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35,748 stories from The Guardian

Why Sydney festival's wooing of the west points to the future of the arts by Brigid Delaney

Performing arts companies tend to cluster in inner-city precincts but taking the road less travelled can lead to transformative theatre experiencesHeigh-ho, heigh-ho, it's off to the theatre…

SOURCE: The Guardian at 2:54pm on January 19, 2017

'Lord of the Dance' Michael Flatley to perform at Trump inauguration ball by Amanda Holpuch In New York

Chicago-born dancer will perform with his troupe at Liberty Ball on FridayOrganizers had struggled to attract A-list talent to inauguration eventsRetired "Lord of the Dance" Michael Flatley …

SOURCE: The Guardian at 11:42am on January 19, 2017

See Me Now: the show exposing the everyday lives of sex workers by Lyn Gardner

A new verbatim theatre piece stars teachers, consultants and cleaners who have all earned a living through the sex trade. The creators, including a dominatrix, discuss a show that's about lo…

SOURCE: The Guardian at 10:33am on January 19, 2017

Danse, Morob review " intense, mythic quest for a missing father by Helen Meany

Project Arts Centre, DublinThis tale of a daughter and her dead father, a former Maze prison hunger striker, is strong on symbolism and has an incantatory performance by Olwen FouéréA daug…

SOURCE: The Guardian at 8:24am on January 19, 2017

Olive Braman obituary by Jonathan Braman

My mother, Olive Braman, who has died aged 82, was always strong-willed and impatient. Even on her deathbed, she sent people away, saying "boring" " only half joking. After my father, Geoffr…

SOURCE: The Guardian at 8:24am on January 19, 2017

Winter Solstice review " liberalism is no match for a history of extremism by Michael Billington

Orange Tree, LondonA middle-class family accept a stranger for Christmas, but is he what he seems? This radical, transfixing play is about Germany but has universal relevanceThe timing is pe…

SOURCE: The Guardian at 8:24am on January 19, 2017

Marée Basse review " boozed-up clowns make a meal of it by Lyn Gardner

The Pit, LondonMachetes fly as Sacékripa's skilful two-hander for the London international mime festival brings lethal clumsiness and passive aggression to the Barbican A lovely, low-key sh…

SOURCE: The Guardian at 7:18am on January 19, 2017

Adler and Gibb review " a high-concept satire on the cult of the artist by Michael Billington

Royal Court theatre, LondonTim Crouch's show explores our obsession with artists' lives, but occasionally lets the form get in the way of its message' Playwright Tim Crouch: 'Avoiding the st…

SOURCE: The Guardian at 1:54am on January 19, 2017

Sarah Silverman's 'anal probe' tweet sparks political row by Brian Logan

Comedian's response to US anti-abortion law no laughing matter for Republicans. Elsewhere, Stewart Lee blasts elitism in comedy and Lenny Henry's thespian thunder rages onNot for the first t…

SOURCE: The Guardian at 12:48am on January 19, 2017

Promises, Promises review " Bacharach's musical makeover of Wilder's Apartment by Michael Billington

Southwark Playhouse, London A revival of Neil Simon's adaptation of the Billy Wilder classic, with songs by Bacharach and Hal David, is well performed but gratingly anachronisticThis musical…

SOURCE: The Guardian at 7:18am on January 18, 2017

Kenya's slum ballet school " in pictures by Fredrik Lerneryd

The Kibera ballet school is part of Anno's Africa project, working in slum areas in Kenya. Weekly ballet classes are held by teacher and former dancer Mike Wamaya. In collaboration with a ba…

SOURCE: The Guardian at 4:04am on January 18, 2017

From Ibiza to the Norfolk Broads review " touching Bowie oddity by Lyn Gardner

Greenwich theatre, London Misfit teen Martin goes in search of his absent father and his pop idol in a sharply observed, compelling one-man showThose unacquainted with the lyrics to David Bo…

SOURCE: The Guardian at 2:54am on January 18, 2017

Why Hamilton is music to the ears of London touts | Tim Dowling by Tim Dowling

The first US treasury secretary, on whom the hit musical is based, would understand why tickets for the British shows are already reselling for £2,500Tickets for the musical Hamilton, whi…

