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35,748 stories from The Guardian

Andrew Scott as Hamlet at the Almeida " in pictures by Guardian Staff

Scott, best known as Sherlock's Moriarty, is playing the highest-profile Hamlet since Benedict Cumberbatch took on the role in 2015. Here is an exclusive first look at the production Continu…

SOURCE: The Guardian at 8:18pm on February 27, 2017

Trish Arnold obituary by Jackie Snow

Pioneer of movement training for actorsTrish Arnold, who has died aged 98, was a pioneer of movement training for actors. In 1955, she accepted an offer to teach movement at the London drama…

SOURCE: The Guardian at 2:32pm on February 27, 2017

Rufus Norris: 'We are living in an age of extreme selfishness' by Amelia Gentleman

Shocked by the Brexit vote, the director of the National Theatre embarked on an ambitious countrywide listening project. Rufus Norris explains how everyone from shepherds to shop workers sha…

SOURCE: The Guardian at 8:03am on February 27, 2017

Plan your week's theatre: top tickets by Lyn Gardner

The National Theatre's My Country delivers a verbatim verdict on Brexit and Duncan Macmillan adapts Auster's City of Glass in ManchesterLittle Bulb's all-singing Wail, which is about whales …

SOURCE: The Guardian at 2:32am on February 27, 2017

Tarell Alvin McCraney: 'I didn't know what "faggot" meant. I found out quickly' by Tom Lamont

Tarell Alvin McCraney's plays have seen him feted here and in America. And now he's turning his writer's eye on London lifeIn a room on the top floor of a rehearsal studio in south London, w…

SOURCE: The Guardian at 12:32am on February 27, 2017

American Idiot review " Green Day's rock opera premieres in Australia with a Trumpian twist by Cassie Tongue

Playhouse, QPACLead singers of Grinspoon and the Living End share a role in the 90-minute thrill ride through protest-punk and rock'n'roll despairWhen young dirtbag punk trio Green Day signe…

SOURCE: The Guardian at 10:12pm on February 26, 2017

Speech and Debate review " tech-savvy kids battle with a phoney adult world by Michael Billington

Trafalgar Studios, LondonPatsy Ferran shines in Stephen Karam's shapeshifting off-Broadway hit about teenage dilemmas and predatory adults set around a school rhetoric contestFirst seen off-…

SOURCE: The Guardian at 10:12am on February 26, 2017

Seann Walsh review " enjoyable riffs on crumbs and courgetti by Brian Logan

Theatre Royal, Brighton Walsh wears his comic curmudgeonliness well as he rebels against sober maturity, clean eating, Tinder, vapes and smartphonesProfessional curmudgeon is a familiar stan…

SOURCE: The Guardian at 9:06am on February 26, 2017

A Midsummer Night's Dream review " a dark and muddy vision by Susannah Clapp

Young Vic, LondonIt's all mire, ire and menace in Joe Hill-Gibbins's heavy-going productionMud sticks. The most immediately striking feature of Joe Hill-Gibbins's staging of A Midsummer Nigh…

SOURCE: The Guardian at 3:42am on February 26, 2017

Othello review " sheer force of feeling by Susannah Clapp

Tobacco Factory, BristolPowerful performances from fine young actors bring fresh power to this sensual, subtle reinventionRichard Twyman is not resident at the Tobacco Factory. Yet his marve…

SOURCE: The Guardian at 3:42am on February 26, 2017

Observer/Anthony Burgess runner-up: Shostakovich's The Nose, Royal Opera by Giles Masters by Giles Masters

In this essay, one of two runners-up in the Observer/Anthony Burgess prize, Masters conveys the absurdity of this modernist piece of Russian theatre' The winning review: Susan Sheahan on Evg…

SOURCE: The Guardian at 3:42am on February 26, 2017

Danza Contemporánea de Cuba review " hot and horny in Havana by Luke Jennings

Barbican, LondonSensuality, isolation and identity are explored in three stellar works by this joyous Cuban troupeThere can be few dance companies in the world as handsome and accomplished a…

SOURCE: The Guardian at 3:42am on February 26, 2017

Fiddler on the Roof review " imaginative and otherworldly by Clare Brennan

Everyman, LiverpoolThe classic musical about village custom and community is the perfect choice to launch artistic director Gemma Bodinetz's new repertory ensembleThe bare stage looks simple…

