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3,495 stories from The Arts Desk

Sketching, Wilton's Music Hall, review - less a dynamic babble than a disconsolate babel by Rachel Halliburton

James Graham's Dickens project is structurally ambitious but doesn't add upIt sounds like a marriage made in heaven. Charles Dickens and James Graham " both great chroniclers of…

SOURCE: The Arts Desk at 5:42am on October 3, 2018

Pack of Lies, Menier Chocolate Factory review - suburban spy story by Aleks.sierz

Cold War surveillance drama is interesting, but can't quite conceal its ageWe do love our spy stories, don't we? The idea of betrayal, both political and personal, seems to be a strong …

SOURCE: The Arts Desk at 8:04pm on October 2, 2018

Every Day I Make Greatness Happen, Hampstead Theatre Downstairs review - live-wire immediacy by Rachel Halliburton

Authentic performances hit the mark"I'm not a number, I'm not a grade, and I'm not a failure." The 17-year-old girl stands in front of the small class, who gaze at her goggle-eyed. "A robot …

SOURCE: The Arts Desk at 5:36am on September 28, 2018

Pinter at the Pinter, Harold Pinter Theatre review - harrowing and comic short pieces from the master by Heather Neill

An ambitious celebratory series kicks off in fine fashionTen years after Pinter's death, Jamie Lloyd has set about honouring the Twentieth Century's outstanding British playwright in an ambi…

SOURCE: The Arts Desk at 12:04am on September 28, 2018

Antony and Cleopatra, National Theatre review - Ralph Fiennes in marvellous throttle by Tom Birchenough

Supreme lucidity and two commanding performances make for a moving productionYou always wonder about those final scenes of Shakespeare's tragedies. Are they really needed dramatically; do th…

SOURCE: The Arts Desk at 8:48am on September 27, 2018

Twelfth Night, Royal Lyceum Theatre, Edinburgh - a touch too sweet by David Kettle

Psychedelic Shakespeare feels rather too charming for its own good"Well, that was really sweet," one young audience member in front of me remarked on his way out of Edinburgh's Lyceum Theatr…

SOURCE: The Arts Desk at 4:24am on September 27, 2018

Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus by Aleks.sierz

Semi-autobiographical coming of age story jumps to the sounds of grimeThere was once a time when grime music was very angry, and very threatening, but that seems a long time ago now. Today, …

SOURCE: The Arts Desk at 6:32pm on September 25, 2018

Eyam, Shakespeare's Globe review - plague drama, dark and loose by Tom Birchenough

Back to the 17th century: the village that cut itself off to dieThe end-of-season contemporary writing slot at the Globe must be a proposal as full of promise for playwrights as it is perhap…

SOURCE: The Arts Desk at 4:06am on September 22, 2018

Henry V, Tobacco Factory Theatres, Bristol review - by Mark.kidel

The pity of war - a strikngly contemporary take on a humanity's addiction to conflictHenry V is a play shot through with martial energy and the terrible chaos of war. The almost overpow…

SOURCE: The Arts Desk at 8:36pm on September 20, 2018

The Outsider, Print Room at the Coronet review - power in restraint by Rachel Halliburton

The spirit of Magritte pervades this brand of existentialismAs the Syrian conflict enters its final convulsions, renewing memories of how the Sykes-Picot agreement " between an Englishman an…

SOURCE: The Arts Desk at 5:12am on September 20, 2018

James Graham: 'the country of Shakespeare no longer recognises arts as a core subject' by James Graham

Full transcript of the playwright's passionate speech about the importance of the arts at the Hospital Club's h100 AwardsThank you. It's an honour to have been asked to speak here …

SOURCE: The Arts Desk at 5:12am on September 20, 2018

Heathers The Musical, Theatre Royal Haymarket review - a sardonic take on teen angst by Marianka Swain

Death and all his frenemies descend on a vicious American high schoolThis London premiere of Kevin Murphy and Laurence O'Keefe's 2010 musical (based on Daniel Waters' oh-so-Eighties cult …