SOURCE: The Guardian at 1:48am on January 18, 2017

Danny Huston to star in Royal Court adaptation of Robert Evans' memoir by Guardian Stage

Hollywood star will make his London theatre debut in The Kid Stays in the Picture, directed by Simon McBurneyDanny Huston is to make his UK theatre debut in The Kid Stays in the Picture at t…

SOURCE: The Guardian at 7:12pm on January 17, 2017

Sadness as the circus rings the changes | Letters by Letters

It is with sadness that I read of the closure of the Barnum & Bailey/Ringling Bros Circus (Animal rights campaigners celebrate closure of 146-year-old US circus, 16 January). It was a ph…

SOURCE: The Guardian at 2:48pm on January 17, 2017

Brighton festival to host UK premiere of Gabriels trilogy by Mark Brown

Richard Nelson's plays portray modern liberal America, as reflected in a family setting over the course of US election yearA trilogy of plays tracking the lives of a family during key moment…

SOURCE: The Guardian at 1:42pm on January 17, 2017

Letter: Colin George and the thrust stage in Britain by Iain Mackintosh

In his obituary of Colin George, Paul Allen conflates two separate road-to-Damascus moments when he suggests that "Tyrone Guthrie had discovered the 'thrust' configuration in Edinburgh when,…

SOURCE: The Guardian at 1:42pm on January 17, 2017

The Lower Depths review " Gorky's down-and-outs lost in drink and dreams by Michael Billington

Arcola, London A cast of 18 bring the Russian writer's drifters and derelicts vividly to life in a production that captures his blend of compassion and crueltyMaxim Gorky's 1902 play is one …

SOURCE: The Guardian at 8:12am on January 17, 2017

Titus Andronicus review " Shakespeare's bloodbath becomes a sadistic delight by Lyn Gardner

Shakespeare's Globe, LondonLucy Bailey's returning revival of this vicious, bloody tragedy is still ingeniously disturbing, and much more than just a splatter festNasty, but oh so very, very…

SOURCE: The Guardian at 7:04am on January 17, 2017

We need to talk about Hedda: why the National's Ibsen shocker isn't sexist by Lyn Gardner

Theatre has often depicted women subjected to degradation but context is key. The appalling final scene in the NT's production made me see the play anewWe all know that British theatre still…

SOURCE: The Guardian at 4:48am on January 17, 2017

Abigail review " cute romcom turns into violent mess by Lyn Gardner

The Bunker, LondonWhen the relationship depicted in Fiona Doyle's fractured-chronology drama falls apart, it's left to the audience to pick up the piecesWoman in her 20s meets man in his 40s…

SOURCE: The Guardian at 3:48am on January 17, 2017

Birthday Suit review " sparky comedy is like Ayckbourn for millennials by Lyn Gardner

Old Red Lion, London The laughs keep coming in David K Barnes' play about a party where awkward small talk descends into a drunken debate about personal desiresDiane (EJ Martin) is nervous w…

SOURCE: The Guardian at 2:42am on January 17, 2017

Sydney festival's Circus City delights and astounds by Steve Dow

With productions from Brisbane's Circa and Montreal's Cirque Éloize, the Parramatta program clearly demonstrates the artistry of Big Top performersRoll up, Circus City has come to town: …

SOURCE: The Guardian at 1:36am on January 17, 2017

Caryl Churchill, by the people who know her best by Mark Lawson

Her plays arrive fully formed " and she refuses to talk about what they mean. Mark Lawson talks to actors, directors and her publisher about what really makes Churchill tickSince the death o…

SOURCE: The Guardian at 10:24pm on January 16, 2017

Step-by-step guide to dance: Les Ballets C de la B by Sanjoy Roy

They were founded for a dare in 1984, but Les Ballets C de la B's mix of surrealism, slapstick and semiotics has made them one of the world's most influential dance theatre companies Continu…

SOURCE: The Guardian at 1:36pm on January 16, 2017
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