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8,108 stories from DC Theatre Scene

Review: Athol Fugard's confessional play, "MASTER HAROLD" … and the Boys by Susan Galbraith

What does radical empathy look like? Look no further than the plays of Athol Fugard. He has made his life’s work giving voice to the Black Africans of South Africa who were not allowed…

SOURCE: DC Theatre Scene at 1:06pm on April 17, 2018

Matthew Gardiner on directing Girlfriend at Signature Theatre by Keith Loria

In 1991, singer/songwriter Matthew Sweet became something of a radio staple after the release of his third album, "Girlfriend," which was hailed by critics and fans alike, and established th…

SOURCE: DC Theatre Scene at 11:42am on April 17, 2018

Review: Blaemire's musical Soon showcases promising local talent at Highwood Theatre by Meaghan Hannan Davant

It's happened: global warming has brought the world to the brink of an environmental apocalypse.  Earth's atmosphere can only support human life for one more year"maybe less.  What do …

SOURCE: DC Theatre Scene at 10:36am on April 17, 2018

Review: GALA's En El Tiempo de Las Mariposas (In the Time of Butterflies) by Ben Demers

Memory can be a warm blanket, a cruel knife, and a revolutionary act all at once. Gala Hispanic Theatre's must-see En el Tiempo de Las Mariposas (In the Time of Butterflies) unfurls a gri…

SOURCE: DC Theatre Scene at 1:33pm on April 16, 2018

Review: Pinky Swear's Metro play, Use All Available Doors by Tim Treanor

In the morning we go down, you and I, to the bowels of the Washington Metro Transit system and there jostle and sway, with hundreds of strangers, in metal rectangular boxes through tubes dri…

SOURCE: DC Theatre Scene at 1:33pm on April 16, 2018

Woolly Mammoth announces its 2018/2019 season by Tim Treanor

Maria Manuela Goyanes will take over as Woolly Mammoth’s new Artistic Director next season, and her first season itself will be full of familiar Woolly friends — Branden Jacobs-J…

SOURCE: DC Theatre Scene at 11:54am on April 16, 2018

Carousel Busting Out on Broadway by Jonathan Mandell

The new "Carousel" has the most glorious singing on Broadway, as well as thrilling choreography and picturesque sets and costumes that seem lifted from great American paintings by Thomas Eak…

SOURCE: DC Theatre Scene at 11:54am on April 16, 2018

Review: Cirque du Soleil's Luzia by Susan Galbraith

In the darkness, a disembodied voice tells us we are embarking on a journey and instructs us to ready ourselves for take off and to put our cell phones to airplane mode. Then so many thousan…

SOURCE: DC Theatre Scene at 10:48am on April 16, 2018

Review: Royal Shakespeare Company's King Lear by Jonathan Mandell

King Lear begins with a foolish ruler swayed by flattery, and ends with what Royal Shakespeare Company artistic director Greg Doran calls "a strange, profound unease." Shakespeare's tragedy …

SOURCE: DC Theatre Scene at 5:00pm on April 13, 2018

Powerful 'wake up' energy in Washington, DC: August Wilson, Peggy Cafritz and Dr. Martin Luther King, Jr by Susan Galbraith

This past week brought a powerful confluence of "wake up" energy to Washington, DC. Sunday, people gathered at Washington's National Cathedral to remember Dr. Martin Luther King, Jr., who ga…

SOURCE: DC Theatre Scene at 12:03pm on April 13, 2018

Luzia's U. S. artistic director guides us through Cirque du Soleil's latest show now open in Tysons II by Keith Loria

Cirque du Soleil's Luzia is opening tonight and here through June 17, performing under its familiar big top in Tysons II, McLean, VA.  And just like every Cirque show, this one prom…

SOURCE: DC Theatre Scene at 5:36pm on April 12, 2018

The Kennedy Centers announces 2018-2019 theater season by Tim Treanor

The John F. Kennedy Center for the Performing Arts will be serving a nine-course meal next season, with six musicals and three non-musicals occupying the five principal venues of the place f…

SOURCE: DC Theatre Scene at 12:34pm on April 12, 2018

Review: Annie Baker's John at Signature Theatre. by Jayne Blanchard

Theater is traditionally thought to be a place of communion, a meeting of like-minded souls who crave a good story. Playwright Annie Baker turns that expectation on its head, along with so m…

