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35,747 stories from The Guardian

Imelda Staunton is right: eating in your seat is a crime against theatre by Michael Billington

Audiences have been asked not to consume food at a new show. Theatre is a collective act of concentration " it's spoiled by constant chomping and slurpingHallelujah! Imelda Staunton has had …

SOURCE: The Guardian at 6:12am on March 6, 2017

How a German prison is using theatre to de-radicalise young Isis volunteers " video by Jess Gormley and Alex Healey

In the juvenile prison of Wiesbaden in Germany there are more than 300 inmates, including returning Isis fighters from Syria. A pilot project by the German government seeks to reintegrate in…

SOURCE: The Guardian at 5:06am on March 6, 2017

Plan your week's theatre: top tickets by Lyn Gardner

David Greig's astounding Aeschylus rewrite reaches Manchester, while An American in Paris comes to the West End and the Menier Chocolate Factory revives RattiganThe Tony award-winning musica…

SOURCE: The Guardian at 2:54am on March 6, 2017

Ballet Black review " edgy, visceral elegance and fairytale fun by Judith Mackrell

Barbican, LondonThis eclectic triple bill draws inspiration from Debussy and Shostakovich before concluding with a riotous rendering of Little Red Riding HoodThere are so many shining ways i…

SOURCE: The Guardian at 9:32am on March 5, 2017

The Hypocrite review " hard-work humour from Richard Bean by Susannah Clapp

Hull Truck theatre, HullMark Addy and Caroline Quentin star in Richard Bean's gag-heavy satirical tale of a 17th-century city governor navigating the outbreak of civil warThere is exemplary …

SOURCE: The Guardian at 4:12am on March 5, 2017

Meeting and Vestige review " Wayne Parsons makes his mark by Luke Jennings

Rich Mix, LondonParsons proves himself a distinctive narrative voice with his compelling new work about a fictional celebrityWayne Parsons is a familiar figure on the UK contemporary dance s…

SOURCE: The Guardian at 4:12am on March 5, 2017

Ashes review " fiercely intelligent fertility drama by Clare Brennan

Octagon, BoltonDavid Rudkin's 1972 play about an infertile couple is revived to intimate, funny and touching effectCiaran Bagnall's set is starkly impersonal in its shiny whiteness and sculp…

SOURCE: The Guardian at 4:12am on March 5, 2017

Julie Cunningham: 'The traditional duet always has the woman reliant on the man. I'm sick of it' by Interview By Luke Jennings

The dancer turned choreographer on gender, her new company, and the highs and lows of working with Merce CunninghamIn September 2016, Julie Cunningham became the first recipient of the Lever…

SOURCE: The Guardian at 4:12am on March 5, 2017

Hamlet review " Andrew Scott is a truly sweet prince by Susannah Clapp

Almeida, LondonScott brings total empathy to the title role in Robert Icke's inspired production Robert Icke is one of the most important forces in today's theatre. He blew the dust from Ore…

SOURCE: The Guardian at 4:12am on March 5, 2017

Misty Copeland attains American Ballet Theater's highest rank in historic first by Lauren Gambino In New York

Copeland becomes first African American woman to be named company's principal dancer in defiance of personal injuries and institutional standardsAmerican ballerina Misty Copeland has made hi…

SOURCE: The Guardian at 3:06am on March 5, 2017

Misty Copeland: dancing into history by Aaron Hicklin

She was caught between her impoverished mother and the ballet mistress who offered her a way out. Aaron Hicklin meets Misty Copeland, the first black principal at the American Ballet Theatre…

SOURCE: The Guardian at 2:04am on March 5, 2017

Snow in Midsummer review " restless spirit seeks revenge in Chinese classic by Michael Billington

Swan, Stratford-upon-AvonThe ghost of a wronged widow hovers over a modern industrial town in the RSC's intriguing update of a 13th-century playThis is a genuine curiosity. As part of its mi…

SOURCE: The Guardian at 7:32am on March 4, 2017

Amédée review " Josie Lawrence and Trevor Fox take corpsing to another level by Alfred Hickling

Birmingham Rep A dysfunctional couple do battle with a body in their bedroom in Sean Foley's off-kilter adaptation of Ionesco's comedyAmong Eugène Ionesco's full-length absurdist dramas, Th…

