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35,749 stories from The Guardian

David Bowie's Lazarus musical crash-lands in London " in pictures by Tristram Kenton

After its sold-out run in New York, the David Bowie show Lazarus, a sequel to The Man Who Fell to Earth, is opening at King's Cross theatre in London. Michael C Hall stars as the alien Thoma…

SOURCE: The Guardian at 11:02am on November 4, 2016

Yang Liping: Under Siege review " beauty, blood and backflipping warlords by Judith Mackrell

Sadler's Wells, LondonThe storytelling can seem baffling in this tale of an ancient Chinese battle, but the show comes alive through its hallucinatory imagesIt's hard to think of a more visu…

SOURCE: The Guardian at 9:54am on November 4, 2016

Hans Teeuwen: 'I once owned a vagina-shaped hat' by Rachel Aroesti

From I'm Alan Partridge to The Bonfire Of The Vanities, the absurdist Dutch comic reveals what makes him laugh the mostRichard Pryor live in concert. He was a fantastic performer and great a…

SOURCE: The Guardian at 9:54am on November 4, 2016

All My Sons review " Miller's tale of guilt and greed behind the white picket fence by Lyn Gardner

Rose, KingstonA pair of fine performances reveal the subtleties in Arthur Miller's postwar play, a rollicking good story about family secretsThere are three excellent reasons to see Michael …

SOURCE: The Guardian at 7:42am on November 4, 2016

This week's best... theatre & dance performances by Lyn Gardner and Judith Mackrell

Key Change | World Without Us | The Red Barn | Oil | Grain In The Blood | Rambert | Multiverse | Coal Continue reading...

SOURCE: The Guardian at 5:32am on November 4, 2016

The 10 best… things to do this week by The Guide

From Coal, a dance piece about the miners' strike, to monarchy saga The Crown: your at-a-glance guide to the best in culture across the UKCoal Continue reading...

SOURCE: The Guardian at 5:32am on November 4, 2016

Glenda Jackson laments continuing lack of key acting roles for women by Dalya Alberge

As ex-Labour MP returns to acting, she expresses her dismay as to why women still can't get the best rolesFrom Women in Love to A Touch of Class, Glenda Jackson starred in some of the best f…

SOURCE: The Guardian at 3:18am on November 4, 2016

'Groove therapy': how hip-hop dance classes are helping refugees find their feet by Koren Helbig

Vanessa Marian says her western Sydney street dance classes were a reaction to harrowing videos of war-torn SyriaEach Wednesday evening since September, a crew of 10- to 25-year-old girls an…

SOURCE: The Guardian at 1:06am on November 4, 2016

Sweat review " prescient small town drama is essential election viewing by Alexis Soloski

Lynn Nottage's moving play about the decline of industry might be set in the 2000s but its unintentionally topical plot makes it a necessary pre-vote watchThere is a specter haunting Lynn No…

SOURCE: The Guardian at 11:03pm on November 3, 2016

The best performance I've ever seen: Steve Pemberton by Interview By Gemma Kappala-ramsamy

Vaudeville theatre, London, 1994I saw Terry Johnson's Dead Funny at the Vaudeville theatre. Zoë Wanamaker played Eleanor, the wife of Richard, the president of the Dead Funny Society, whi…

SOURCE: The Guardian at 9:54pm on November 3, 2016

Dead Funny review " Johnson's classic brings laughs with a lump in the throat by Michael Billington

Vaudeville, LondonKatherine Parkinson is hilarious in Terry Johnson's revival of his 1994 drama about a group of emotionally deficient comedy obsessivesImages of Frankie Howerd, Tommy Cooper…

SOURCE: The Guardian at 7:42pm on November 3, 2016

The Red Barn is a rare theatrical thriller " why aren't there more? by Lyn Gardner

Few playwrights take the thriller genre seriously: David Hare is an exception. The National's staging of his Simenon adaptation explores how theatre itself manipulates what we seeThe ancient…

SOURCE: The Guardian at 2:06pm on November 3, 2016

Glenda Jackson returns to the stage as King Lear " in pictures by Photographs By Tristram Kenton For The Guardian

