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4,023 stories from http://www.theaterscene.net

Chekhov/Tolstoy: Love Stories by Victor Gluck, Editor-in-chief

The Mint Theater Company has rediscovered and championed British actor/playwright Miles Malleson with Conflict and Yours Unfaithfully. Now they have combined two of his one acts adapted from…

SOURCE: www.theaterscene.net at 10:52pm on February 13, 2020

Chasing the River by Mark Dundas Wood

The subject matter of "Chasing the River" is, of course, viable, but the play is not as nuanced and insightful as one would hope"nor is it particularly gripping. Sometimes the action feels s…

SOURCE: www.theaterscene.net at 3:36pm on February 12, 2020

Fandango for Butterflies (and Coyotes) by Darryl Reilly

ICE raids, harrowing border crossing journeys and transferring money home are depicted in the rousing and moving play "Fandango For Butterflies (and Coyotes)." It's derived from undocumented…

SOURCE: www.theaterscene.net at 4:39pm on February 11, 2020

Bob & Carol & Ted & Alice by Victor Gluck, Editor-in-chief

Bookwriter Jonathan Marc Sherman has wisely kept the story in its period. However, his dialogue is almost word for word lifted from the screenplay which is rather old hat for those of us hav…

SOURCE: www.theaterscene.net at 3:34pm on February 11, 2020

Grand Horizons by Joseph Pisano

Bess Wohl's "Grand Horizons" opens with a pas de deux of marital inertia as Nancy (Jane Alexander) and Bill (James Cromwell), two near-octogenarians wasting their twilight days in a so-calle…

SOURCE: www.theaterscene.net at 3:40pm on February 10, 2020

Medea (Brooklyn Academy of Music) by Victor Gluck, Editor-in-chief

While Simon Stone's adaptation is engrossing for its surprising updates, it never captures the emotions, seeming more like a gimmick that a reworking of the Greek tragedy. With most of the a…

SOURCE: www.theaterscene.net at 1:56pm on February 9, 2020

CunningGraham Technique Comparison by Joel Benjamin

Hosted by the Graham Company's elegant director Janet Eilber, the program began with some historical comments after which two groups of dancers, one representing the Graham technique from Gr…

SOURCE: www.theaterscene.net at 11:45am on February 9, 2020

Sister Calling My Name by Victor Gluck, Editor-in-chief

An author can be too close to his or her material so that the real story fails to be revealed. Inspired by his own family events, Buzz McLaughlin's Sister Calling My Name has a fascinating p…

SOURCE: www.theaterscene.net at 3:20pm on February 7, 2020

Border People by Mark Dundas Wood

Hoyle has brought his most recent play, "Border People," to New York City in a production directed by Nicole A. Watson. It's a work dedicated to people who dwell along borders of various sor…

SOURCE: www.theaterscene.net at 11:25pm on February 5, 2020

Matthew Bourne's Swan Lake by Joel Benjamin

"The legend returns" claimed the fliers and posters for "Matthew Bourne's Swan Lake"'s short season at the New York City Center.  That proclamation wasn't far from the truth.  "Swan La…

SOURCE: www.theaterscene.net at 4:58pm on February 5, 2020

A Soldier's Play by Joel Benjamin

David Alan Grier, Blair Underwood and Billy Eugene Jones in a scene from Charles Fuller's "A Soldier's Play" at the American Airlines Theatre (Photo credit: Joan Marcus) Joel Benjamin, Criti…

SOURCE: www.theaterscene.net at 12:16pm on February 5, 2020

Doctors Jane and Alexander by Christopher Caz

Additional credit can be given to Simon and Wolkowitz's performances by the excellent supporting cast and Einhorn's writing. The script's one weakness appears to be an insistence on providin…

SOURCE: www.theaterscene.net at 11:22am on February 4, 2020

Brecht: Call and Respond (an evening of three one-acts) by Darryl Reilly

"Producing theatrical works that feature compelling stories created by emerging theater artists" is from the New Light Theater Project's self-description. Their vastly and thoughtfully enter…

