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3,495 stories from The Arts Desk

Dramatic Exchanges review - a brilliant slice of theatre history by Marina.vaizey

A rich epistolary stage biography, 'The Lives and Letters of the National Theatre'Dramatic Exchanges is a dazzling array of correspondence, stretching over more than a century, between …

SOURCE: The Arts Desk at 12:04am on November 11, 2018

The Hoes, Hampstead Theatre review - sex and drink and grime by Aleks.sierz

Girls just wanna have fun in the sun - smart, funny but slender debut playBecause of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now has a much stronger…

SOURCE: The Arts Desk at 6:33pm on November 9, 2018

Don Quixote, Garrick Theatre review - riotous revival of Cervantes' much-loved chivalric tale by Heather Neill

RSC transfer presents a crowd-pleasing mix of metatheatrical comedy and music with, ultimately, a touch of melancholy Don Quixote and his paunchy sidekick long ago escaped the pages of Migue…

SOURCE: The Arts Desk at 9:36pm on November 8, 2018

Romeo and Juliet, Barbican review - plenty of action but not enough words by Alexandra.coghlan

Erica Whyman's RSC production finds youthful energy but not clarityIt's clear from the start " from a Prologue that quickly dissolves familiar rhythms and words into a Babel of clamour …

SOURCE: The Arts Desk at 6:12am on November 7, 2018

Don Quixote rides again, and again by Jasper Rees

The RSC's stage version reaches the West End, while Terry Gilliam's film is stuck in a legal vortexIt's a story of a mad old man who imagines himself to be a knight errant. On his …

SOURCE: The Arts Desk at 5:06am on November 7, 2018

White Teeth, Kiln Theatre review - tuneless hymn to Kilburn High Road by Aleks.sierz

Imaginative adaptation of Zadie Smith's 2000 classic let down by unnecessary musicYou can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith's classi…

SOURCE: The Arts Desk at 8:18pm on November 6, 2018

Still No Idea, Royal Court review - spiky, funny, and politically pointed by Matt Wolf

Disability-themed two-hander suggests that little has changed in eight years To the recent spate of shows that put their own narrative-building first, we can now add Still No Idea, with the …

SOURCE: The Arts Desk at 1:36am on November 6, 2018

Honour, Park Theatre review - an assault on complacency by Rachel Halliburton

This scalpel-sharp drama anatomises marital breakdown with cold-eyed clarityAdultery seldom looks less adult than in the form of the mild-life crisis " that much-satirised condition in which…

SOURCE: The Arts Desk at 4:24am on November 2, 2018

Ear for Eye, Royal Court review - powerful and passionate anti-racism by Aleks.sierz

New epic compares the experience of black people in the US and the UKTwo countries; two histories. Being black in the US; being black in the UK. Compare and contrast. Which is exactly what d…

SOURCE: The Arts Desk at 7:32pm on November 1, 2018

I and You, Hampstead Theatre review - Young Adult drama packs emotional punch by Veronica Lee

Two-hander with a Walt Whitman poem and a clever twistHere's a good pub quiz question: after Shakespeare, who was the most performed playwright in America last year? Arthur Miller? Tennessee…

SOURCE: The Arts Desk at 9:06pm on October 29, 2018

theartsdesk Q&A: Theatre Producer Elyse Dodgson by James.woodall

ELYSE DODGSON RIP The unsung heroine of new theatre in translation talks about her unique careerRemembering the unsung heroine of new theatre in translation, who has died aged 73 The Royal C…

SOURCE: The Arts Desk at 4:42pm on October 25, 2018

The Wild Duck, Almeida Theatre review - meta, merciless and altogether brilliant by Matt Wolf

Robert Icke reaches a new career plateau with his Ibsen adaptation Beware the smile that Edward Hogg wears like a shield in the opening scenes of The Wild Duck, the Ibsen play refashioned in…

SOURCE: The Arts Desk at 9:12pm on October 24, 2018

A Very Very Very Dark Matter, Bridge Theatre review - black comedy falls flat by Aleks.sierz

