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35,741 stories from The Guardian

To eat, or not to eat? That is the question | Letters by Letters

Suzanne Moore (Public eating is fraught, 2 March) writes on Imelda Staunton's plea for those coming to Who's Afraid of Virginia Woolf at London's Harold Pinter theatre to desist from ea…

SOURCE: The Guardian at 3:06pm on March 8, 2017

Shut down but not silenced: Isis play Homegrown demands to be staged by Lyn Gardner

Cancelled in 2015, a play about the radicalisation of young Muslims has now been published. It's challenging, gloriously authentic and prompts grownup debate. So who is brave enough to put i…

SOURCE: The Guardian at 9:42am on March 8, 2017

Maggie Lunn obituary by Richard Eyre

Leading casting director who helped to launch actors such as David Oyelowo and Benedict CumberbatchMaggie Lunn, who has died of cancer aged 56, was a leading casting director, at various tim…

SOURCE: The Guardian at 8:32am on March 8, 2017

Gemma Arterton webchat " as it happened by Guardian Staff

The British actor, currently starring in Nell Gwynn in the West End, joined us live to answer your questions about where Alice Creed might have gone, how to make the perfect risotto and whet…

SOURCE: The Guardian at 7:24am on March 8, 2017

Privacy review " Taut drama short-circuits the crucial debate by Michael Billington

Donmar Warehouse, LondonJames Graham's new play under the direction of Josie Rourke is rich and adrenaline-fuelled but lacks a real intellectual tussle' Ewan MacAskill: Fear, then relief, at…

SOURCE: The Guardian at 4:06am on March 8, 2017

Et tu, Trump? Political cartoons inspired by Shakespeare " in pictures by Guardian Staff

The RSC's exhibition Draw New Mischief shows how, for 250 years, political cartoonists have taken inspiration from Shakespeare's plays. Curator David Francis Taylor introduces a selection of…

SOURCE: The Guardian at 4:06am on March 8, 2017

My Bob Marley musical: Kwame Kwei-Armah on his reggae emancipation by Amy Fleming

One Love tells the story of Bob Marley fleeing Jamaica after an assassination attempt and finding new inspiration in a Britain embracing punk. Our writer meets its creator at last-minute reh…

SOURCE: The Guardian at 2:54am on March 8, 2017

Marianne Faithfull at the Royal Court " archive, 8 March 1967 by Terry Coleman, Our Arts Correspondent

8 March 1967: The singer says she wanted to come into the theatre three years ago but her pop manager wouldn't let herAll at once the English theatre has gained a new daughter, and a new son…

SOURCE: The Guardian at 12:48am on March 8, 2017

Rosencrantz and Guildenstern Are Dead review " Daniel Radcliffe returns in Stoppard classic by Michael Billington

Old Vic, LondonActor perfectly matched in nimble high-wire act that is still spritely " but gains heft from its awareness of death The play's the thing. Fifty years after its professional pr…

SOURCE: The Guardian at 8:24pm on March 7, 2017

From Bob Newhart to Chris Rock: 10 standup comedy milestones by Elise Czajkowski

As Netflix invest in Amy Schumer, Chris Rock and Jerry Seinfeld, what have been the most important comedy specials on stage?2017 is set to be a big year in standup specials for Netflix " Amy…

SOURCE: The Guardian at 12:48pm on March 7, 2017

a profoundly affectionate ... review " couples' rows are painful to watch by Michael Billington

Royal Court Theatre Upstairs, LondonMeera Syal stars in debbie tucker green's play about intimate relationships which is given a perverse staging that leaves you with a crick in the neckAs t…

SOURCE: The Guardian at 8:32am on March 7, 2017

Othello review " brutal, candlelit tragedy in a man's world by Lyn Gardner

Sam Wanamaker Playhouse, LondonEllen McDougall's claustrophobic staging of Shakespeare's tragedy has moments that make you see the play afreshIn director Ellen McDougall's Othello, Desdemona…

SOURCE: The Guardian at 2:54am on March 7, 2017

Chimerica review " electrifying thriller traverses Tiananmen Square and modern New York by Clarissa Sebag-montefiore

