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35,748 stories from The Guardian

Low Level Panic review " sexual anxiety in the bathroom queue by Lyn Gardner

Orange Tree, Richmond Like 1980s precursors to Fleabag, young female flatmates confide their fantasies in a world where men seem to hold all the powerMore than a third of teenage girls suffe…

SOURCE: The Guardian at 10:18am on February 21, 2017

The Wild Party review " big, blowsy revival you won't want an invite to by Michael Billington

The Other Palace, LondonThis musical adaptation, based on Joseph Moncure March's racy 1928 poem, is so frenzied it leaves you exhausted Andrew Lloyd Webber acquired what used to be the St Ja…

SOURCE: The Guardian at 9:12am on February 21, 2017

Youth Group's Toby Martin on his new solo album and being an outsider in western Sydney by Barnaby Smith

The singer-songwriter talks about his wistful, thought-provoking Songs From Northam Avenue, inspired by one of 'the most interesting parts of Australia'"I'm kind of ashamed to admit that," s…

SOURCE: The Guardian at 11:18pm on February 20, 2017

James Corden's TV show could learn from Simon Amstell by Brian Logan

Corden's US TV debut is a success, but the mutual back-slappery of such chatshows is almost unwatchable " all the more so when the hosts are comediansDid you ever watch Simon Amstell on Neve…

SOURCE: The Guardian at 10:18am on February 20, 2017

Susan Calman review " Radio 4 favourite's sparky set is far from cosy by Brian Logan

The Stables, Milton Keynes The standup reveals she's taken up boxing on her Calman Before the Storm tour, and the show swipes energetically at a formidable array of targets"No one says, 'Hic…

SOURCE: The Guardian at 9:06am on February 20, 2017

Two Man Show: our feminist quest to smash the patriarchy by Abbi Greenland and Helen Goalen

Theatre duo RashDash want to talk about masculinity but words keep failing them so they're doing it with the help of a sequinned rock goddessWe are a feminist, female theatre company and we …

SOURCE: The Guardian at 8:07am on February 20, 2017

Plan your week's theatre: top tickets by Lyn Gardner

Dolphins are taught to speak in a clever satire, Theatre 503 presents works by prisoners and Madame Bovary is relocated to a plumbing company " in a play with no actorsSinners Club, at the O…

SOURCE: The Guardian at 2:36am on February 20, 2017

Melbourne White Night: 86-year-old swing dances with his partner " video by Guardian Staff

Kenneth Weeks, 86, and Lyne Luxford, 70, were captured hoofing it off Collins Street in Melbourne, at 2am on a Sunday morning as the city celebrated White Night. Melbourne's fifth White Nigh…

SOURCE: The Guardian at 1:32am on February 20, 2017

Paul Robeson's songs and deeds light the way for the fight against Trump | Jeff Sparrow by Jeff Sparrow

The great American radical showed how ordinary people mattered more than stars " a lesson today's celebrities could do with learningThese are strange times for popular music and politics. On…

SOURCE: The Guardian at 11:18pm on February 19, 2017

Harry Potter and the Cursed Child wins eight prizes at WhatsOnStage awards by Mark Brown Arts Correspondent

Sold-out show wins best new play, best director and three acting prizes, while Billie Piper wins best actress for YermaHarry Potter and the Cursed Child, one of the biggest stage events of r…

SOURCE: The Guardian at 5:48pm on February 19, 2017

Down's syndrome Changing attitudes by Polly Curtis

The life of Daniel Miller perfectly illustrates the change in attitudes to people with Down's syndrome over the past 40 years on both sides of the Atlantic.In the 1960s people with Down's sy…

SOURCE: The Guardian at 4:42pm on February 19, 2017

In the blood by Euan Ferguson

Diana Rigg starred in Hammer's original Theatre of Blood movie in the Seventies. Now her daughter, Rachael Stirling, is reprising the role on stage at the LytteltonHigh on cheese and high on…

SOURCE: The Guardian at 6:54am on February 19, 2017

New Nigerians review " robust satire proves there's power in political outrage by Michael Billington

