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35,748 stories from The Guardian

Mark Strong interview: 'It's going to be stark and bare and brutal' by Laura Barnett

The actor, about to star in A View from the Bridge at the Young Vic, on taking liberties with Arthur Miller " and the lure of playing the bad guy' Monroe and Miller's sensational year " in p…

SOURCE: The Guardian at 2:36pm on February 5, 2017

Michael Redington obituary by Simon Redington

In 1948 my father, Michael Redington, was a young member of the Old Vic Company's triumphant tour of Australia, headed by Laurence Olivier and Vivien Leigh. His admiration for both actors wa…

SOURCE: The Guardian at 1:32pm on February 5, 2017

Harker family visit great-grandfather's threatened scene-painting studio by Maev Kennedy

Actor Susannah Harker and relatives bid farewell to Joseph Harker's 1905 London studio which may be turned into flatsThe actor Susannah Harker and a chorus line of her theatrical relatives h…

SOURCE: The Guardian at 12:32pm on February 5, 2017

Still Game: Live 2 review " hilarity ahoy as the TV sitcom takes a sea cruise by Mark Fisher

SSE Hydro, GlasgowFord Kiernan and Greg Hemphill return to the stage with an even more ambitious live show " and just as many laughsWhen does a sitcom get too big for its boots? It's a worry…

SOURCE: The Guardian at 11:18am on February 5, 2017

Death Takes a Holiday review " a cut-price package by Susannah Clapp

Charing Cross theatre, LondonEven musical maestro Thom Southerland's gifts can't help this flight of fancy rise above its silly premiseThom Southerland has made himself a master of the unexp…

SOURCE: The Guardian at 3:48am on February 5, 2017

Strike a Pose review " on tour with Madonna by Wendy Ide

This moving documentary charts the impact that Madonna's Blond Ambition world tour had on seven of her dancers' livesThe year is 1990. Madonna, at the height of her fame and influence, embar…

SOURCE: The Guardian at 3:48am on February 5, 2017

Les Enfants Terribles review " dark sibling fantasy by Luke Jennings

Barbican, LondonTop dancers, Javier de Frutos choreography, Philip Glass score and Cocteau's twisted tale don't quite add upJean Cocteau's 1929 novel Les Enfants Terribles is the story of a …

SOURCE: The Guardian at 3:48am on February 5, 2017

What's in a Name? review " a fast, frothy French comedy of manners by Clare Brennan

Birmingham RepA taut cast makes the most of this 2010 hit comedy, directed by Jeremy Sams in its British premiereIn a loft conversion in Peckham, south London, lecturer Peter (Jamie Glover) …

SOURCE: The Guardian at 3:48am on February 5, 2017

The Place Is Here review " an art of protest, declaration, revelation by Laura Cumming

Nottingham ContemporaryThe social upheaval of the Thatcher years saw an explosion of work by black and Asian artists. This compelling show recaptures a pivotal eraConfronted by a black man i…

SOURCE: The Guardian at 3:48am on February 5, 2017

Narvik review " the sound of the second world war by Susannah Clapp

Home, ManchesterLizzie Nunnery's play with music captures bittersweet memories of the North Atlantic convoys as documentary meets melancholy balladNarvik is not like anything else I have hea…

SOURCE: The Guardian at 3:48am on February 5, 2017

Warning: review quotes can be very misleading by Michael Hann

We see quotes from critics plastered all over adverts, posters and book jackets. But is their use always what it seems?The novelist Anthony Horowitz should not really have been surprised whe…

SOURCE: The Guardian at 12:32am on February 5, 2017

Dodie Smith's classic bohemian romance hopes to capture hearts in musical revival by Vanessa Thorpe Arts and Media Correspondent

Coming-of-age novel I Capture the Castle is adapted for the stageOne of Britain's most popular romantic novels, Dodie Smith's coming-of-age classic I Capture the Castle, beloved of writers i…

SOURCE: The Guardian at 8:18pm on February 4, 2017

Connie Fisher's click track is not conning theatregoers by Lyn Gardner

The people's Maria is under incredible pressure to perform. I reckon people should give her a break.Relax, it's only a Lloyd Webber musical. Photograph: Tristram KentonLoss of innocence has …

