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1,637 stories from stagevoices.com

***** LUGHNASA FRIELFEST REVIEW " ART OVER TROUBLED BORDERS (VARIOUS VENUES, DERRY AND DONEGAL) by Robert Shuman

(Clare Brennan's article appeared in the Guardian, 8/25.) The annual celebration of the work of Brian Friel carries powerful reminders of the work of building community "Politics are so obtr…

SOURCE: stagevoices.com at 2:27pm on August 26, 2019

CONSTANT STANISLAVSKI (7) by Robert Shuman

In order to make the effect true, one must do things to [the voice] . . .  that in real life are not true.  The same applies to make-up.  One must paint, and pencil the brows to mak…

SOURCE: stagevoices.com at 5:35pm on August 25, 2019

KIMBERLEY RAMPERSAD IS TACKLING "MAN AND SUPERMAN" AT THE SHAW FESTIVAL by Robert Shuman

(Eric Grode's article appeared in The New York Times, 8/19; via Pam Green.) George Bernard Shaw's 6-Hour 'Beast'? She's All In A dancer turned director, Kimberley Rampersad is tackling "Man …

SOURCE: stagevoices.com at 1:20pm on August 25, 2019

CONSTANT STANISLAVSKI (6) by Robert Shuman

Emotion rose from the lowest to the highest notes, from calmness to insanity.  This is what you must remember.  Control yourself while you have strength to control yourself,"the longer…

SOURCE: stagevoices.com at 3:48pm on August 24, 2019

EDINBURGH FESTIVAL 2019: GUIDE TO THE BEST SHOWS TO SEE by Robert Shuman

(Holly Williams's article appeared in the Independent, 8/2.) It's nearly that time again: when crowds descend on Edinburgh for the world's biggest arts festival, where every pub basement and…

SOURCE: stagevoices.com at 2:40pm on August 24, 2019

CONSTANT STANISLAVSKI (5) by Robert Shuman

Faith has great meaning for the actor.  Physical truth, and faith in that truth, call out inner spiritual truth and faith, and these free emotion, which comes from its secret hiding place…

SOURCE: stagevoices.com at 4:50pm on August 23, 2019

***** SCHNITZLER: 'THE DOCTOR' FROM ROBERT ICKE, WITH JULIET STEVENSON (SV PICK, UK) by Robert Shuman

(Michael Billington's article appeared in the Guardian, 8/21.) Juliet Stevenson delivers one of the peak performances of the theatrical year in Robert Icke's striking reimagining of Schnitzl…

SOURCE: stagevoices.com at 2:41pm on August 23, 2019

CONSTANT STANISLAVSKI (4) by Robert Shuman

It is far from easy to stand motionless on the stage in the full sight of more than a thousand pair of eyes.  I was successful but only at the cost of a tremendous bodily strain.  I or…

SOURCE: stagevoices.com at 2:24pm on August 22, 2019

TOM HIDDLESTON ON 'BETRAYAL' AND THE ART OF SELF-PROTECTION by Robert Shuman

(Laura Collins-Hughes's article appeared in The New York Times, 8/21; via Pam Green.) The screen and stage star is making his Broadway debut as the bottled-up husband wearing a "mask of cont…

SOURCE: stagevoices.com at 1:51pm on August 22, 2019

CONSTANT STANISLAVSKI by Robert Shuman

Craftsmanship teaches the actor how to walk on the stage and play.  But true art must teach him how to awaken consciously his subconscious creative self for its superconscious organic cre…

SOURCE: stagevoices.com at 1:36pm on August 21, 2019

JAPAN THEATRE OLYMPICS GOES BACK TO ITS ROOTS FOR NINTH ITERATION by Robert Shuman

(Andrew Eglinton's and Mika Eglinton's article appeared in the Japan Times, 8/13.) Since the late 1970s, people from all over the world have traveled to the village of Toga in rural Toyama P…

SOURCE: stagevoices.com at 1:12pm on August 21, 2019

CONSTANT STANISLAVSKI by Robert Shuman

One accidental touch, the bud opened and from it burst fresh young petals, seeking he warmth of the sun.  And with me, an accidental touch of the makeup brush on my face served to open th…

SOURCE: stagevoices.com at 4:34pm on August 20, 2019

GETTING THE GUTS: AN INTERVIEW WITH "SATURDAY NIGHT LIVE" DIRECTOR, DON ROY KING by Robert Shuman

By Tania Fisher So how does the son of a mailman, from a small town near Pittsburgh, end up directing more live network television than anyone else in the history of the medium"and being …

