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35,747 stories from The Guardian

Sia brings a mother and son together at Glasgow's startling new festival by Lyn Gardner

The Ballad of the Apathetic Son and his Narcissistic Mother stands out at a new celebration of performance, alongside a powerful take on black masculinityIn 21cc's show The Ballad of the Apa…

SOURCE: The Guardian at 11:32am on March 2, 2017

Ugly Lies the Bone review " war veteran faces her demons in virtual reality rehab by Brian Logan

Lyttelton, LondonKate Fleetwood plays an American soldier returning home from a tour of duty in a striking, hi-tech production directed by Indhu RubasinghamWe know virtual reality is changin…

SOURCE: The Guardian at 11:32am on March 2, 2017

Roderick Ham obituary by Tim Foster

The theatre architect Roderick Ham, who has died aged 91, played an important role in the development of British theatre design in the postwar years. He was also one of the nicest men you co…

SOURCE: The Guardian at 10:24am on March 2, 2017

Matthew Bourne's protege James Cousins on his dance with Shakespeare by Judith Mackrell

His debut show featured a duet in which a dancer never touched the ground. Now, James Cousins is staging his most ambitious piece yet, a modern take on As You Like It set in Seoul and inspir…

SOURCE: The Guardian at 7:24am on March 2, 2017

The Hypocrite review " Richard Bean's raucous comedy does Hull proud by Michael Billington

Hull Truck theatre, HullStaged for Hull's year as UK City of Culture, this One Man, Two Guvnors-style farce is a merry take on local historyThe road to Hull, they say, is paved with good int…

SOURCE: The Guardian at 7:24am on March 2, 2017

Richard III: to make Shakespeare feminist, you need more than just a woman in the lead | Cassie Tongue by Cassie Tongue

Kate Mulvany is astonishing in the title role of Bell Shakespeare's latest Richard III, but that doesn't make it politically radicalRichard III, Shakespeare's tragi-history about a tyrant's …

SOURCE: The Guardian at 2:42am on March 2, 2017

Hate Thy Neighbor's Jamali Maddix: a crude, cartoonish, straight-up standup by Brian Logan

The comic who presented a TV series on the rise of the far right is back with a show that combines goofballery with cultural commentaryDid you see Hate Thy Neighbor on Viceland TV? A sizeabl…

SOURCE: The Guardian at 2:42am on March 2, 2017

Riverbank Palais: Adelaide festival gets decadent with floating 1920s dance hall by Max Opray

Modern incarnation of the 'Taj Mahal of the Torrens' will serve as festival's hub and have entertainment co-directed by Neil Armfield and Rachel HealyDo South Australia's flappers still have…

SOURCE: The Guardian at 12:32am on March 2, 2017

Leaving review " unique view of care-home teens stepping into adulthood by Alfred Hickling

Northern Stage, Newcastle upon TyneThis moving verbatim piece about young people in care shows playwright Paddy Campbell's fine ear for absurdity Paddy Campbell's first plays, Wet House and …

SOURCE: The Guardian at 3:42pm on March 1, 2017

La Strada review " Fellini's ragtag circus comes to the stage by Michael Billington

Richmond theatre, LondonSally Cookson directs a fine ensemble in a witty and inventive high-wire production with a modern edgeThe last attempt to stage Fellini's Oscar-winning 1954 movie had…

SOURCE: The Guardian at 9:12am on March 1, 2017

Orpheus beneath a bridge, Macbeth in a cave: theatre's ever stranger locations by Lyn Gardner

A chamber below Clifton suspension bridge in Bristol is hosting a new version of Orpheus and Eurydice. When does a bold new setting become a gimmick?We knock on the red door. A bell rings. T…

SOURCE: The Guardian at 9:12am on March 1, 2017

Ancient Greek tragedy Oresteia receives surprise West End transfer by Charlotte Higgins

Robert Icke's production of trilogy by Aeschylus is to open at Trafalgar Studios after causing a sensation with audiences who were gripped by its family dramaThe Oresteia " three hours and 4…

SOURCE: The Guardian at 7:12am on March 1, 2017

Hull revealed as hotbed of dance talent as Royal Ballet comes to town by Mark Brown Arts Correspondent