Martin McDonagh's latest is poorly written and lacking in imagination It's all in the title, isn't it? Martin McDonagh's surreal new play comes with a warning that not only screams its …

SOURCE: The Arts Desk at 5:54pm on October 24, 2018

Macbeth, RSC, Barbican review - tense but flawed take on Shakespeare's blood-boltered tragedy by Heather Neill

Horror flick echoes fail to meet all the play's challengesIt has been said before: Macbeth's reputation for bad luck has more to do with the difficulty of bringing off a successful prod…

SOURCE: The Arts Desk at 9:06pm on October 23, 2018

Wise Children, Old Vic review - Emma Rice in fun if not quite top-flight form by Matt Wolf

Angela Carter adaptation strains to sustain its high spirits"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed b…

SOURCE: The Arts Desk at 10:06am on October 19, 2018

A Guide For The Homesick, Trafalgar Studios review - warmy funny and deeply moving by Rachel Halliburton

Ken Urban's play is a psychological thriller crossed with a love storyThis blisteringly intense evening at Trafalgar Studios begins with two strangers in an Amsterdam hotel bedroom and …

SOURCE: The Arts Desk at 3:36am on October 19, 2018

Company, Gielgud Theatre review - here's to a sensational musical rebirth by Marianka Swain

Marianne Elliott's gender-swapped Sondheim is a revelationThe most thrilling revivals interrogate a classic work, while revealing its fundamental soul anew. Marianne Elliott's female…

SOURCE: The Arts Desk at 6:48pm on October 17, 2018

Stories, National Theatre review - comic conception capers by Aleks.sierz

Nina Raine's follow-up to her very big hit Consent is often funny but rarely deepIn 2017, playwright Nina Raine's Consent, an excellent National Theatre play about lawyers and rape vict…

SOURCE: The Arts Desk at 6:48pm on October 17, 2018

Measure for Measure, Donmar Warehouse review - Shakespeare twice-over packs a partial sting by Matt Wolf

Shakespeare at the Donmar, in double visionShakespeare exists to be refracted and filtered through the age in which he is presented. So there's every good reason for the Donmar's artistic di…

SOURCE: The Arts Desk at 8:48am on October 16, 2018

The Inheritance, Noël Coward Theatre review - tangled knot of gay fairy-tale and reality by David Nice

A virtuoso ensemble justifies this youthful baggy monster's West End transferIts roots are in truth: 15-year-old Matthew Lopez saw the film, then read the book, of Howards End and 11 ye…

SOURCE: The Arts Desk at 8:42pm on October 14, 2018

Parents' Evening, Jermyn Street Theatre - chemistry so negligible it's antiseptic by Rachel Halliburton

A disappointing portrait of middle-class hypocrisyThe playwright Bathsheba Doran has blazed a stellar trail ever since graduating from Cambridge at the same time as David Mitchell and Robert…

SOURCE: The Arts Desk at 4:18am on October 11, 2018

The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to art by Matt Wolf

Florian Zeller puzzle-play benefits from two potent starsIf you're going to write a play that traffics in bafflement, it's not a bad idea to have on hand one of the most beady-eyed actresses…

SOURCE: The Arts Desk at 7:32pm on October 10, 2018

I'm Not Running, National Theatre review - puzzling political drama by Aleks.sierz

David Hare's latest is set in an alternative reality that is more 2008 than 2018Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to be reinvigor…

SOURCE: The Arts Desk at 7:18pm on October 9, 2018

Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return home by Matt Wolf

Shakespeare sings in buoyant if sometimes strenuous UK premiere What better way to celebrate a homecoming than with a party? That is the capacious-hearted thinking behind this new musical ve…

SOURCE: The Arts Desk at 7:18am on October 9, 2018

The Sweet Science of Bruising, Southwark Playhouse review - boxing clever by Aleks.sierz

Victorian pugilistic drama: thoroughly heartfelt, highly original and completely timelyThere are not that many plays about sport, but, whether you gamble on results or not, you can bet that …

SOURCE: The Arts Desk at 5:04am on October 6, 2018
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