SOURCE: The Guardian at 2:42pm on February 3, 2017

Let It Shine: why isn't Gary Barlow's talent show interested in acting? by Lyn Gardner

The contestants can belt out a tune but can they cut it in musical theatre? The stage show cast from the BBC1 series will fall flat if it doesn't find acting talentReality TV and talent show…

SOURCE: The Guardian at 12:24pm on February 3, 2017

Simon McBurney: I wasn't thinking of Trump but Beware of Pity is chillingly resonant by Simon McBurney

The director describes the gruesome appeal of staging Stefan Zweig's novel about the faultlines running through a society on the brink of destruction"Why Zweig? Eeeuwww …"No. That doesn't …

SOURCE: The Guardian at 10:24am on February 3, 2017

How Bridget Christie found the funny side of Brexit by Ben Williams

After the EU referendum result, Bridget Christie ripped up her Edinburgh show and created a new one in just a few weeks. This is an anatomy of a standup set that has changed with the headlin…

SOURCE: The Guardian at 9:18am on February 3, 2017

Sex With Strangers review " snowbound tale of books and bonking by Michael Billington

Hampstead theatre, LondonEmilia Fox and Theo James star in Laura Eason's two-hander about an implausible relationship between writers in a Michigan B&BThe title is certainly titillating.…

SOURCE: The Guardian at 9:18am on February 3, 2017

The Pitchfork Disney review " exhilarating chocoholic apocalypse by Lyn Gardner

Shoreditch Town Hall, LondonJamie Lloyd's revival of Philip Ridley's 1991 dark fable, starring George Blagden and Bafta-nominated Hayley Squires, is vivid and monstrousThe gaudy excesses of …

SOURCE: The Guardian at 9:18am on February 3, 2017

An Inspector Calls and E15: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

From Stephen Daldry's ground-breaking production to a visceral take on the welfare crisis. Plus: Worst Wedding Ever, Material Men Redux and more1 An Inspector CallsThat inspector keeps on ca…

SOURCE: The Guardian at 6:39am on February 3, 2017

Bridget Christie and Drake: top things to do in the UK this week by The Guide

From the super-sharp standup latest set to the hip-hop megastar's mammoth tour: your at-a-glance guide to the best in cultureBridget ChristieThe queen of feminist comedy continues her two-we…

SOURCE: The Guardian at 4:48am on February 3, 2017

1984: West End's hit adaptation set for Broadway, Australian cast announced by Steph Harmon

Described as 'horribly relevant' by its directors, the global tour of the acclaimed production follows a surge in sales for Orwell's seminal novelAs George Orwell's seminal book 1984 enjoys …

SOURCE: The Guardian at 2:36am on February 3, 2017

Richard Herring: 'Rick And Morty is the most brilliant TV show I've ever seen' by Rachel Aroesti

The comedian, writer and blogger on what makes him laugh the mostWatching Billy Connolly at the Hammersmith Apollo in the late 90s was a masterclass of long-form comedy. I also shared a hote…

SOURCE: The Guardian at 2:36am on February 3, 2017

Lucian Msamati: danger zone by Ryan Gilbey

He's the ex-cleaner who ended up playing a pirate in Game of Thrones. Now Lucian Msamati faces his biggest challenge yet " as the RSC's first black Iago. He talks to Ryan GilbeyLucian M…

SOURCE: The Guardian at 6:54pm on February 2, 2017

The Duchess of Malfi - review by Michael Billington

Sam Wanamaker Playhouse, LondonGemma Arterton brings beauty, determination and moral goodness to one of the great female rolesA new theatre is often a challenge. Until weathered and worn by …

SOURCE: The Guardian at 1:24pm on February 2, 2017

Why theatre should stay tuned in to radio plays by Lyn Gardner

Many a playwright owes a debt to a radio commission. Audio drama allows an ambition and scope that can't always be achieved on stageEarlier this week, at the Critics' Circle theatre awards, …

SOURCE: The Guardian at 1:24pm on February 2, 2017
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