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35,741 stories from The Guardian

Sheep Pig Goat: theatre for an audience of animals by Lyn Gardner

How can you tell if a sheep likes theatre? Or a pig is into dance? Fevered Sleep are staging a show for farmyard creatures " while humans decide if they're bleating for moreAlmost 10 years a…

SOURCE: The Guardian at 7:48am on March 15, 2017

Our play gives care workers valuable new insight on risk and safeguarding | Arti Prashar by Arti Prashar

Our production, Safe, offers a light-hearted look at everyday challenges in the social care sector As the artistic director of Spare Tyre, I've been fortunate to work on a range of theatre p…

SOURCE: The Guardian at 6:06am on March 15, 2017

Does theatre matter? You asked Google " here's the answer | Lauren Mooney by Lauren Mooney

Every day millions of internet users ask Google life's most difficult questions, big and small. Our writers answer some of the commonest queriesIf you've asked why theatre matters, there's e…

SOURCE: The Guardian at 5:02am on March 15, 2017

Ricky Gervais's transgender jokes show we're all in a kind of transition by Brian Logan

The comic has been accused of transphobia after riffing about Caitlyn Jenner in his standup show. So does giving him a favourable review endorse those gags?Ricky Gervais sometimes gets peopl…

SOURCE: The Guardian at 2:36pm on March 14, 2017

Tony Haygarth obituary by Michael Coveney

Distinctive supporting actor on television, stage and filmTony Haygarth, who has died aged 72, was a salt-of-the-earth Liverpudlian actor who became a familiar face on television in series s…

SOURCE: The Guardian at 9:54am on March 14, 2017

To Dream Again review " can Shakespeare's midsummer magic save a marriage? by Miriam Gillinson

Polka theatre, London It may take more than a sprinkle of fairy dust to repair the relationship in Toby Hulse's new play, which is inspired by the enchanted comedyBefore the show, I ask Qeiv…

SOURCE: The Guardian at 8:48am on March 14, 2017

My Brilliant Friend review " triumphant staging of Elena Ferrante's quartet by Michael Billington

Rose theatre, KingstonApril De Angelis's inventive and fluid five-and-a-half-hour production spans 50 years in its characters' lives, and makes clear the books' feminist messageI am normally…

SOURCE: The Guardian at 3:12am on March 14, 2017

MDLSX review " why do we feel we need to know the sex of this performer? by Brigid Delaney

AC Arts Main theatre, Adelaide festivalMotus performer Silvia Calderoni explores gender and androgyny and tells a story of violence, pain, confusion and acceptanceAt first glance, it's music…

SOURCE: The Guardian at 9:48pm on March 13, 2017

Inside the Illuminati with Rosie Kay and Adam Curtis by Judith Mackrell

Rosie Kay has trained with the army and delved into tribal rituals for her bold dance shows. In her latest, MK Ultra, she's investigating the secret society believed to be brainwashing Beyon…

SOURCE: The Guardian at 2:54pm on March 13, 2017

Why do we love Love Actually? | Brief letters by Brief Letters

Sharp intake of breath on reading Chitra Ramaswamy's statement that Pembrokeshire is the only coastal national park (Last Night's TV, G2, 8 March). True, it is the only fully coastal on…

SOURCE: The Guardian at 2:54pm on March 13, 2017

John Forgeham obituary by Anthony Hayward

Veteran character actor who appeared in The Italian Job, Prime Suspect and Footballers WivesJohn Forgeham, who has died aged 75, was a hard-living actor who brought some of his off-screen qu…

SOURCE: The Guardian at 10:32am on March 13, 2017

'It's dance or die': The ballet dancer forbidden to perform by Islamic State by Renate Van Der Zee

Facing death threats, Ahmad Joudeh risked everything to give Damascus children dance lessons. Now the Palestinian dances for the Dutch National Ballet Half a year ago, ballet dancer Ahmad Jo…

SOURCE: The Guardian at 9:24am on March 13, 2017

Culture wars in Poland: Teatr Polski actors revolt against new director by Rob Sharp

Several members of the theatre company in WrocÅ‚aw have registered objections to Cezary Morawski's 'old-fashioned' approach, and moves for his dismissal could trigger a standoff between l…