SOURCE: The Guardian at 3:42am on February 26, 2017

Twelfth Night review " on high gend by Susannah Clapp

Olivier, LondonTamsin Greig is a magnetic Malvolia in an extravagant production that gleefully refocuses Shakespeare's comedyShe is a 21st-century puritan: her religion is herself; her body …

SOURCE: The Guardian at 3:42am on February 26, 2017

Jodie Kidd brings story of love and slavery to the London stage by Vanessa Thorpe

Supermodel's family revive operetta based on 17th-century story of American Indian slaveThe "true and exact history" of Yarico, a 17th-century female slave, goes to the core of the shame of …

SOURCE: The Guardian at 11:32pm on February 25, 2017

Eric Idle's The Owl and the Pussycat review " a Python primer for kids by Alfred Hickling

Belgrade theatre, CoventryThis musical adaptation of Idle's take on Edward Lear's much-loved poem is a hummable defence of the spirit nonsenseMy nine-year-old goddaughter, Maya, has a questi…

SOURCE: The Guardian at 6:06am on February 25, 2017

Rob Delaney: 'If I'm not feeling funny about something, that's fine' by Simon Hattenstone

He made his name as the funniest person on Twitter. But can the Catastrophe writer and star make light of dark times?Catastrophe: noun; an event causing great and usually sudden damage or su…

SOURCE: The Guardian at 4:03am on February 25, 2017

Cush Jumbo: 'No matter how successful you are, there is always the question " what next?' by Interview By Kate Kellaway

The British actor on her New York debut in her solo show as Josephine Baker, dealing with racism, and the importance of seizing the momentWhat made you decide to become an actor?I didn't eve…

SOURCE: The Guardian at 12:48am on February 25, 2017

Danza Contemporánea de Cuba review " a fierce call for revolution by Judith Mackrell

Barbican, London The company's three works explore hothouse machismo, private headspace and colliding forces in Cuban society with power and urgencyIs Cuba finally about to emerge from decad…

SOURCE: The Guardian at 11:48am on February 24, 2017

A Midsummer Night's Dream review " a nightmare of rage and chaos by Michael Billington

Young Vic, London Simmering hatred, lust and violence are never far away in a disturbing production that delves deep into the collective unconsciousRomantic Victorian versions of Shakespeare…

SOURCE: The Guardian at 10:36am on February 24, 2017

Seann Walsh: 'I wrote a line for The Thick Of It " it's probably my proudest moment' by Rachel Aroesti

The fun-loving standup and panel show regular on the things that make him laugh the most, from Partridge to sausageThe Thick Of It. "Wake up and smell the cock," is one of the best lines eve…

SOURCE: The Guardian at 8:24am on February 24, 2017

RIP Richard Briers, Hynes's new sitcom and Gervais and Cleese " oops by Brian Logan

Also this week, Ronnie Corbett couldn't make it in comedy now, Billy Connolly smoked the Bible and Marmite man Judd ApatowIn the week we lost Richard Briers, one of the all-time TV comedy gr…

SOURCE: The Guardian at 7:18am on February 24, 2017

Ricky Gervais review " ruthless, self-revealing show is his best yet by Brian Logan

Colston Hall, BristolGervais's new set, Humanity, is pumped with scorn and provocation but the inclusion of more personal material gives a rare glimpse of a gentler man In his new standup sh…

SOURCE: The Guardian at 7:18am on February 24, 2017

'No one has bigger dreams': the Hollywood gamble of Robert Evans by Ryan Gilbey

With The Godfather and Chinatown, Robert Evans revolutionised the movie industry. Now, Simon McBurney is staging the mogul's scandalous memoir, The Kid Stays in the Picture. They talk about …

SOURCE: The Guardian at 7:18am on February 24, 2017

Nell Gwynn and Ballet Black: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

Christopher Luscombe's frisky production tackles male domination of the stage, while a new mixed bill at the Barbican features Annabelle Lopez Ochoa1 The Pitchfork DisneyExhilarating, tense …

SOURCE: The Guardian at 6:12am on February 24, 2017
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