Company to make its first appearance in Hull for 30 years in September as part of city of culture celebrations A previously little-known reputation for Hull as a powerhouse for producing bal…

SOURCE: The Guardian at 5:54am on March 1, 2017

Woman overboard! Hull unveils its spectacular floating city show by Andrew Dickson

The City of Culture is hitting the waves for Flood, its wildly ambitious flagship show " and even the boat gets a stunt doubleIn a quiet corner of Whitby harbour, Alan Lane, artistic directo…

SOURCE: The Guardian at 2:42am on March 1, 2017

Kenny Ireland obituary by Anthony Hayward

Stage and screen actor who brought laughs to the ITV sitcom BenidormThe actor Kenny Ireland, who has died of cancer aged 68, crowned a long career on stage and screen by playing the outrageo…

SOURCE: The Guardian at 9:12pm on February 28, 2017

Sarah Kendall: the worst heckle I ever received " and what I did with it by Sarah Kendall

After I was threatened with sexual violence at a gig, I built a routine around it " but looking back, I betrayed the seriousness of the incident' James Acaster: 'Normal people perv solo'' Ph…

SOURCE: The Guardian at 9:12pm on February 28, 2017

Hamlet review " Andrew Scott is a charming prince in a chic yet dotty show by Michael Billington

Almeida, LondonRobert Icke's staging of Shakespeare's tragedy has fine performances and highly intelligent touches but some of its ideas are eccentrically wrong-headedBy a strange irony Andr…

SOURCE: The Guardian at 8:06pm on February 28, 2017

James Walker obituary by Sandra Chalton

My husband, James Walker, who has died aged 76, was a dedicated actor whose 40 years of working in the professional theatre took him all over the world.His career highlights included a seaso…

SOURCE: The Guardian at 1:36pm on February 28, 2017

Ashes review " an honest look at a couple's failure to conceive by Alfred Hickling

Octagon, BoltonDavid Thacker revives David Rudkin's rarely performed 1970s play about an infertile Ulsterman and his English wifeDavid Rudkin is a major figure in postwar British theatre who…

SOURCE: The Guardian at 12:36pm on February 28, 2017

Killer review " Philip Ridley drags us into the dark with a fearsome, funny trio by Corrie Tan

Shoreditch Town Hall, LondonJohn MacMillan performs unsettling, bleakly humorous monologues for audiences who are herded through this venue's claustrophobic depthsJohn MacMillan has crawled …

SOURCE: The Guardian at 9:12am on February 28, 2017

Lucy Ellinson: 'Drone pilots are pretty bored a lot of the time' by Laura Barnett

The performer and theatre-maker stars in George Brant's Grounded, which portrays war as soul-crushing shift workFor the past few months, Lucy Ellinson has been living inside the mind of an A…

SOURCE: The Guardian at 7:04am on February 28, 2017

'Harder, faster, louder': how drone-pilot drama Grounded shook the world by Matt Trueman

George Brant's electric monologue Grounded was one of the first plays to explore a new form of war. The playwright, actor Lucy Ellinson and director Christopher Haydon recall creating a frin…

SOURCE: The Guardian at 5:54am on February 28, 2017

Betroffenheit review " trauma and grief shape a startling, disturbing performance by Stephanie Convery

How do you come to terms with unspeakable tragedy? For Jonathan Young, who lost three young family members in a fire, one answer is through movement How does the mind respond to a traumatic …

SOURCE: The Guardian at 1:06am on February 28, 2017

Tribal dance festival gives Indians sense of belonging " archive. 28 Feb 1959 by Taya Zinkin

28 February 1959: Dances vary, but there is a real thread of similarity which runs through folk dances the world over"Just think of it. For the past nine years that I have been on the select…

SOURCE: The Guardian at 1:06am on February 28, 2017

Andrew Scott as Hamlet at the Almeida " in pictures by Guardian Staff

Scott, best known as Sherlock's Moriarty, is playing the highest-profile Hamlet since Benedict Cumberbatch took on the role in 2015. Here is an exclusive first look at the production Continu…

SOURCE: The Guardian at 8:18pm on February 27, 2017
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