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8,108 stories from DC Theatre Scene

Review: Flood City by Tim Treanor

“More matter and less art,” Queen Gertrude enjoined Polonius during one of his interminable dissertations. After watching Gabrielle Reisman’s Flood City, I feel ya, Your Ma…

SOURCE: DC Theatre Scene at 1:32pm on May 21, 2018

Review: Chekhov gets commedia-style Cherry Orchard from Faction of Fools by Debbie Minter Jackson

Faction Fools’ usual comic shtick works wondrously well in The Cherry Orchard. The award winning Fools bring artistry, cultural awareness and salient knowledge with funny bone comme…

SOURCE: DC Theatre Scene at 12:24pm on May 21, 2018

Review: Waitress, a sweet slice of musical heaven by Jayne Blanchard

"Butter. Sugar. Flour." These three words are sprinkled like incantations throughout the 2016 musical Waitress, a tasty, buttermilk tart and bright woman-powered show that features Sara Bare…

SOURCE: DC Theatre Scene at 12:06pm on May 18, 2018

Watch important moments at Helen Hayes Awards with new DCTS video by Lorraine Treanor

Emily Priborkin’s video coverage of this year’s Helen Hayes Awards takes you to some of the celebration’s most moving moments including Felicia Curry’s moving accepta…

SOURCE: DC Theatre Scene at 11:04am on May 18, 2018

Review: The Bitter Tears of Petra von Kant by Christopher Henley

Let's begin with Fernando Hechavarría, who plays Petra in the Teatro El Público production of The Bitter Tears of Petra von Kant, which opened last night, the first of a mere two perfo…

SOURCE: DC Theatre Scene at 2:12pm on May 17, 2018

Review: The Book of Joseph, telling letters by Jayne Blanchard

"We'll wait and see." Normally, words of prudence and patience.  In the context of Karen Hartman's intense epistolary play, The Book of Joseph, the words are a chilling death sentence. Th…

SOURCE: DC Theatre Scene at 2:12pm on May 17, 2018

Review: Olney's Invisible Hand packs a mighty punch by John Geoffrion

An American banker abducted by jihadists in Pakistan must earn his $10 million ransom by making a killing on the market. And as he introduces concepts of high finance to his kidnappers ̵…

SOURCE: DC Theatre Scene at 3:04pm on May 16, 2018

Review: Saint Joan, a funky, spunky, stripped-down Shaw by Alexander C. Kafka

Brevity is not the soul of Saint Joan's wit. Even at three and a half hours' running time, however, the George Bernard Shaw classic never flags in Bedlam's funky, spunky, stripped down versi…

SOURCE: DC Theatre Scene at 3:04pm on May 16, 2018

Next season, The National's 7 show Broadway series opens with a new Beetlejuice musical and closes with Bat Out of Hell by Tim Treanor

The seven shows hosted by the National Theatre next season will be either straight from New York or heading there.  The Broadway at the National series opens with the world premiere of Be…

SOURCE: DC Theatre Scene at 1:54pm on May 16, 2018

Waitress star Desi Oakley talks about playing Jenna and her favorite pie by Roy Maurer

Broadway actress and singer-songwriter Desi Oakley is over 200 performances in on the national tour of the fan-favorite musical Waitress, now at The National Theatre. She plays the lead r…

SOURCE: DC Theatre Scene at 1:54pm on May 16, 2018

Helen Hayes Awards 2018 photo album by Ryan Maxwell

Washington theatre’s most glamorous night out – The Helen Hayes Awards 2018, May 14, 2018 at The Anthem, as seen through the lens of Ryan Maxwell. For close up views, click the i…

SOURCE: DC Theatre Scene at 7:12pm on May 15, 2018

Christopher Henley on the Helen Hayes Awards scene by Lorraine Treanor

Everything's different; nothing's changed Only maybe slightly rearranged So wrote Stephen Sondheim on the subject of marriage, but the lines apply just as easily to awards shows in general, …

SOURCE: DC Theatre Scene at 1:42pm on May 15, 2018

Review: Palindrone: Sphere and Pentz at Baltimore Theatre Project by Jill Kyle-keith

Two musicians, two stories: "Palindrome", Rapid Lemon’s latest piece, is actually two one-acts, linked by themes of music and madness. Both pieces take their titles from the middle nam…