SOURCE: The Arts Desk at 11:36pm on September 19, 2018

The Human Voice, Gate Theatre review - unrelenting and sad by Katherine Waters

The end of the line at the the end of a telephone lineIt's night, and the woman (Leanne Best, pictured top) is waiting for a phone call. She's desperate for the voice of her lover " or ra…

SOURCE: The Arts Desk at 7:18am on September 19, 2018

Anil Gupta and Richard Pinto: 'We figured Molière would have toyed with it too' by Anil Gupta and Richard Pinto

The co-adaptors of the RSC's new 'Tartuffe' talk about translating a French classic to our times now Back in June 2017, in the days when English summertime was a lazy idyll ra…

SOURCE: The Arts Desk at 10:42pm on September 18, 2018

The Prisoner, National Theatre review - Peter Brook's latest falls sadly flat by David Kettle

The British master-director settles for vaguely Beckett-inflected bafflementOf the Edinburgh International Festival's three productions by 2018's resident company, Paris's Théâtre des Bo…

SOURCE: The Arts Desk at 4:04am on September 18, 2018

An Adventure, Bush Theatre review - epic but flawed by Aleks.sierz

Deeply felt show about love, marriage and migration doesn't quite work Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of London's most outsta…

SOURCE: The Arts Desk at 2:18pm on September 14, 2018

Foxfinder, Ambassadors Theatre review - too ponderous by half by Matt Wolf

Onetime fringe success flounders in West End upgradeA sizable Off West End success nearly eight years ago looks more than a little exposed in a new, scaled-up production that is one of sever…

SOURCE: The Arts Desk at 5:32am on September 14, 2018

Jeanie O'Hare: 'The play taught me how European we really are' by Jeanie O'Hare

The playwright introduces 'Queen Margaret', her new play for the Royal Exchange, ManchesterI admit it took me a while to give myself permission to do this project. We English are v…

SOURCE: The Arts Desk at 8:06am on September 13, 2018

The Woods, Royal Court review - Lesley Sharp triumphs again by Aleks.sierz

Overwhelmingly powerful new play about motherhood and psychological collapse Blackout. Dark, the colour of childhood fear. Black, the colour of despair. Black. No light visible; no colours t…

SOURCE: The Arts Desk at 7:04pm on September 12, 2018

Sir Peter Hall: a day of thanksgiving and celebration for a colossus of culture by Matt Wolf

A year after his death, the great director was honoured by the stars at Westminster Abbey and the National TheatreSir Peter Hall had no ordinary life, as might be expected from the director …

SOURCE: The Arts Desk at 6:06am on September 12, 2018

'You won't be able to handle this lady': remembering Fenella Fielding by Jasper Rees

The vampish comic actress has died at 90 not long after receiving an MBEFenella Fielding - "one of the finest female impersonators in the business," joked Eric Morecambe " has died at the ag…

SOURCE: The Arts Desk at 8:18pm on September 11, 2018

Holy Shit, Kiln Theatre review - what's in a name? by Aleks.sierz

The old Tricycle Theatre is transformed with a name change and a great opening playHoly shit! After being closed for two long years, the old and battered Tricycle Theatre in Kilburn has been…

SOURCE: The Arts Desk at 7:04pm on September 10, 2018

Underground Railroad Game, Soho Theatre review - scratching the American wound by Tom Birchenough

A furious, darkly comic riff on race, this frenetic two-hander dazzlesUnderground Railroad Game is scabrous theatre " in every sense. To start with, Jennifer Kidwell and Scott R Sheppard's t…

SOURCE: The Arts Desk at 9:04am on September 10, 2018

Unexpected Joy, Southwark Playhouse review - fully predictable fun by Laura De Lisle

New all-female musical might not be entirely unexpected, but it's a solid enough evening There's a clear theme running through this year's autumn programme at the Southwark Playhouse: new…

SOURCE: The Arts Desk at 6:32pm on September 9, 2018

Square Rounds, Finborough Theatre review - the science behind warfare, told in verse by Heather Neill

Didactic theatre piece stronger on facts than dramaThe title of Tony Harrison's teacherly entertainment - it can't be called a play - refers to the square bullets invented by James Puckle to…

SOURCE: The Arts Desk at 6:06pm on September 7, 2018
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