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3,495 stories from The Arts Desk

The Humans, Hampstead Theatre review - a riveting family portrait by Marianka Swain

Stephen Karam uses domestic drama to tell a contemporary American horror storyTransatlantic theatrical traffic is busier than ever, and now here at the Hampstead is not just Stephen Karam's …

SOURCE: The Arts Desk at 7:12pm on September 6, 2018

Dance Nation, Almeida Theatre review - a tarantella through the convulsions of the teenage psyche by Rachel Halliburton

Humour used too often as a substitute for perceptionLycra, jealousy and pubescent ambition are put under the spotlight in Clare Barron's provocative probe into the American competitive danci…

SOURCE: The Arts Desk at 5:04am on September 6, 2018

Love's Labour's Lost, Sam Wanamaker Playhouse review - in praise of a fantastical Spaniard by Tom Birchenough

The ladies of France shine in a production that otherwise makes heavy weather If ever there was a play of "well bandied" words, it's surely Love's Labour's Lost. The early Shakespearean com…

SOURCE: The Arts Desk at 9:06am on August 30, 2018

theartsdesk at bOing! International Family Festival - the best of European children's theatre by Katie Colombus

Visual and aural adventure at well-programmed weekend introduce the young to the artsTheatre for children can often be dismissed " a box to tick for parents who want to keep up with cultural…

SOURCE: The Arts Desk at 5:12am on August 28, 2018

Neil Simon: 'I don't think you want it really dark' by Jasper Rees

The great technician of stage comedy, who has died at 91, recalls writing the likes of Sweet Charity and The Odd Couple Asked to nominate the most important playwright in America since the w…

SOURCE: The Arts Desk at 11:24am on August 27, 2018

Pericles, National Theatre review - a fizzingly energetic production by Rachel Halliburton

Celebrates multicultural diversity with a zingA break-dancing mini Michael Jackson, a transvestite Neptune, and a hero who wears his hubris as proudly as his gold-tipped trainers, are unconv…

SOURCE: The Arts Desk at 7:04am on August 27, 2018

Edinburgh Festival 2018 reviews: Home / The Prisoner by David Kettle

Playful visual trickery and gnomic bafflement at the International Festival Home ★★★★   

SOURCE: The Arts Desk at 4:48am on August 27, 2018

h 100 Young Influencers of the Year: Hannah Greenstreet on Three Sisters by Hannah Greenstreet

The third finalist in theartsdesk's award in association with The Hospital Club addresses her review to the creators of a Chekhov productionDear RashDash,I know you don't like critics b…

SOURCE: The Arts Desk at 3:36am on August 24, 2018

Edinburgh Festival 2018 reviews: La maladie de la mort / The End of Eddy by David Kettle

Two striking explorations of sexual identity stop short of grabbing the emotions La maladie de la mort ★★★  Toxic masculinity in all its appalling variety is a …

SOURCE: The Arts Desk at 4:42am on August 22, 2018

Edinburgh Festival 2018 reviews: Orpheus / Bottom / Backup by David Kettle

Three intimate storytelling shows at Summerhall offer mixed insights Orpheus ★★★★  

SOURCE: The Arts Desk at 5:12am on August 17, 2018

Emilia, Shakespeare's Globe, review - polemic disguised as a play by Laura De Lisle

Great performances save this uneven tribute to a forgotten Elizabethan poet It feels like Michelle Terry's first summer season at the Globe has been building up to Emilia for a while now. Th…

SOURCE: The Arts Desk at 2:12pm on August 16, 2018

F Off: National Youth Theatre puts social media on trial by Tatty Hennessy

Tatty Hennessy introduces her new play for the digitally native generationF Off came about off the back of a meeting I had with Paul Roseby, the artistic director of the National Youth Theat…

SOURCE: The Arts Desk at 9:12pm on August 14, 2018

Greed as the keynote: Robert Carsen on the timelessness of 'The Beggar's Opera' by Robert Carsen

The director brings his contemporary take on John Gay's satire to the Edinburgh FestivalIn the time of composer John Gay, greed and self-interest were the main motives for life; and his…

