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35,740 stories from The Guardian

Royal Ballet triple bill review " gripping vision of the refugee crisis by Judith Mackrell

Royal Opera House, LondonSet to Górecki's Symphony of Sorrowful Songs, Crystal Pite's Flight Pattern is brave and beautiful alongside work by Christopher Wheeldon and David DawsonIt's bee…

SOURCE: The Guardian at 10:48am on March 17, 2017

James Acaster: 'The Fast Show perfected the art of repetition' by Rachel Aroesti

From the cult sketch show to an imaginary Johnny Vegas metal band, the master observationalist dishes the things that make him laugh the mostThe Fast Show. Many sketch shows have tried to re…

SOURCE: The Guardian at 9:42am on March 17, 2017

Turkey's all-women theatre troupe " in pictures by Tara Todras-whitehill

The all-women Arslankoy Theatre Group performs plays about domestic violence and education in small villages in Turkey. Tara Todras-Whitehill spent time with the players in 2013, photographi…

SOURCE: The Guardian at 8:36am on March 17, 2017

Filthy Business review " a superbly modern Mother Courage by Michael Billington

Hampstead theatre, LondonSara Kestelman excels as an uncliched Jewish matriarch in Ryan Craig's punchily acted new play about an East End family firmIf plays survive by creating meaty roles …

SOURCE: The Guardian at 8:36am on March 17, 2017

From Plastic to Rosalind: this week's best UK theatre and dance by Lyn Gardner & Judith Mackrell

Marius von Mayenburg squirmy satire is pitch perfect while James Cousins Company explore identity politics in a portrait of Shakespeare's Rosalind Plastic Continue reading...

SOURCE: The Guardian at 7:36am on March 17, 2017

An American in Paris is brings joie de vivre to London by Sarah Crompton

Vincente Minnelli's daring MGM musical starred the 17-year-old Leslie Caron, had a staggeringly ambitious ballet sequence and became a surprise Oscar winner. Now it's become a Tony-winning s…

SOURCE: The Guardian at 7:36am on March 17, 2017

John Malkovich: 'Politics has gone through a portal into an alternate universe' by Alfred Hickling

After musical dramas featuring a serial killer and a notorious libertine, the actor returns to the stage as a tyrant. He talks about playing sociopaths and why he gave up votingAccording to …

SOURCE: The Guardian at 6:12am on March 17, 2017

Yank! review " gay love story is an ode to courage under fire by Alfred Hickling

Hope Mill, Manchester The crusading off-Broadway musical, billed as 'the show Rodgers and Hammerstein never wrote', gets its UK premiereAs a venue specialising in new and rarely performed mu…

SOURCE: The Guardian at 3:54am on March 17, 2017

Glenda Jackson on playing poet Stevie Smith " archive, 1977 by Janet Watts

17 March 1977: Jackson spoke to the Guardian ahead of the opening of Hugh Whitemore's play about the late-blossoming poet from Palmers GreenGlenda Jackson met Stevie Smith on a poetry-readin…

SOURCE: The Guardian at 1:48am on March 17, 2017

Wole Soyinka on how he came to write Death and the King's Horseman by Andrew Gumbel

As Wole Soyinka's blistering play about colonialism opens at the National, the Nobel laureate talks to Andrew Gumbel about suicide bombers, Churchill - and dancingWole Soyinka is explaining…

SOURCE: The Guardian at 3:36pm on March 16, 2017

Ivanka Trump sees show on welcoming foreigners as new travel ban halted by Ashifa Kassam, Canada Correspondent

President's daughter sees Come From Way, a musical about welcoming strangers from abroad, as her father fights to bar millions from entering the USIt's the story of a remote Canadian town th…

SOURCE: The Guardian at 2:31pm on March 16, 2017

'This won't do the children any good at all' by Brian Logan

With his vicious puppet and heavy drinking, Jeremy Lion is no ordinary clown. His creator talks to Brian LoganBy day, he is Justin Edwards: a modest and mild-mannered comic, one third of ske…

SOURCE: The Guardian at 1:02pm on March 16, 2017

La Cage aux Folles is proof of theatre's ability to shift sexual attitudes by Michael Billington