SOURCE: The Guardian at 5:18am on March 4, 2017

Seventeen going on 70: the play that connects the generations by Joanna Moorhead

A new play aims to show teenagers and people in their 70s how similar they are. Joanna Moorhead talks to the director and cast about crossing the generational divideMichael Feast and Roger S…

SOURCE: The Guardian at 2:32am on March 4, 2017

Paddie O'Neil obituary by Anthony Hayward

Versatile entertainer and Mrs Alfred MarksThe actor and singer Paddie O'Neil, who has died aged 83, was best known for many stage and screen appearances with her husband, Alfred Marks, but s…

SOURCE: The Guardian at 4:18pm on March 3, 2017

Plastic review " sneaky middle-class satire makes audience squirm by Lyn Gardner

Ustinov Studio, BathMarius von Mayenburg skewers pretensions and hypocrisies with this study of a self-involved familyNobody likes doing the chores. But Ulrike (Charlotte Randle) and Michael…

SOURCE: The Guardian at 9:54am on March 3, 2017

Russell Kane: 'The funniest heckle I've ever had? Nick Grimshaw!' by Rachel Aroesti

The flamboyant standup on the things that make him laugh the most, from cult books and Tim Vine to reindeer's blood pancakes"Fuck off Nick Grimshaw". Wherever I go, people angrily insist tha…

SOURCE: The Guardian at 8:48am on March 3, 2017

Junkyard review " Jack Thorne's joyful musical for school misfits by Lyn Gardner

Thorne, composer Stephen Warbeck, director Jeremy Herrin and a fantastic ensemble deliver a show that celebrates young people's sense of adventureFiz, Ginger, Tilly and the others aren't eve…

SOURCE: The Guardian at 7:42am on March 3, 2017

Stepmother/Stepfather review " dare you enter Arthur Pita's chamber of horrors? by Judith Mackrell

The Place, London With its violent seesaws between darkness and tender insight, Pita's macabre cabaret confirms the choreographer as one of his generation's leading storytellersWith his rece…

SOURCE: The Guardian at 7:42am on March 3, 2017

Much Ado About Nothing, Tree Of Codes: this week's best UK theatre and dance by Lyn Gardner & Judith Mackrell

Christopher Luscombe's 20th-century take on Shakespeare lights up the theatre world, while Wayne McGregor, Olafur Eliasson and Jamie xx team up for a balletMuch Ado About Nothing Continue re…

SOURCE: The Guardian at 6:36am on March 3, 2017

Ruth Wilson webchat " post your questions now by Guardian Staff

The star of The Affair and Hedda Gabler is joining us to answer your questions in a live webchat at 1pm on Tuesday 7 March 4.58pm GMT Since her Bafta-nominated breakthrough as Jane Eyre in 2…

SOURCE: The Guardian at 6:36am on March 3, 2017

Adelaide festival opens with spectacular outdoor restaging of The Secret River by Steph Harmon

From the towering stone backdrop to the flitting dragonflies at sunset, the tragic story of European invasion is heightened by the elements The abandoned Anstey Hill quarry is one of several…

SOURCE: The Guardian at 10:24pm on March 2, 2017

Sweeney Todd review: 'All meat and no gristle' by Lyn Gardner

Harrington's Pie and Mash Shop, LondonThis clever pie-shop staging of Sondheim's musical walks the tightrope between grisly and comic in its tiny chamber of horrorsWho knows if Harrington's …

SOURCE: The Guardian at 5:04pm on March 2, 2017

Sweeney Todd show cooked up in Tooting pie shop is hit in New York by Esther Addley

Production first staged in south London venue has won over US critics after transferring to a theatre off Broadway It began with a brief run in a south London pie and mash shop, with the pro…

SOURCE: The Guardian at 3:48pm on March 2, 2017

Mark Colvin's Kidney review " despite strong performances, play never quite satisfies by Clarissa Sebag-montefiore

Though it has a storyline you couldn't make up, this play about a transplant and friendship has a jumpy and unfocused frameworkOn opening night of Mark Colvin's Kidney " in a tense, funny sc…

SOURCE: The Guardian at 2:42pm on March 2, 2017
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