Arcola, LondonOladipo Agboluaje hits close to home as he shows the darkly comic side of the fight for revolutionary changeDriving home after the play, I caught an item on Radio 4's The World…

SOURCE: The Guardian at 6:54am on February 19, 2017

On my radar: Sam Riley's cultural highlights by Kathryn Bromwich

The Berlin-based actor and star of SS-GB on staying in touch with England through BBC Radio 4, his love for Yorkshire and David Hockney and his weekend retreat on the BalticAfter starting ou…

SOURCE: The Guardian at 5:48am on February 19, 2017

Richard III review " a thoroughly modern game of thrones by Susannah Clapp

Barbican, LondonLars Eidinger is a visceral, manipulative monarch in Thomas Ostermeier's explosive German-language productionThomas Ostermeier has been director of Schaubühne Berlin since 1…

SOURCE: The Guardian at 3:36am on February 19, 2017

Beware of Pity review " found in translation by Susannah Clapp

Barbican, London Simon McBurney's fizzing take on the novel that inspired The Grand Budapest Hotel transcends language barriers… and can still be seen onlineBefore I was a theatre critic I…

SOURCE: The Guardian at 3:36am on February 19, 2017

Anna Rose Holmer, film director: 'Adolescence is a choreography' by Interview By Kathryn Bromwich

The American director on real-life cases of mass psychogenic illness that inspired her debut feature, The FitsThe Fits is the debut feature from American director Anna Rose Holmer. It follow…

SOURCE: The Guardian at 3:36am on February 19, 2017

Imelda Staunton: 'I'm intimidated by following in very big shoes… But I bloody well will' by Rachel Cooke

As she prepares to play Martha, Elizabeth Taylor's role in Who's Afraid of Virginia Woolf?, the actor talks about how she 'ducked and dived' her way to the topUnlike some actors, who carry w…

SOURCE: The Guardian at 3:36am on February 19, 2017

Matthew Bourne's Early Adventures review " fully formed from the off by Luke Jennings

Richmond theatre, LondonWorks from the choreographer's early career show all his trademark wit, originality and eye for detailThe three works comprising Matthew Bourne's Early Adventures wer…

SOURCE: The Guardian at 3:36am on February 19, 2017

Travesties " early Stoppard feels like new by Susannah Clapp

Apollo, LondonTom Hollander proves wonderfully potty in Stoppard's 1974 play, given a startling new lease of life in this age of alternative factsEarly Tom Stoppard plays are having a stage …

SOURCE: The Guardian at 3:36am on February 19, 2017

Everybody's Talking About Jamie review " joyous teen drag musical by Clare Brennan

Crucible, SheffieldThe drama lacks oomph but sheer exuberance carries this coming-of-age tale by Tom MacRae and Dan Gillespie SellsThe school's psychometric test identifies 16-year-old Jamie…

SOURCE: The Guardian at 3:36am on February 19, 2017

Did Daniel Day-Lewis see his father's ghost as Hamlet? That is the question … by Matt Trueman

After famously revealing that he saw his father's ghost when playing Hamlet at London's National Theatre in 1989, Day-Lewis has now denied the claimsDaniel Day-Lewis has put paid to one of t…

SOURCE: The Guardian at 12:18am on February 19, 2017

The last ever Jeffrey Bernard anecdote by Mike Molloy

A of us have our Proust-like moments, when our own version of the Madeleine cake brings us remembrance of things past. For me it was the announcement that this year's Royal Ascot meeting was…

SOURCE: The Guardian at 11:36am on February 18, 2017

Shappi Khorsandi: 'My worst job? Life modelling for a woman who made me recite Shakespeare as I posed' by Rosanna Greenstreet

The comedian and author on memories of Iran, doing things her way and buying her mum a walk-on partBorn in Iran, Shappi Khorsandi, 43, was granted asylum in the UK after her family was force…

SOURCE: The Guardian at 6:54am on February 18, 2017

Company with Stephen Colbert " review by Hadley Freeman

Lincoln Centre, New YorkThe worn-out rag that is reality TV has tarnished the novelty of seeing celebrities reveal, if not talents exactly, then capabilities in unexpected fields. It is now …

SOURCE: The Guardian at 1:18am on February 18, 2017
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