts from gathering in New York to reach him in the afterlife " even if he's been quiet so farIn the back room of a restaurant …

SOURCE: The Guardian at 6:36pm on October 31, 2016

Colin George obituary by Paul Allen

Actor and theatrical visionary who was the founding artistic director of the Crucible in Sheffield, which opened in 1971 with a radical 'thrust stage'When Colin George announced in 1967 that…

SOURCE: The Guardian at 2:12pm on October 31, 2016

Meat Loaf webchat " post your questions now by Guardian Staff

The Bat Out of Hell singer is joining us to answer your questions in a live webchat on Wednesday 2 November " post them in the comments below 1.24pm GMT With his energetic strutting, mighty …

SOURCE: The Guardian at 10:42am on October 31, 2016

The Tempest review " groundbreaking Shakespeare for autistic audiences by Lyn Gardner

Orange Tree, RichmondFlute Theatre's innovative production gives children the chance to play out the scenes initiated by the actors"The isle is full of noises," says Caliban, and it certainl…

SOURCE: The Guardian at 10:42am on October 31, 2016

Magnificence review " Brenton's take on 70s Britain still explodes with anger by Michael Billington

Finborough, LondonHoward Brenton's play about the ringleader of a chaotic squat is given a timely revival by Josh RocheHoward Brenton's play dates from 1973: a period when Britain was every …

SOURCE: The Guardian at 10:42am on October 31, 2016

I prefer my Shakespeare without neon lights " that doesn't make me a luddite by Michele Hanson

I'm delighted that Emma Rice is taking her weird ideas and leaving the Globe theatre. I prefer stuff that has been around for a few centuriesI am browned off with nearly everything modern: b…

SOURCE: The Guardian at 9:31am on October 31, 2016
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