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3,495 stories from The Arts Desk

Othello, Shakespeare's Globe review - André Holland shines, Mark Rylance pursues laughs by Laura De Lisle

Claire van Kampen's production is big and bold, but her husband's Iago misses the mark Claire van Kampen has a history of providing roles for her husband, Mark Rylance. He starred …

SOURCE: The Arts Desk at 7:06am on August 2, 2018

Home, I'm Darling, National Theatre review - Katherine Parkinson in career-best form by Matt Wolf

Laura Wade play needs trimming but offers a bravura acting opportunity Add Katherine Parkinson to the top rank of theatre performers in a town where talent abounds. As Judy, the retro-minded…

SOURCE: The Arts Desk at 8:06am on August 1, 2018

King Lear, Duke of York's Theatre, review - fast-paced, modern-dress production by Heather Neill

Ian McKellen gives a towering performance as Shakespeare's capricious monarch Jonathan Munby's production, first seen last year in Chichester, reflects our everyday anxieties, emphasisi…

SOURCE: The Arts Desk at 11:36pm on July 26, 2018

Spamilton, Menier Chocolate Factory review - fun if overstuffed by Matt Wolf

Gerard Alessandrini's latest is smart but needs streamliningIf it's possible to have somewhat too much of a good thing, that would seem to be the case with the British premiere at the M…

SOURCE: The Arts Desk at 8:04am on July 26, 2018

Exit the King, National Theatre review - a vivid, brilliant production that somehow leaves you feeling empty by Rachel Halliburton

As the manic, self-obsessed king, Rhys Ifans cuts an extraordinary presenceThe image of a raging, narcissistic tyrant, convinced that he can crush even death into oblivion, has all too many …

SOURCE: The Arts Desk at 4:42am on July 26, 2018

Brian Friel, the private playwright of Ballybeg by Jasper Rees

A celebration of the Northern Irish stage craftsman whose play Aristocrats is revived at the Donmar Warehouse Brian Friel, who died in 2015 at the age of 86, was a shy man who shunned interv…

SOURCE: The Arts Desk at 4:48am on July 25, 2018

Pity, Royal Court review - whacked-out and wearing by Matt Wolf

Collegiate-style Armageddon takes over the Court mainstage The apocalypse arrives as a series of collegiate sketches in the aptly-named Pity, the Rory Mullarkey play that may well prompt sym…

SOURCE: The Arts Desk at 5:12am on July 21, 2018

Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkest by Aleks.sierz

Alan Bennett's black comedy is a howl against the privatization of deathThe NHS is us. For decades our national identity has been bandaged together with the idea, and reality, of a heal…

SOURCE: The Arts Desk at 7:04pm on July 19, 2018

A Monster Calls, Old Vic - wild, beautiful theatre that beguiles and bruises by Rachel Halliburton

A fearlessly experimental, physically ingenious exploration of the textA raw pagan vitality animates this extraordinary story about a teenage boy wrestling with tumultuous emotions in the fa…

SOURCE: The Arts Desk at 6:04am on July 19, 2018

End of the Pier, Park Theatre review - thought-provoking play about comedy and race by Veronica Lee

Les Dennis is superb as a washed-up comicLes Dennis was once a marquee name on Saturday night television as host of Family Fortunes, but since giving up the light entertainment lark he now p…

SOURCE: The Arts Desk at 10:06pm on July 16, 2018

The Lehman Trilogy, National Theatre review - an acting tour de force by Matt Wolf

A newly-minimalist Sam Mendes guides an expert cast to sublime heights There's surprising and then there's The Lehman Trilogy, the National Theatre premiere in which a long-established direc…

SOURCE: The Arts Desk at 6:48am on July 14, 2018

Alkaline, Park Theatre review - faith, friendship and failure by Aleks.sierz

Female friendship comedy drama is occasionally bright, but lacks plot and depth Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples are shown on f…

SOURCE: The Arts Desk at 6:42pm on July 13, 2018

As You Like It, Regent's Park Open Air Theatre review - love among the bucolic hippies by Heather Neill

Earnest environmental messages underpin a celebratory, musically gleeful revival of Shakespeare's cross-dressing favouriteIt's been raining in Regent's Park. On a balmy summer evening d…

