10,593 stories from A Younger Theatre
Jenny Sealey, Artistic Director of Graeae, a theatre company that boldly places D/deaf and disabled actors centre stage, writes about directing a new production of Sarah Kane's Blasted at RA…
Review: WOMANS, VAULT Festival4.0starsTravel back in time to discover the truth, or at least a potential truth, about women in Rome with Scratchworks Theatre Company's musical comedy WOMANS …
Review: Hear Me Howl, VAULT Festival 4.0Overall Score A story of self-made and societal expectations and a reminder NOT to meet them! Hear Me Howl, written by Lydia Rynne and directed by Kay…
Review: Fight Night, VAULT Festival4.0Overall ScoreIt's snowing in London and I'm off to a boxing match. Tonight is Fight Night. Joe Williams (Peter Grimwood) squares up to Ian 'BAM BAM' Bra…
Review: Cuzco, Theatre5034.0starsWe have all had our own holidays from hell, the pressure to enjoy oneself, the sights, the sounds, the partner you never realised you disliked until it's jus…
Review: A Hundred Different Words for Love, Tobacco Factory Theatres4.0stars"As people we want to make real connections with audiences", may seem like an empty statement used to fill up the …
Review: Father (Vader), The Barbican5.0starsFather (Vader) is a delightful twist of comedy, melancholic drama and unnerving horror. It is set in an old folks' home where nothing is quite as …
Review: Counting Sheep, VAULT Festival5.0Overall ScoreHow is it possible to actually invoke another country? Despite a swift canvassing of the audience's various nationalities revealing a sc…
Review: Sacha Guitry, Ma Fille et Moi, Playground Theatre4.0starsOpening with immediate intrigue, Sacha Guitry, Ma Fille et Moi captivates audiences with an enthralling opening sequence. A w…
Review: Leave to Remain, Lyric Hammersmith4.0starsImagine a joyful, precarious, tender love story between two young gay men in London; one a black British second-generation immigrant, the ot…
Gus Mitchell writes about the notion of ‘experimental’ theatre: Where this idea stands in 2019 and how looking back to 1960s Off-Off Broadway definitely explains a lot. It seems …
Review: The Milkman Cometh, VAULT Festival3.0starsCautious comedy with too many boundaries. The Vaults is a great place for a piece like The Milkman Cometh, written by: Alice Bounce, Maxwell…
Review: No Show, Soho Theatre 3.0stars An enlightening show that tells the untold story of circus performers, No Show takes you through several circus acts in a vaudeville style. But what gi…
Review: Opal Fruits, VAULT Festival3.0Overall ScoreHolly Beasley-Garrigan‘s one- woman show Opal Fruits is an hour of nostalgia, laden with 90’s tidbits. Based during a time when…
How much good is a commitment to diversity if those at the ‘top’ haven’t changed? Hull Truck Theatre are committed to change that, writes Ruth Puckering, Interim Executive …
Review: Showstopper! The Improvised Musical, The Other Palace5.0Overall ScoreI love improv shows but I hate reviewing them; the best improv is incredibly difficult to review because each per…
Review: Jack Lear, Hull Truck Theatre4.0Overall ScoreFrom the opening scene, Ben Benison's Jack Lear promises to be mythic. In Lear (Barrie Rutter), we are supposed to find a bewitched trawl…
Review: Katie and Pip, VAULT Festival3.0starsI turn up to watch Katie and Pip (part of the VAULT Festival 2019) panting even more than the play's canine star, having raced around the underbe…
Review: I Stopped… .When. VAULT Festival3.0starsWritten by and starring Nicole Acquah, a new piece of slam theatre is now playing at the VAULT festival. Directed by Darcas A. Stevens, I St…
Review: When We Have Sufficiently Tortured Each Other, The National Theatre2.0starsBefore the lights descended tonight, a ton of people excitedly looked the auditorium up and down as i…
The team behind Chloe and the Colour Catcher, return with a very personal project about themselves – a same-sex couple and how and if they should have kids. The co-artistic directors o…
Review: PUSH Festival, Imprint, HOME Manchester 4.0Overall Score Spoken word is uncommon in today's mainstream theatres, but once again HOME stand out from the crowd with their unique perfor…
Review: Thomas, The Vaults5.0Overall ScoreIt takes a bit of winding down side streets and being led through locked gates, but I've managed to find my way to the Network Theatre. It's day one…
Review: Dear Elizabeth, Gate Theatre5.0starsAn initiative full of love, passion and regret. Dear Elizabeth, written by Sarah Ruhl, follows the lives of renowned poets, Elizabeth Bishop and R…
Review: Approaching Empty, The Kiln Theatre3.0starsPlunging into the detailed microcosm of a taxi firm in Middlesbrough as Margaret Thatcher dies; we are reminded of the Iron Lady's far-reac…