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35,748 stories from The Guardian

The White Devil review " passion, revenge and murder at the double by Michael Billington

Sam Wanamaker Playhouse, LondonAnnie Ryan's production does full justice to the sinewy, aphoristic language in Webster's sinister portrait of corruptionWebster's dark Jacobean tragedies sit …

SOURCE: The Guardian at 11:12am on February 2, 2017

European productions aren't 'infecting' our theatre " they're telling hard truths by David Lan

The National's Hedda Gabler, directed by Ivo van Hove, captures all the contradictions in Ibsen's play. It's these shows that help us through dark timesAs the lights went down on Ivo van Hov…

SOURCE: The Guardian at 9:04am on February 2, 2017

Danny Baker live review " geezer with an endless appetite for gossip by Brian Logan

City Varieties Music Hall, Leeds The broadcaster's first standup tour, Cradle to the Stage, is a lucky-dip of nostalgic childhood stories and showbiz anecdotesYou've read the autobiography. …

SOURCE: The Guardian at 8:04am on February 2, 2017

Think dance isn't for you? No wonder with titles like these by Lyndsey Winship

Their art form already feels distant to some audiences. Do choreographers just make things worse by coming up with obscure names for their shows?I was once having a conversation with Matthew…

SOURCE: The Guardian at 8:04am on February 2, 2017

Night fever: breakout star Tamara Lawrance on exploding Shakespeare by Mark Lawson

Barely out of Rada, Tamara Lawrance cruised into TV and stage roles. Now she's taking on Twelfth Night at the National. Can it beat her weird student version?Playing Viola in Twelfth Night a…

SOURCE: The Guardian at 2:24am on February 2, 2017

Cast of The Kite Runner condemn US travel ban at end of West End show by Nadia Khomami

Audience gives standing ovation after actor Emilio Doorgasingh reads statement calling for solidarity with refugeesCast members of the West End show The Kite Runner have used a curtain call …

SOURCE: The Guardian at 2:18pm on February 1, 2017

Royal Shakespeare Company to stage Robert Harris's Cicero trilogy by Maev Kennedy

Described by director as 'Rome meets the West Wing', six-play adaption will be grand finale of the company's Rome seasonThe Royal Shakespeare Company is creating a six-play adaptation of Rob…

SOURCE: The Guardian at 12:12pm on February 1, 2017

The Iron Man review " Ted Hughes classic clangs on to stage by Miriam Gillinson

Unicorn theatre, LondonA talented team throw everything from shadow puppetry to live fire at the well-loved tale, but it's hard to make out the storyWith shadow puppetry, singing, dancing, s…

SOURCE: The Guardian at 10:54am on February 1, 2017

Sleepless in Seattle musical starring Danny Mac is postponed by Guardian Staff

A stage version of the box-office hit, which was to star the Strictly celebrity alongside partner Carley Stenson, has been delayedThe world premiere of Sleepless, a stage musical based on No…

SOURCE: The Guardian at 9:48am on February 1, 2017

Theatre companies must rethink their relationship with Arts Council England by Lyn Gardner

Applications are in for the next round of the council's funding for National Portfolio Organisations. Some have decided it's better to opt outThe deadline has now passed for those applying t…

SOURCE: The Guardian at 8:48am on February 1, 2017

Relic review " Dame Edna meets Marge from The Simpsons in bizarre spectacle by Lyn Gardner

The Pit, LondonEuripides Laskaridis puts on high heels and a fat suit to explore gender in a striking show at the Barbican as part of London international mime festivalImagine Dame Edna Ever…

SOURCE: The Guardian at 6:36am on February 1, 2017

Ali G's back, innit: Sacha Baron Cohen revives show in US by Matt Trueman

After six years in 'retirement', Staines's finest is set to return in Ali G: Rezurection, on Fox network's FXX comedy channelAli G is back in da house " at least, if your house is in the US …

SOURCE: The Guardian at 4:24am on February 1, 2017

Why aren't female comedians funny? You asked Google " here's the answer | Ayesha Hazarika by Ayesha Hazarika