SOURCE: stagevoices.com at 4:11pm on August 20, 2019

GUGGENHEIM, ANNOUNCES FALL 2019 SEASON by Robert Shuman

WORKS & PROCESS, THE PERFORMING ARTS SERIES AT THE GUGGENHEIM, ANNOUNCES FALL 2019 SEASON   Highlights ·  New commissions by Machine Dazzle and Caroline Shaw ·  Rotunda pe…

SOURCE: stagevoices.com at 3:58pm on August 20, 2019

CONSTANT STANISLAVSKI by Robert Shuman

One feature in my makeup gave a living and comic expression to my face, and something suddenly turned within me.  All that was dim became clear, all that was groundless suddenly had groun…

SOURCE: stagevoices.com at 10:19pm on August 19, 2019

ON ADJACENT STAGES, TWO HAUNTED HOUSES, CIRCA 1882 AND 2019 (SV REVIEW PICK, MA) by Robert Shuman

(Jesse Green's article appeared in The New York Times, 8/12; via Pam Green.) A sumptuous Ibsen revival starring Uma Thurman and a knockout premiere by Adam Bock close the Williamstown season…

SOURCE: stagevoices.com at 9:56am on August 19, 2019

5 GREAT RUSSIAN PLAYWRIGHTS YOU SHOULD KNOW by Robert Shuman

(Alexandra Guzeva's article appeared in Russia Beyond, 8/16.) Russian plays are no less famous in the theater and opera world than the novels of Tolstoy and Dostoevsky in the literary. If yo…

SOURCE: stagevoices.com at 12:59pm on August 18, 2019

FREDERICK DOUGLASS, A SHAKESPEAREAN IN WASHINGTON by Robert Shuman

(John Muller's article appeared in Shakespeare and Beyond, 7/19; via Pam Green.) In his life and times Frederick Douglass was known around the world as an orator, abolitionist, suffragist, a…

SOURCE: stagevoices.com at 1:55pm on August 17, 2019

ANDREA ANDRESAKIS: MY WOODSTOCK ANNIVERSARY TRIBUTE by Robert Shuman

 Andrea Andresakis, Stage Director/Choreographer, has written about her Woodstock Anniversary Tribute: "I just finished editing this short video in time for the 50th Anniversary …

SOURCE: stagevoices.com at 8:47pm on August 16, 2019

BECKETT'S LAST TAPES by Robert Shuman

Listen Robert McCrum explores the elusive Samuel Beckett's astonishing literary career through rare audio tape recordings from the Samuel Beckett Research Centre at the University of Reading…

SOURCE: stagevoices.com at 2:23pm on August 13, 2019

THEIR SHOWS FLOPPED. HERE'S WHAT THESE 7 ACTORS DID NEXT. by Robert Shuman

(Laura Collins-Hughes's article appeared in The New York Time, 8/8; via Pam Green.) With plays and musicals folding left and right, Broadway stars impart wisdom they gained when it happened …

SOURCE: stagevoices.com at 2:08pm on August 12, 2019

EXIT BURBAGE " THE MAN WHO CREATED HAMLET by Robert Shuman

Listen on BBC Radio 3 Imagine where we'd be without Shakespeare's plays. It's difficult to contemplate now. But it was thanks to another man that many of them were brought to life.  Today…

SOURCE: stagevoices.com at 4:32pm on August 9, 2019

ROUGH MAGIC THEATRE, 35 YEARS ON: 'DUBLIN IN THOSE DAYS WAS SO BOHEMIAN' by Robert Shuman

(Gemma Tipton's article appeared in the Irish Times, 7/27.) Company reflects on decades of casting spells and pushing the envelope with its productions It's fascinating how the same set of w…

SOURCE: stagevoices.com at 9:25pm on August 7, 2019

FRANK GAGLIANO ON HAL PRINCE by Robert Shuman

(Frank Gagliano is a playwright who has held many positions in the world of theatre, including being the Artistic Director of Carnegie Mellon's Showcase of New Plays and the Benedum Professo…

SOURCE: stagevoices.com at 9:05pm on August 6, 2019

VENICE HAS A BIENNALE FOR THEATER, TOO by Robert Shuman

(Laura Cappelle's article appeared in The New York Times,  8/2; via Pam Green.) Despite a history stretching to 1934, it feels like a David to the art exhibition's Goliath. but its progra…

SOURCE: stagevoices.com at 7:27pm on August 5, 2019
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