SOURCE: DC Theatre Scene at 11:33am on May 15, 2018

The Frederick Douglass Project sails but never stops to weigh anchor by Kate Colwell

On opening night of The Frederick Douglass Project, lightning cracked the sky over the Anacostia River and wind-blown rain snapped the flaps of the stage tent at The Yards Marina. Solas Nua,…

SOURCE: DC Theatre Scene at 10:24am on May 15, 2018

Review: Burst, new play from Parlor Room Theater by Missy Frederick

Amy Leigh Horan's new play Burst is tough to watch " and at the same time, engrossing to watch " precisely because it feels so real. Anyone who has dealt with grave uncertainty and a dire pr…

SOURCE: DC Theatre Scene at 10:24am on May 15, 2018

Feedspot awards DC Theatre Scene best theatre blog of 2018 by Lorraine Treanor

We are very excited to be named among Feedspot’s 30 Best Blogs for 2018, listed along with The Washingtonian, blog friends Eater DC and Kid-Friendly DC, and travel, eatery and fashion …

SOURCE: DC Theatre Scene at 2:42pm on May 14, 2018

Kander & Ebb's musical The Scottsboro Boys uses minstrel show to throw harsh light on our light on the justice system then and now by Keith Loria

The Scottsboro Boys were nine African American teenagers who were accused of raping two white American women on a train near Alabama in 1931. The boys were falsely accus…

SOURCE: DC Theatre Scene at 1:36pm on May 14, 2018

Helen Hayes Awards 2018: DCTS reporting, interviews, video and after-party photos by Lorraine Treanor

Welcome to DC Theatre Scene’s coverage of Washington theatre’s biggest night of the year, the Helen Hayes Awards. Coming Reporting from the festivities: Christopher Henley Video …

SOURCE: DC Theatre Scene at 11:24am on May 14, 2018

Long Days Journey Into Night Review: Jeremy Irons at BAM by Jonathan Mandell

By the end of the Broadway revival of Long Days Journey Into Night two years ago, when Jessica Lange as mother Mary Tyrone rejoins her family, she is an ethereal ghost, her mind and body num…

SOURCE: DC Theatre Scene at 12:24am on May 13, 2018

Review: The Undeniable Sound of Right Now at Keegan Theatre by John Bavoso

Montagues and Capulets. Vampires and werewolves. Rock musicians and DJs? The conflict between the latter is the proxy war at the center of Laura Eason's The Undeniable Sound of Right Now, cu…

SOURCE: DC Theatre Scene at 9:04am on May 12, 2018

Take Five! with Helen Hayes Award Outstanding Production nominees by Lorraine Treanor

And now the nominees for the Helen Hayes Awards honoring Outstanding Plays, Musicals and Theatre for Young Audiences Responding Alex Levy, Arena Stage, Eric Schaeffer, Jason Loewith, Michael…

SOURCE: DC Theatre Scene at 11:04am on May 11, 2018

Review: Hooded, or Bring Black for Dummies unsheaths grim realities through comedy by Kate Colwell

Hooded, Or Being Black for Dummies is a challenging play. Having read every review from Mosaic Theater ‘s Helen-Hayes-nominated premiere in 2017, I thought I knew what to expect. I …

SOURCE: DC Theatre Scene at 12:04pm on May 10, 2018

Take Five! with Helen Hayes nominated Ensemble members by Lorraine Treanor

In theatre, an ensemble is the equivalent of a jazz combo, where people are listening so intently, seeming to breathe together, and taking turns to give and take focus, that it feels like a …

SOURCE: DC Theatre Scene at 10:48am on May 9, 2018

Review: Pointless Theatre's Rite of Spring by Jon Jon Johnson

When Rite of Spring first premiered in Paris in 1913, the music and the dance proved so…strange and bizarre that it allegedly sparked a riot, resulting in 40 people being removed or ar…

SOURCE: DC Theatre Scene at 9:42am on May 9, 2018

Dance Nation Review: Funny, Sharp, Graphic Play about 13-Year-Old Girls by Jonathan Mandell

Dance Nation is a surprise, and a shock, and a delight. Although the characters are a team of 13-year-old competitive dancers from Liverpool, Ohio aiming to win the Boogie Down Grand Prix in…

SOURCE: DC Theatre Scene at 9:42pm on May 8, 2018
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