SOURCE: The Guardian at 9:24am on March 13, 2017

Rob Brydon: I Am Standing Up review " comic's comeback is edgier than it seems by Mark Lawson

De La Warr Pavilion, Bexhill-on-Sea Picking on the audience is engaging more than cruel as Brydon riffs and ad-libs with seasoned charm in his new tourLined with retirement bungalows and hol…

SOURCE: The Guardian at 6:32am on March 13, 2017

Plan your week's theatre: top tickets by Lyn Gardner

David Tennant's Don Juan saunters into Soho, Cardiff hosts a Cock and Bull story and Mark Thomas's tale of activism and memory heads to NewcastleJack Thorne and Stephen Warbeck's loveable mu…

SOURCE: The Guardian at 3:54am on March 13, 2017

Battersea Arts Centre ready to rise from ashes of fire that nearly destroyed it by Maev Kennedy

London arts space is holding a fund-raising auction and inviting the public to contribute ideas for the Phoenix season to mark reopening of grand hall next yearIt is two years to the day sin…

SOURCE: The Guardian at 3:54am on March 13, 2017

The Miser review " Griff Rhys Jones presides over a relentless gag-fest by Michael Billington

Garrick theatre, London The audience is clobbered into submission by an anything-for-a-laugh Molière adaptation that casts Lee Mack " in his theatre debut " as the sane oneI guess, since we…

SOURCE: The Guardian at 8:12pm on March 12, 2017

Christopher Dean and Jayne Torvill: how we made Boléro by Interviews By Nancy Groves

'It was a volcano erupting " we had to climb to the very top before throwing ourselves into eternity'We had won three world championships by the time the 1984 Winter Olympics came around, so…

SOURCE: The Guardian at 4:48pm on March 12, 2017

Letter: Sir Douglas Wass was always a real gentleman by Abigail Morris

In 1995, when the Soho theatre was potentially homeless, we were getting desperate and thought we had found a building owned by the banking group Nomura. I was the theatre's artistic directo…

SOURCE: The Guardian at 1:32pm on March 12, 2017

Break an egg! A theatre critic reviews Leon's singing staff by Lyn Gardner

Employees at the West End branch of the restaurant now sing showtunes for customers. Will it lead to empty chairs at empty tables?Charlotte Chalkey and Aaron Rahn have only recently graduate…

SOURCE: The Guardian at 11:18am on March 12, 2017

My Country: A Work in Progress review " Carol Ann Duffy visits Brexit by Michael Billington

National Theatre, London Britannia is shown to be fractious and divided in this bold but fragmented piece " built from interviews with UK voters " that does not tell us anything newTom Stopp…

SOURCE: The Guardian at 10:12am on March 12, 2017

Stephen Fry's Twelfth Night: this all-male affair is no one-man show by Alex Needham

In my humble, non-reviewer opinion, no single actor dominates this radical yet perfectly balanced production at the GlobeThanks to the World Shakespeare festival, one of the Cultural Olympia…

SOURCE: The Guardian at 9:06am on March 12, 2017

Rosencrantz and Guildenstern Are Dead review " a great double act by Susannah Clapp

Old Vic, LondonDaniel Radcliffe and Joshua McGuire's split-second timing ensures this well-judged production of Stoppard's classic fizzes with lifeWhen as a schoolgirl I saw Rosencrantz and …

SOURCE: The Guardian at 4:42am on March 12, 2017

Who's Afraid of Virginia Woolf? review " Staunton and Hill have a bawl by Susannah Clapp

Harold Pinter, LondonPrepare for a high-wire showdown in James Macdonald's fine production of Albee's caustic classicNo one is going to accuse Who's Afraid of Virginia Woolf? of being too sh…

SOURCE: The Guardian at 4:42am on March 12, 2017

Julie Cunningham & Company review " words get in the way by Luke Jennings

Barbican, LondonJulie Cunningham's first works as head of her own company have passion and subtlety, but struggle to compete with a forceful spoken soundtrackWhen dancers become choreographe…

SOURCE: The Guardian at 4:42am on March 12, 2017
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