Despite a cast that looks wonderful on paper, director Neil Pepe's production is small, tight and more angry than fabulously, shamelessly, joyously rude.
If you like men in drag and rubes who mistake 5 o'clock shadow for blush, boy, do we have the show for you.
Let's say this about Howard Korder's "Boys' Life," the 1988 stunted-adolescence play that opened Off-Broadway last night with Jason Biggs ("American Pie") and Rhys Coiro ("Entourage"). The s…
An off-Broadway artist can breathe a sigh of relief now that he's been able to replace the stolen soap solution he uses to blow bubbles for his "Gazillion Bubbles Show."
There is a dizzying hallucinatory swirl to "All My Sons," the wrenching revival of Arthur Miller's 1947 drama that opened last night at the Schoenfeld Theatre. If that description seems out-…
"To be or not to be" is not the question. Why? Now that's the question.
We spoke to co-producer Eugene Pack, who grew up in Massapequa, about the show...
Ticket sales are up for now, but current economic crisis could be cue for tough times ahead
He is big. It's the plays that got small.
Imagine "Grease" remade as an after-school special and you have "13," the cheerful and endearing, ebulliently performed and blandish musical that stars genuine tweens as fictional tweens as …
Coming-of-age stories have long been a favorite in books and Hollywood. On Broadway these days, however, the casting of real teens spills the drama of pubescence beyond the illusory edges of the stage.
I'm not talking about "Annie and Simba Get School Spirit."
How thrilling, finally, to have a version of "The Seagull" that understands why we cherish Anton Chekhov.
Daniel Radcliffe, 19, quietly transfigured himself from adorable boy wizard to horrifically unstable teen stable boy - and, in the process, bravely established himself as a smart, intense, w…
"A Tale of Two Cities" is a middling Masterpiece Musical, a paint-by-numbers throwback to the late - and, in this corner, unlamented - heyday of novelized epics on turntables. It has lots of…
Alessandrini has been purposefully vague about "the changing of the artistic climate on Broadway," causing him to move on to other projects. There is something to be said for going out on a …