Jerry Herman and Harvey Fierstein's 1983 musical has been revived once more. The show struck an important, rarely acknowledged blow for equalityWhen it opened in New York in 1983, La Cage au…

SOURCE: The Guardian at 11:54am on March 16, 2017

Rosalind review " this is As You Like It but not as you know it by Judith Mackrell

The Place, LondonJames Cousins deploys a language of sexual fluidity as his superb dancers bring passion and intimacy to a flirtation with Shakespeare's heroineIn James Cousins' bold reinven…

SOURCE: The Guardian at 11:54am on March 16, 2017

Lucy Porter review " comic is an honest tour guide to middle age by Brian Logan

Soho theatre, LondonThe standup's letter to her teenage self prompts some fine routines about maturity, parenthood and suburban livingThere are only three types of standup show, jokes Lucy P…

SOURCE: The Guardian at 10:48am on March 16, 2017

Help! We're trapped in an American sitcom " exclusive Comic Relief video by Guardian Staff

In Flatshare, created by the comedy sketch trio Massive Dad for Comic Relief, two mates walk into the world of a US sitcom, complete with canned laughter. The sketch is part of the Comic Rel…

SOURCE: The Guardian at 8:36am on March 16, 2017

Project Polunin review " Sergei's Swarovski-studded ballet falls flat by Judith Mackrell

Sadler's Wells, London Sergei Polunin and Natalia Osipova bring star power to an ambitious dance programme but despite some beautiful moves it's a misjudged muddleEver since Sergei Polunin w…

SOURCE: The Guardian at 6:24am on March 16, 2017

Phoebe Fox: 'I'm always playing bloody aristocrats!' by Rebecca Nicholson

The actor currently slinging punches in Twelfth Night talks about falling asleep before auditions, 10 years of horrendous teeth " and her love of 'proper fighting'In Simon Godwin's riotous, …

SOURCE: The Guardian at 3:06am on March 16, 2017

Joan of Arc: Into the Fire review " David Byrne salutes martyr with rock musical by Alexis Soloski

Public Theater, New YorkDespite handsome sets and a striking performance from Jo Lampert, this take on the tragic French warrior's life isn't quite as wild as it should beTheatergoers should…

SOURCE: The Guardian at 11:48pm on March 15, 2017

Stepping Out review " laughter on tap in feelgood musical with Amanda Holden by Lyn Gardner

Vaudeville, LondonThere are some spot-on performances in this West End revival of Richard Harris's likable play about budding hoofers in a church hallThe great tap-dance musical 42nd Street …

SOURCE: The Guardian at 4:36pm on March 15, 2017

Project Polunin: backstage at the blazing dancer's new show " in pictures by Sarah Lee and Matt Fidler

Photographer Sarah Lee was granted unique access to the preparations for Sergei Polunin's new triple bill, an ambitious collaboration with Ilan Eshkeri and David LaChapelle featuring Natalia…

SOURCE: The Guardian at 1:48pm on March 15, 2017

Marian 'Billy' Lindkvist obituary by Jenny Pearson

Creator of the Sesame approach to drama and movement in therapyMarian "Billy" Lindkvist, who has died aged 97, was a pioneer in the use of drama and movement in therapy. The method she creat…

SOURCE: The Guardian at 12:42pm on March 15, 2017

Seventeen review " veteran actors get teenage kicks in striking portrait of youth by Michael Billington

Lyric Hammersmith, LondonAdults play confused adolescents in Matthew Whittet's playground drama, adding an extra layer of hope and sadness to their characters Related: Seventeen going on 70:…

SOURCE: The Guardian at 10:32am on March 15, 2017

Edinburgh international festival to celebrate its 70th anniversary by Severin Carrell and Mark Brown

Diverse programme will see nine operas, new Ayckbourn play and sets by PJ Harvey, Jarvis Cocker and Benjamin ClementineEdinburgh international festival is to mark its 70th year with a divers…

SOURCE: The Guardian at 10:32am on March 15, 2017

Sheep Pig Goat: theatre for an audience of animals by Lyn Gardner

How can you tell if a sheep likes theatre? Or a pig is into dance? Fevered Sleep are staging a show for farmyard creatures " while humans decide if they're bleating for moreAlmost 10 years a…

SOURCE: The Guardian at 7:48am on March 15, 2017
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