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35,748 stories from The Guardian

Whitney Cummings: 'The scariest place to perform standup is America' by Elise Czajkowski

The outspoken comic talks about directing a 'science comedy' on the female brain, overcoming her battle with co-dependency and the cult of celebrity griefAt only 34, Whitney Cummings has pac…

SOURCE: The Guardian at 1:48pm on January 12, 2017

Peter Hahlo obituary by Richard, Gerry and Michael Hahlo

Our father, Peter Hahlo, who has died aged 90, arrived in the UK as a refugee from the Nazis in 1938. With a label round his neck, a little money and few possessions, he boarded a kindertran…

SOURCE: The Guardian at 1:48pm on January 12, 2017

Manchester's Factory arts building gets go-ahead by Mark Brown

£110m Rem Koolhaas-designed centre seen by city council as 'genuine cultural counterbalance to London'Manchester's proposed £110m arts centre, the Factory, has moved a step closer to b…

SOURCE: The Guardian at 11:42am on January 12, 2017

Giselle review " Alina Cojocaru is sublime in signature role by David Jays

Coliseum, LondonCojocaru brings exquisite precision to her performance in English National Ballet's atmospheric and richly picturesque productionThis is an inspired piece of curation. Englis…

SOURCE: The Guardian at 8:24am on January 12, 2017

BU21 review " extraordinary drama imagines aftermath of a terror attack by Michael Billington

Trafalgar Studios, LondonStuart Slade's play about a survivors' group recalling a horrific incident is a thoughtful, arresting and blackly funny study of how we cope with tragedyHow would we…

SOURCE: The Guardian at 7:18am on January 12, 2017

'Let's turn the whole world around': inside Siobhan Davies' dance laboratory by Lyndsey Winship

Does the mind rule the body? The dancer doesn't think so " and she's recruited scientists for her experimental new showWe're standing in a beautiful, airy dance studio, beneath a ceiling mad…

SOURCE: The Guardian at 2:54am on January 12, 2017

Cash-strapped theatres must answer difficult questions by Lyn Gardner

As funding for the arts looks increasingly uncertain, the challenge for theatres is to find the right financial model to secure their futureLast year, I visited a regional theatre whose work…

SOURCE: The Guardian at 11:33am on January 11, 2017

Veterans Day review " prophetic tale of the horrors of war by Michael Billington

Finborough, LondonA Vietnam vet plots to kill the US president in a tense three-hander that trains a spotlight on human rights abuses and ex-soldiers' mental healthDonald Freed's play was la…

SOURCE: The Guardian at 7:12am on January 11, 2017

Us/Them: unlikely children's show about terrorism opens at National Theatre by Lyn Gardner

Beslan's 2004 school siege, in which more than 300 people died, is the subject of a playful, comic and desperately moving piece for young audiences'I'm always up for a bit of a challenge," s…

SOURCE: The Guardian at 4:02am on January 11, 2017

The Kite Runner review " loses its grip on Khaled Hosseini's engaging tale by Michael Billington

Wyndham's, LondonMatthew Spangler's workmanlike adaptation of the bestselling novel about Afghanistan does a decent job but reduces it to a series of chronological eventsIt's an old problem:…

SOURCE: The Guardian at 6:18pm on January 10, 2017

Broadway blockbusters: why theater attendance is at an all-time high by Alexis Soloski

Box office records are being broken a theater-goers flock to popular shows " but what's behind the sudden surge?In early January, just days after the Times Square ball had made its annual pl…

SOURCE: The Guardian at 8:24am on January 10, 2017

The Twentieth Century Way review " gay history relegated to sidebar by Lyn Gardner

Jermyn Street theatre, LondonTom Jacobson's two-hander takes a situation heavy with dramatic promise " the entrapment of gay men in 1914 America " and sacrifices it to metatheatre In 1914, C…

SOURCE: The Guardian at 7:18am on January 10, 2017

What a night! Millennial playwrights pick this century's best shows by Guardian Staff

From the role-reversal minstrels in The Scottsboro Boys to a post-apocalyptic take on The Simpsons, rising dramatists choose the plays they can't forgetChosen by Vinay Patel Continue reading…