Every day millions of internet users ask Google life's most difficult questions, big and small. Our writers answer some of the commonest queriesWe live in a time of profound change and chall…

SOURCE: The Guardian at 3:18am on February 1, 2017

Mark Gatiss and Ian Hallard: 'We met online " back when that was odd' by Amy Fleming

Mark Gatiss and his husband Ian Hallard star in a play about a gay party that turns toxic. They talk about new threats to equal rights, the Sherlock backlash " and their dog-sitting issuesMa…

SOURCE: The Guardian at 2:12am on February 1, 2017

We need the state now more than ever. But our belief in it has gone | Aditya Chakrabortty by Aditya Chakrabortty

In Britain, after 30 years of hollowing-out, government is now seen as invisible or hostile. And those it no longer helps are facing the awful consequencesI left the Royal Court theatre a fe…

SOURCE: The Guardian at 2:12am on February 1, 2017

Seriously funny: the new comedy agents steering standups' careers by Ben Williams

An alternative style of artist management is helping talents such as James Acaster and Dane Baptiste take a long-game approach. Rule No 1? Be niceBack in the 1990s, when club comics such as …

SOURCE: The Guardian at 1:06pm on January 31, 2017

Years of Sunlight review " shattered dreams in a 60s new town by Michael Billington

Theatre 503, LondonMichael McLean gets under the skin of his characters' lives in Skelmersdale but his play skimps on the bigger pictureWhat happened to the social utopias of the 1960s, buil…

SOURCE: The Guardian at 9:36am on January 31, 2017

Murder for Two review " musical whodunnit is a shot in the arm by Lyn Gardner

Watermill, BagnorTwo actors play all 14 characters " and the piano " in a smart, jaunty show that transposes the English country-house mystery to small-town AmericaJoe Kinosian and Kellen Bl…

SOURCE: The Guardian at 8:32am on January 31, 2017

Beyond Blasted: how the 90s changed theatre in the UK by Lyn Gardner

The decade is still associated with the 'In-Yer-Face' moniker but it brought us a thrilling variety of new writing and fresh, boundary-breaking styles of theatre There seems to be a bit of a…

SOURCE: The Guardian at 6:18am on January 31, 2017

Leah Purcell wins Australia's richest literary prize for reimagining of The Drover's Wife by Steph Harmon

Indigenous playwright and actor takes top honour at Victorian premier's literary awards for work based on Henry Lawson short storyThe Indigenous Australian playwright and actor Leah Purcell …

SOURCE: The Guardian at 4:06am on January 31, 2017

Worth the hype: The Encounter is more than just an aural masterpiece by Stephanie Convery

Depth of research, technical coordination and creative experimentation help bring Amazon adventure to life"I am in your head," says Richard Katz. His voice is, anyway. It will be there for c…

SOURCE: The Guardian at 3:04am on January 31, 2017

Why David Hare is wrong about the state of British theatre by Lyn Gardner

The playwright's concerns over European directors 'infecting' British theatre are misplaced " the two-way traffic between the UK and Europe has benefited us allWith a hard Brexit on the hori…

SOURCE: The Guardian at 12:36pm on January 30, 2017

Made in India review " surrogacy drama is a race against time by Alfred Hickling

Belgrade, CoventrySatinder Chohan's compelling play about a woman desperate to become a mother draws intense performances from its castWhen Satinder Chohan commenced work on a drama set in a…

SOURCE: The Guardian at 9:24am on January 30, 2017

The National Theatre's new season is a staggering dereliction of duty by Michael Billington

The NT usually manages a balance between revivals and new work. Now, classic plays are disappearing from its stages " and from regional reps tooDavid Hare has made the headlines with a damni…

SOURCE: The Guardian at 8:12am on January 30, 2017

Manipulate review " head-spinning theatre festival sets sail on silken sea by Mark Fisher

Traverse, EdinburghFisk, a meditative evocation of mental breakdown onboard a paper boat, is a highlight at the festival of animation, puppetry and movementThere's a turntable in the Travers…

SOURCE: The Guardian at 7:12am on January 30, 2017
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