SOURCE: DC Theatre Scene at 3:38pm on April 11, 2018

Review: Against a backdrop of a medical scandal, Theater J's Roz and Ray is surprisingly uplifting by Kate Colwell

With a bare set and only two seen characters, Roz and Ray draws your focus to the weight of words between people. This intimate production, directed by Adam Immerwahr, Artistic Director of T…

SOURCE: DC Theatre Scene at 1:11pm on April 11, 2018

Chief wizard Dan Clarkson: the making of Potted Potter by Jon Jon Johnson

JK Rowling's Harry Potter series, which has had a profound effect on many people including me (see Background below), can only be called a cultural phenomenon of titanic proportions.The two …

SOURCE: DC Theatre Scene at 10:14am on April 11, 2018

Riding the Metro inspired this playwright. The result: Use All Available Doors opening at Dupont Underground by Keith Loria

Brittany Alyse Willis used to commute to work by riding the Red Line from Maryland into Metro Center to work at one of the shops at the Natural History Museum, and although she didn't know i…

SOURCE: DC Theatre Scene at 5:13pm on April 10, 2018

MET's Rapture, Blister Burn is sharp and engaging (review) by Marshall Bradshaw

Rapture, Blister, Burn is a masterful exploration of feminism in practice, and Maryland Ensemble Theatre (MET) gives it a sharp, engaging production sure to stoke important conversations ove…

SOURCE: DC Theatre Scene at 4:31pm on April 10, 2018

Review: Landless' symphonic metal version of Mystery of Edwin Drood by John Geoffrion

When I last encountered Landless — full disclosure, I performed with the group in a 2006 production — they seemed to delight in being charmingly slapdash and a bit ramshackle in …

SOURCE: DC Theatre Scene at 11:49am on April 10, 2018

Review: The Underground Railroad Game. Uncomfortable? Yes. Cringe-worthy? Yes. by Debbie Minter Jackson

The title alone  – The Underground Railroad Game – gives you hint of the slippery slide towards impropriety and breach of all kinds of correctness about to happen.  And …

SOURCE: DC Theatre Scene at 6:00pm on April 9, 2018

Tonya Beckman is a sultry, playful Don Juan in Taffety Punk's production (review) by Meaghan Hannan Davant

Molière's Don Juan"the 17th Century tale of a rakish nobleman whose insatiable libido and incorrigible charm lead him from town to town, deceiving (and deflowering) damsel after damsel to h…

SOURCE: DC Theatre Scene at 5:24pm on April 9, 2018

Review: August Wilson's Two Trains Running at Arena Stage by Roy Maurer

Seeing Two Trains Running at Arena Stage marks the halfway point of my consummation of playwright August Wilson's decalogue of dramas expressing the 20th century black experience in America.…

SOURCE: DC Theatre Scene at 12:30pm on April 9, 2018

Review: New opera Florida from UrbanArias by Susan Galbraith

With Florida, the world premiere of an opera by composer Randall Eng and librettist Donna Di Novelli, Urban Arias just got bigger. It's not just that the piece of ninety-five minutes didn't …

SOURCE: DC Theatre Scene at 10:56am on April 9, 2018

Gay comedy Top and Bottom (review) by John Bavoso

Rainbow Theatre Project's production of Kevin Michael West's comedy Top and Bottom contains total male nudity"of both the physical and emotional varieties. What begins as a bondage-filled…

SOURCE: DC Theatre Scene at 9:57am on April 9, 2018

Anything goes in Faction of Fools' 10th season by Tim Treanor

Murder. The conquest of France. Learning to become an actor. And food. Lots and lots of food. Gut-busting portions of foods; enough to last a decade. What could be better subjects for a litt…

SOURCE: DC Theatre Scene at 6:00am on April 9, 2018

Review: Max McLean's return visit with C. S. Lewis Onstage: The Most Reluctant Convert by Jeffrey Walker

Wit and intelligence are under attack in today. So is faith. And the idea of intelligence working in tandem with religious convictions are often at odds with one another. The argument could …

SOURCE: DC Theatre Scene at 1:43pm on April 6, 2018
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