More than 25 years after she gave up acting for politics, Jackson is taking on one of theatre's most challenging roles at the age of 80. Take a look at the Old Vic's gender-blind production …

SOURCE: The Guardian at 9:42am on November 3, 2016

Comus review " lush and sexy reframing of Milton's chastity play by Lyn Gardner

Sam Wanamaker Playhouse, London Lucy Bailey and the National Theatre of Brent's Patrick Barlow bring the poet's masque to magical life in this delightful stagingDirector Lucy Bailey has a de…

SOURCE: The Guardian at 9:42am on November 3, 2016

How Rodin's radical dance sculptures captured the shock of modernity by Judith Mackrell

Rodin was enthralled by a new generation of dancers. With its lightning sketches and an expressive bronze of Nijinsky, the Courtauld's exhibition gives us the sculptor as choreographerWhen I…

SOURCE: The Guardian at 4:24am on November 3, 2016

Working for the NHS was miserable so I started dance classes on my ward by Guddi Singh

After we'd all hip-hopped in front ot the patients things changed " boundaries between doctors and nurses were gone and people smiled moreThings are not going well in the NHS right now. It i…

SOURCE: The Guardian at 4:24am on November 3, 2016

Kip Williams appointed Sydney Theatre Company's permanent artistic director by Steph Harmon

Williams will become the company's youngest artistic director, in a unanimous decision praised by Cate Blanchett as 'wonderful news'Kip Williams has become the youngest artistic director of …

SOURCE: The Guardian at 1:06am on November 3, 2016

What made Antony Tudor a great choreographer by Judith Mackrell

He picked on them and pushed them to the limit - but that, according to his company, is what made Antony Tudor great. Judith Mackrell reportsAnthony Dowell still remembers the day when Anton…

SOURCE: The Guardian at 11:54pm on November 2, 2016

Kings of War review " Shakespeare with shock and awe by Lyn Gardner

Stadsschouwburg, AmsterdamIvo van Hove's epic reimagining of Henry V, Henry VI and Richard III makes for an explosive examination of political leadership and present-day powerThere is a mome…

SOURCE: The Guardian at 11:54pm on November 2, 2016

Theatre review: Othello / Donmar Warehouse, London by Michael Billington

Donmar Warehouse, LondonWhat are the hottest tickets in London theatre? Patrick Stewart's Macbeth, Ian McKellen's Lear and what will now be known as Chiwetel Ejiofor's Othello. For director …

SOURCE: The Guardian at 10:48pm on November 2, 2016

Notes from the Field review " a one-woman study of incarceration by Alexis Soloski

Anna Deavere Smith's latest might be flawed, but there's enough energy and anger to make her exploration of racially motivated imprisonment a standoutEducators, activists, politicians, and a…

SOURCE: The Guardian at 10:48pm on November 2, 2016

Perth festival to transform Kings Park into high-tech light and sound show by Steph Harmon

Walk-through event to be centrepiece of festival that also includes a Vietnamese circus, Russian theatre and the Brodsky Quartet from BritainOne of the world's largest inner-city parks, Pert…

SOURCE: The Guardian at 4:12pm on November 2, 2016

The rise and fall of the Invisible Dot, comedy's Factory Records by Brian Logan

The innovative outfit that cultivated talents such as Tim Key and Claudia O'Doherty is no more. So why, during this boom time for comedy, did it fail?Three weeks ago, it went into voluntary …

SOURCE: The Guardian at 2:06pm on November 2, 2016

What Shadows review " Ian McDiarmid ignites portrait of Enoch Powell by Michael Billington

Birmingham RepMcDiarmid delivers the paradoxical politician's 'rivers of blood' speech in Chris Hannan's new play which switches between the 1960s and the 90sThe Rep seems the right place fo…

SOURCE: The Guardian at 9:36am on November 2, 2016

Who decides that someone should become a 'national treasure'? by Guardian Staff

The long-running series in which readers answer other readers' questions on subjects ranging from trivial flights of fancy to profound scientific conceptsWho decides that someone should beco…

SOURCE: The Guardian at 8:18am on November 2, 2016
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