SOURCE: The Guardian at 3:06am on January 10, 2017

Meet Britain's new generation of fearless young female playwrights by Vanessa Thorpe arts and Media Correspondent

Katherine Soper, winner of the Bruntwood prize, is at the head of a promising group bidding to break down barriersFor any British teenage girl hoping to become a playwright, the chances are …

SOURCE: The Guardian at 1:06pm on January 9, 2017

Cate Blanchett's Broadway debut in The Present delights critics by Nadia Khomami

For many reviewers it is Australian actor's performance as Anna Petrovna that helps carry Chekhov adaptationCate Blanchett's Broadway debut has been hailed as ferocious, commanding and glori…

SOURCE: The Guardian at 11:54am on January 9, 2017

Telling the story behind Roe v Wade: 'The play illuminates choice' by David Smith In Washington

As Roe, a stage production centered on the landmark abortion case of the 1970s, hits Washington DC, playwright Lisa Loomer discusses its presicenceIn a normal election year, without the doze…

SOURCE: The Guardian at 11:54am on January 9, 2017

Nazism comes knocking: German playwright probes the lure of fascism by Matt Trueman

In his play Winter Solstice, Roland Schimmelpfennig seeks to explore how rightwing rhetoric can ambush even the liberal-mindedAs Michael Rosen's poem insists, fascism doesn't come in fancy d…

SOURCE: The Guardian at 3:06am on January 9, 2017

Plan your week's theatre: top tickets by Lyn Gardner

London's International Mime festival throws up some special treats including Gandini Juggling's Smashed, and Cinderella is still having a ball in BoltonThe London International Mime festival…

SOURCE: The Guardian at 3:06am on January 9, 2017

Measure for Measure review " Russians add layers to Shakespeare's problem play by Steve Dow

Roslyn Packer theatre, Sydney festivalShakespeare in Russian might sound off-putting " but in this violent, visceral contemporary production, the spaces between words hold the most meaningTh…

SOURCE: The Guardian at 12:54am on January 9, 2017

The Present review: Cate Blanchett dares to find truth in Chekhov's trickiest play by Alexis Soloski

Ethel Barrymore Theater, New YorkAndrew Upton's Platonov is set in 1990s Russia, a country between communism and oligarchy. Between them, its star and Richard Roxburgh bring it fully to life…

SOURCE: The Guardian at 10:42pm on January 8, 2017

Perfume seller wins Bruntwood prize for play about welfare cuts by Chris Wiegand

Katherine Soper awarded £16,000 and residency at Royal Exchange for 'first proper play' about mental health and changes to the benefits systemThe UK's biggest playwriting competition has …

SOURCE: The Guardian at 9:33am on January 8, 2017

A Little of What You Fancy review " a miniature Victorian extravaganza by Clare Brennan

Salisbury PlayhouseFour performers rustle up a bustling parlour show of songs, sketches and magicA Little of What You Fancy, as the queen of the saucy song, Marie Lloyd, used to suggest to h…

SOURCE: The Guardian at 4:06am on January 8, 2017

Beauty and the Beast review " Northern Ballet give their all by Luke Jennings

Grand theatre, LeedsDominique Larose's serene Beauty leads the way in David Nixon's timely take on the fairytaleNorthern Ballet's Beauty and the Beast is a traditional fairy story choreograp…

SOURCE: The Guardian at 4:06am on January 8, 2017

Love review " homelessness brought close to home by Clare Brennan

Dorfman, LondonThe shared indignities of life in temporary accommodation hit home in Alexander Zeldin's new play at the NationalLove is set in a hostel offering temporary accommodation for p…

SOURCE: The Guardian at 4:06am on January 8, 2017

Ladies in Black review: a light show, but full of evolving feeling by Cassie Tongue

Lyric theatre, SydneyMusical by Carolyn Burns and Tim Finn, based on Madeleine St John's 1993 novel, studies mid-century women working in fictional department storeMid-century Australia: a t…

SOURCE: The Guardian at 10:33pm on January 7, 2017
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