SOURCE: The Arts Desk at 4:48am on August 14, 2018

Edinburgh Festival 2018 reviews: Nigel Slater's Toast / Status by David Kettle

Two superb - and very different - examinations of what defines our identity Nigel Slater's Toast ★★★★  

SOURCE: The Arts Desk at 2:36am on August 14, 2018

Edinburgh Festival 2018 reviews: Daughter / Huff / First Snow/Première Neige by David Kettle

Toxic masculinity and reflections on identity at the Fringe's newest venueLaunched just last year to celebrate the country's 150th anniversary, CanadaHub has quickly become one of the E…

SOURCE: The Arts Desk at 3:48am on August 13, 2018

Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertaining by Marianka Swain

A blooming marvellous revival of a classic musicalThe resplendent partnership of Alan Menken and Howard Ashman " which produced Disney hits Aladdin, Beauty and the Beast and The Little Me…

SOURCE: The Arts Desk at 8:48am on August 11, 2018

Homos, or Everyone in America, Finborough Theatre review - a complex pattern of glee and profundity by Tom Birchenough

Jordan Seavey paints a landscape of New York gay life that is as moving as it is witty I'm still not entirely sure what the full associations of the title of New York playwright Jordan Seave…

SOURCE: The Arts Desk at 8:24am on August 10, 2018

Edinburgh Festival 2018 reviews: Underground Railroad Game / On the Exhale by David Kettle

Racial politics and gun culture dissected in two provocative shows at the Traverse Underground Railroad Game ★★★★★ 

SOURCE: The Arts Desk at 4:54am on August 10, 2018

Aristocrats, Donmar Warehouse review - fresh but uneven by Aleks.sierz

Anti-naturalistic revival of Brian Friel's elegiac tribute to the Catholic nobility is oddly unemotionalChekhovian is a rather over-used word when it comes to describing some of the lat…

SOURCE: The Arts Desk at 7:04pm on August 9, 2018

Edinburgh Festival 2018 reviews: Coriolanus Vanishes / Check Up: Our NHS at 70 / A Sockful of Custard by David Kettle

Cycles of abuse, a health service polemic and a celebration of silliness Coriolanus Vanishes ★★★★ 

SOURCE: The Arts Desk at 4:24am on August 8, 2018

Silk Road (How To Buy Drugs Online), Trafalgar Studios review - Geordie chancer comes of age by Aleks.sierz

New monologue about drug dealing on the Dark Web is well written if a bit slightThe Dark Web has an intriguing sound about it. Like something out of JRR Tolkein or JK Rowling, it suggests a …

SOURCE: The Arts Desk at 5:32pm on August 7, 2018

Edinburgh Festival 2018 reviews: Ulster American / Cold Blood by David Kettle

A brutal assault on liberal values, and exquisite dance/theatre/cinemaUlster American ★★★★★ 

SOURCE: The Arts Desk at 5:18am on August 6, 2018

£¥â‚¬$ (LIES), Almeida Theatre review - financial frolics at the gaming table by Matt Wolf

Ontroerend Goed's latest offers a cunningly immersive take on capitalismTheatre critics tend not to experience an 140 percent increase in their financial assets within 21 minutes. So on…

SOURCE: The Arts Desk at 8:36pm on August 5, 2018

h.club 100 Awards: Theatre and Performance - excellence and inclusion across the map by Matt Wolf

If the theatre is buoyant and alive, we have these artists to thank Amidst ever-uncertain times, one thing is for sure: this country's ability to regenerate and renew itself theatrically rem…

SOURCE: The Arts Desk at 7:04am on August 4, 2018

The Importance of Being Earnest, Vaudeville Theatre, review - Sophie Thompson triumphantly tackles the handbag challenge by Heather Neill

Oscar Wilde's best-loved comedy with extra homo-erotic innuendoAny actor playing Lady Bracknell must dread the moment when she (or, indeed, he) has to deliver that unforgettable line ab…

SOURCE: The Arts Desk at 12:32am on August 3, 2018
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