SOURCE: www.theaterscene.net at 12:50am on February 4, 2020

PackRat by Darryl Reilly

Writer and director Renee Philippi's appealing scenario is simple, heartfelt and dramatic. It's realized by Ms. Philippi's supreme command of stagecraft that revels in theatricality. Designe…

SOURCE: www.theaterscene.net at 10:47pm on February 3, 2020

The New York Pops: "Find Your Dream: The Songs of Rodgers and Hammerstein" by Victor Gluck, Editor-in-chief

The New York Pops' latest concert, Find Your Dream, was a glorious tribute to nostalgia. Not only was it an evening of the beloved songs of Rodgers and Hammerstein with selectionsfrom all 11…

SOURCE: www.theaterscene.net at 4:31pm on January 31, 2020

Really Really Gorgeous by Mark Dundas Wood

"Really Really Gorgeous" has an often-amusing absurdist and surrealistic sensibility. Plot turns take on the illogical quality that exists in dreams or in kids' games of "Let's pretend." For…

SOURCE: www.theaterscene.net at 12:14am on January 31, 2020

92Y Lyrics & Lyricists Series: E.Y. "Yip" Harburg: Follow the Fellow Who Follows a Dream by Joel Benjamin

The 92nd St. Y's Lyrics & Lyricists, one of New York's leading propagators of the Great American Songbook, featured the witty and sardonic songs of E.Y. "Yip" Harburg in its most recent …

SOURCE: www.theaterscene.net at 7:00pm on January 29, 2020

Emojiland: The Musical by Darryl Reilly

Smiling Faces, Skull, Princess, Pile of Poo and other notable emojis cavorting around might have made for a peppy contained sophisticated children's show. The creators of "Emojiland: The Mus…

SOURCE: www.theaterscene.net at 11:39am on January 29, 2020

My Name Is Lucy Barton by Victor Gluck, Editor-in-chief

Laura Linney is never one to avoid a challenge. When she last appeared at Manhattan Theatre Club's Samuel J. Friedman Theatre she was alternating in the roles of "Regina" and "Birdie" in the…

SOURCE: www.theaterscene.net at 11:22pm on January 28, 2020

The Transfiguration of Benjamin Banneker by Darryl Reilly

The show was conceived, directed and designed by Theodora Skipitares. Her treatment of these biographical details is that of a fanciful saga with the awestruck tone of a children's book. The…

SOURCE: www.theaterscene.net at 10:55pm on January 27, 2020

Paradise Lost by Victor Gluck, Editor-in-chief

When a playwright adapts a famous, well-known story for the stage the problem becomes how to tell it in a new way that makes it seem unfamiliar and fresh. Otherwise, why bother retelling it …

SOURCE: www.theaterscene.net at 8:51pm on January 27, 2020

Romeo & Bernadette: A Musical Tale of Verona & Brooklyn by Joel Benjamin

"Romeo & Bernadette," a fresh take on Shakespeare's oft-adapted tale of love, is an unabashed valentine to inter-era romance.  Shakespeare's Romeo (cutie-pie Nikita Burshteyn, perfect…

SOURCE: www.theaterscene.net at 1:14pm on January 27, 2020

How to Load a Musket by David Kaufman

An essay more than a play, with players as opposed to characters, "How to Load a Musket" is a racist diatribe that fails to make its points coherently. The costumes and appointments on the w…

SOURCE: www.theaterscene.net at 4:19pm on January 25, 2020

The Woman in Black by Darryl Reilly

Fog wafting, an empty rocking chair moving by itself, blackouts, ghostly apparitions and crashing music are all part of the spooky fun in "The Woman In Black." Scary moments, intriguing hoku…

SOURCE: www.theaterscene.net at 12:57am on January 24, 2020

Timon of Athens (Theatre for a New Audience) by Victor Gluck, Editor-in-chief

On paper the concept should not work: scenes and characters have been cut, a Shakespeare sonnet has been added set to music, as well as a Greek song, and four characters originally written f…

SOURCE: www.theaterscene.net at 11:36pm on January 23, 2020
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