Roslyn Packer Theatre, Sydney Theatre Company People power drives new energy into Australian premiere of Lucy Kirkwood's drama exploring US-China relations and the famous 'Tank Man' photogra…

SOURCE: The Guardian at 9:42pm on March 6, 2017

Lyric Hammersmith's courtroom drama Terror will let audience be jury by Mark Brown Arts Correspondent

London theatregoers will decide the guilt or innocence of air force pilot who shoots down passenger jet hijacked by terroristsA play that asks the audience to decide the guilt or innocence o…

SOURCE: The Guardian at 7:18pm on March 6, 2017

Andrew Hunter Murray review " a fun-filled, pub quiz comedy by Brian Logan

Soho theatre, LondonThe Austentatious comedian divides the audience into competing teams in this frivolous, sometimes surreal and very likable showThe improv group Austentatious has become q…

SOURCE: The Guardian at 11:42am on March 6, 2017

Rosencrantz and Guildenstern Are Dead " review by Michael Billington

Chichester Festival TheatreTrevor Nunn's fine production of Tom Stoppard's 1966 play begins with a striking image: the two heroes seen against the stark background of a leafless tree. The Be…

SOURCE: The Guardian at 9:32am on March 6, 2017

Harry Potter and the Cursed Child breaks Olivier nominations record by Mark Brown Arts Correspondent

Show's 11 nominations including best actor are most for a new play, while Groundhog Day dominates musical categories Olivier awards 2017: the full list of nominationsHarry Potter and the Cur…

SOURCE: The Guardian at 8:24am on March 6, 2017

Olivier awards 2017: full list of nominations by Guardian Staff

Harry Potter and the Cursed Child leads the contenders for this year's Olivier awards " here are the nominees in full' Harry Potter and the Cursed Child breaks Olivier nominations recordBest…

SOURCE: The Guardian at 8:24am on March 6, 2017

Daniel Radcliffe in Rosencrantz and Guildenstern Are Dead " in pictures by Guardian Staff

Daniel Radcliffe is back on stage in London in Rosencrantz and Guildenstern Are Dead, Tom Stoppard's sideways look at Hamlet, which returns to the Old Vic 50 years after it was first staged …

SOURCE: The Guardian at 7:18am on March 6, 2017

Imelda Staunton is right: eating in your seat is a crime against theatre by Michael Billington

Audiences have been asked not to consume food at a new show. Theatre is a collective act of concentration " it's spoiled by constant chomping and slurpingHallelujah! Imelda Staunton has had …

SOURCE: The Guardian at 6:12am on March 6, 2017

How a German prison is using theatre to de-radicalise young Isis volunteers " video by Jess Gormley and Alex Healey

In the juvenile prison of Wiesbaden in Germany there are more than 300 inmates, including returning Isis fighters from Syria. A pilot project by the German government seeks to reintegrate in…

SOURCE: The Guardian at 5:06am on March 6, 2017

Plan your week's theatre: top tickets by Lyn Gardner

David Greig's astounding Aeschylus rewrite reaches Manchester, while An American in Paris comes to the West End and the Menier Chocolate Factory revives RattiganThe Tony award-winning musica…

SOURCE: The Guardian at 2:54am on March 6, 2017

Ballet Black review " edgy, visceral elegance and fairytale fun by Judith Mackrell

Barbican, LondonThis eclectic triple bill draws inspiration from Debussy and Shostakovich before concluding with a riotous rendering of Little Red Riding HoodThere are so many shining ways i…

SOURCE: The Guardian at 9:32am on March 5, 2017

The Hypocrite review " hard-work humour from Richard Bean by Susannah Clapp

Hull Truck theatre, HullMark Addy and Caroline Quentin star in Richard Bean's gag-heavy satirical tale of a 17th-century city governor navigating the outbreak of civil warThere is exemplary …

SOURCE: The Guardian at 4:12am on March 5, 2017

Meeting and Vestige review " Wayne Parsons makes his mark by Luke Jennings

Rich Mix, LondonParsons proves himself a distinctive narrative voice with his compelling new work about a fictional celebrityWayne Parsons is a familiar figure on the UK contemporary dance s…

SOURCE: The Guardian at 4:12am on March 5, 2017
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