SOURCE: The Arts Desk at 6:42pm on July 12, 2018

Pick of the 2018 BBC Proms: women composers first and last, blockbuster Bernstein by The Arts Desk

Our writers pick their favourites in prospectLet's be honest, this is the least interesting Proms season on paper for years, at least in terms of adventurous repertoire choices, following on…

SOURCE: The Arts Desk at 3:12am on July 12, 2018

Charlotte Jones: 'Plays come from your scar tissue' by Charlotte Jones

The playwright introduces 'The Meeting', her new play for Chichester Festival TheatreI think it's always a dangerous sport to try and consciously unravel where your ideas come from…

SOURCE: The Arts Desk at 10:32pm on July 9, 2018

The Jungle, Playhouse Theatre review - new territory by Katherine Waters

How many deaths would you survive for a second chance?"I am dead," declares Okot (pictured below, right) before recounting the horrors he survived to reach Calais. Each time, he says, "I die…

SOURCE: The Arts Desk at 2:36am on July 7, 2018

The Lieutenant of Inishmore, Noel Coward Theatre review - Aidan Turner makes a magnetic West End debut by Matt Wolf

Martin McDonagh revival brings Poldark to the London stage, guns blazing Aidan Turner may not reveal those famously bronzed pecs that have made TV's Poldark box office catnip in his West End…

SOURCE: The Arts Desk at 6:42am on July 5, 2018

Imperium, Gielgud Theatre review - eventful, very eventful, Roman epic by Aleks.sierz

The RSC's adaptation of Robert Harris's Cicero books reaches the West EndHistory repeats itself. This much we know. In the 1980s, under a Tory government obsessed with cuts, the big new thin…

SOURCE: The Arts Desk at 7:48pm on July 4, 2018

As You Like It, Shakespeare in the Squares review - an exuberant celebration of the Summer of Love by Rachel Halliburton

Infectious fun delivered by a cast bursting with boisterous talentGender-bending, confused identities, and hedonistic anarchy go together as naturally in summer Shakespeare as strawberries a…

SOURCE: The Arts Desk at 7:06am on July 4, 2018

The King and I, London Palladium review - the classic musical reborn with modern sensibilities by Marianka Swain

A golden production helmed by the incomparable Kelli O'HaraShall we dodge? (One, two, three) No, the brilliance of Bartlett Sher's Tony-winning Lincoln Center revival " first seen on Br…

SOURCE: The Arts Desk at 9:36pm on July 3, 2018

The Winter's Tale, Shakespeare's Globe review - a chilly tale for a time of austerity by Alexandra.coghlan

Blanche McIntyre finds coherence in this uneven play but at what cost?"A sad tale's best for winter," Leontes' young son Mamillius tells us. By that logic the current summer heatwave should …

SOURCE: The Arts Desk at 3:18am on July 3, 2018

A Midsummer Night's Dream, Wilton's Music Hall review - a stereotype-smashing evening of pagan delights by Rachel Halliburton

The Faction brings fire and gumption to ShakespeareThe Faction's A Midsummer Night's Dream is a production in which women are more likely to kick ass than sleep with one " a muscular, mischi…

SOURCE: The Arts Desk at 7:54pm on June 28, 2018

Genesis Inc, Hampstead Theatre review - Harry Enfield in ungodly mess by Aleks.sierz

Huge new play about the fertility industry is rather crudely conceived We are now pretty familiar with the idea that human reproduction (making babies) has been turned into big business, and…

SOURCE: The Arts Desk at 6:48pm on June 28, 2018

One for Sorrow, Royal Court review - imploding family drama by Aleks.sierz

Smart and powerful new play about fear, terror and prejudice runs out of steamIt's the stuff of nightmares. There's a massive explosion, the sound of smashing glass, falling debris and polic…

SOURCE: The Arts Desk at 8:32pm on June 27, 2018

Fun Home, Young Vic review - a simply sublime musical memoir by Marianka Swain

Alison Bechdel's graphic novel becomes achingly intimate theatreIt seems only too fitting that David Lan's luminous reign at the Young Vic should draw to a close with this bold, creativ…

SOURCE: The Arts Desk at 7:24pm on June 27, 2018
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